1529 – The Midnight Gospel (TV Series 2020)

spacetime coordinates: Set in a dimension known as “The Chromatic Ribbon”, a spacecaster named Clancy owns an unlicensed multiverse simulator. Through it, he travels through worlds about to have their own apocalypses interviewing some of their residents for his spacecast. The interviews are derived from earlier episodes of Trussell’s podcast The Duncan Trussell Family Hour. Special guests include Phil HendrieStephen RootDrew Pinsky, Trudy Goodman, Jason Louv, Caitlin Doughty, Michael Marcanio, Maria BamfordJoey DiazDavid Nichtern, and Deneen Fendig.

The Midnight Gospel is an American adult animated web television series created by Adventure Time creator Pendleton Ward and comedian Duncan Trussell. Released on Netflix on April 20, 2020, it is the first animated production from Ward for Netflix.

Throughout the episodes the series deals with different themes that explored through the interviews. During the first season, the guests interviewed covered topics such as magicmeditationforgivenessspiritualism, funerary rituals, death positivity, drug use, pain, moksha (transcendence) and existentialism. (wiki)

imdb   /   rt

1482 – Portrait de la jeune fille en feu (2019)

timespace coordinates: isolated island in Brittany, France, 1760.

portrait-de-la-jeune-fille-en-feu-2019-affichePortrait of a Lady on Fire (French: Portrait de la jeune fille en feu) is a 2019 French historical drama film written and directed by Céline Sciamma (water lilies), starring Noémie Merlant and Adèle Haenel. Set in France in the late 18th century, the film tells the story of a forbidden affair between an aristocrat and a painter commissioned to paint her portrait. (wiki)

portrait-de-la-jeune-fille-en-feu_poster_goldposter_com_13

imdb   /   rottentomatoes

1420

«The Romans stole the alphabeta system from the Greeks through war», explains Rammellzee. «Then, in medieval times, monks ornamented letters to hide their meaning from the people. Now, the letter is armored against further manipulation.»

New York graffiti artist and B-boy theoretician Rammellzee (the artist encases himself during gallery performances in Gasholeer, a 148-pound, gadgetry-encrusted exoskeleton inspired by an android he painted on a subway train in 1981. Four years in the making, Rammellzee’s exuberantly low-tech costume bristles with rocket launchers, nozzles that gush gouts of flame, and an all-important sound system.)

«From both wrists, I can shoot seven flames, nine flames from each sneaker’s heel, and colored flames from the throat. Two girl doll heads hanging from my waist and in front of my balls spit fire and vomit smoke… The sound system consists of a Computator, which is a system of screws with wires. These screws can be depressed when the keyboard gun is locked into it. The sound travels through the keyboard and screws, then through the Computator, then the belt, and on up to the four mid-range speakers (with tweeters). This is all balanced by a forward wheel from a jet fighter plane. I also use an echo chamber, Vocoder, and system of strobe lights. A coolant device keeps my head and chest at normal temperature. A 100-watt amp and batteries give me power.»

«slanguage» – a heavily encrypted hip-hop argot – is the linguistic equivalent of graffiti «tags» all over the mother tongue. In an essay on English as the imperial language of the Internet, the cultural critic McKenzie Wark argues for the willful, viral corruption of the lingua franca of global corporate monoculture as a political act.

Black to the Future: Afrofuturism 1.0

Mark Dery