timespace coordinates: 2019 Staten Island
What We Do in the Shadows is an American comedy horror television series, based on the 2014 film of the same name written by Jemaine Clement and Taika Waititi, that premiered on March 27, 2019, on FX. The series follows four vampire roommates living in New York City and it stars Kayvan Novak, Matt Berry, Natasia Demetriou, Harvey Guillén, and Mark Proksch. In May 2019, FX renewed the series for a 10-episode second season to debut in 2020. (wiki)What We Do in the Shadows featured meta cameos from Evan Rachel Wood (“True Blood”), Danny Trejo (“From Dusk Till Dawn”), Wesley Snipes (“Blade”), Tilda Swinton (“Only Lovers Left Alive”) and Paul Reubens (“Buffy the Vampire Slayer”) — all of whom played vampires in TV series and movies. (nypost)
Michał Jacaszek (born 1972) is a Polish electroacoustic musician, often credited on albums simply as Jacaszek.
“Penteal (2009) is an attempt to describe a gothic church interior by means of sounds. A temple owes its special atmosphere not only to visual elements but also to characteristic acoustics – reverb, enhancing and prolonging a slightest whisper into infinity. i spent several days in three Gdańsk historic churches (Oliwa Cathedral, St. Nicolas’ church, St. Mary’s Basilica) recording chanting, organs, and also a broad spectrum of accidental noises. Source sounds were used only as a stimulus which releases the sound of the whole inside, and as such, they were consequently retouched in the post production process. Studio work and also the atmosphere of melody and arrangements were subordinate to the idea of portraying the church as a place filled with distant mysteries, a huge music instrument.”
timespace coordinates: 2029 South KoreaIllang: The Wolf Brigade (Hangul: 인랑; Hanja: 人狼; RR: Illang; lit. Werewolf; also known as Inrang) is a 2018 South Korean science fiction action film directed by Kim Jee-woon and starring Gang Dong-won, Han Hyo-joo, Jung Woo-sung and Kim Mu-yeol. It is a live-action adaptation of the Japanese animated film Jin-Roh: The Wolf Brigade (1999). (This is not a direct remake of Jin Roh:Wolf Birgade which is set in an alternate reality of 1950’s Japan, this remake sets the action in Korea and places the story in the future.)Set in 2029 where South and North Korea get ready for a unified government after years of preparation. South Korean police launches a special unit, known as “Illang” (The Wolf Brigade), to stop an anti-reunification terrorist group called “The Sect” (wiki)
timespace coordinates: December 2004, small village in the Alaska wilderness (Keelut)
‘Green Room’ filmmaker Jeremy Saulnier’s art-horror adaptation of Arctic Noir novel is bloody, brutal, bleak and Freudian as hell” (rollingstone review)
Hold the Dark is a 2018 American thriller film directed by Jeremy Saulnier from a screenplay by Macon Blair. It is based upon the novel of the same name by William Giraldi. It stars Jeffrey Wright, Alexander Skarsgård, James Badge Dale, Riley Keough, Tantoo Cardinal, Irene Bidel and Julian Black Antelope. (wiki)
timespace coordinates: 1810s French-occupied Germany
The Brothers Grimm is a 2005 adventure fantasy film directed by Terry Gilliam. The film stars Matt Damon, Heath Ledger, and Lena Headey in an exaggerated and fictitious portrait of the Brothers Grimm as traveling con-artists in French-occupied Germany, during the early 19th century. However, the brothers eventually encounter a genuine fairy tale curse which requires real courage instead of their usual bogus exorcisms. Supporting characters are played by Peter Stormare, Jonathan Pryce, and Monica Bellucci.
imdb / Guy Hendrix Dyas
timespace coordinates: 1888 Transylvania
Van Helsing is a 2004 American dark fantasy action comedy written and directed by Stephen Sommers. It stars Hugh Jackman as vigilante monster hunter Van Helsing, and Kate Beckinsale as Anna Valerious. The film is an homage and tribute to the Universal Horror Monster films from the 1930s and ’40s (also produced by Universal Studios which were in turn based on novels by Bram Stoker and Mary Shelley), of which Sommers is a fan.
The eponymous character was inspired by the Dutch vampire hunter Abraham Van Helsing from Irish author Bram Stoker’s novel Dracula. The film includes a number of monsters such as Count Dracula, Frankenstein’s monster and werewolves in a way similar to the multi-monster movies that Universal produced in the 1940s, such as Frankenstein Meets the Wolf Man, House of Frankenstein and House of Dracula.
Sommers expanded the story of Van Helsing in two direct spin-offs:
- The animated prequel titled Van Helsing: The London Assignment takes place before the main events of the film, focusing on Van Helsing’s mission to try to stop Dr. Jekyll and Mr. Hyde from terrorizing London.
- There is also a one-shot comic book, published by Dark Horse Comics, titled Van Helsing: From Beneath the Rue Morgue, that follows Van Helsing on a self-contained adventure that occurs during the events of the film, just after the death of Jekyll/Hyde in Paris but before Van Helsing returned to Rome. In the adventure, Van Helsing deals with Doctor Moreau and his hybrid mutants.
In May 2012, Universal Pictures announced that they would be rebooting the film with Alex Kurtzman and Roberto Orci as a two-year deal to produce a modern reimagining and Tom Cruise to star as the title character and also produce the film. Rupert Sanders is in talks to direct the film. Orci spoken to IGN that he has hinted that both The Mummy and Van Helsing reboots will have a shared universe. On November 11, 2015, Variety reports that Jon Spaihts and Eric Heisserer will write the reboot, but Cruise left the film. However, in 2016, Cruise signed back on to star in Kurtzman’s The Mummy, which was released in theaters on June 9, 2017. (wiki)
spacetime coordinates: 19th century EstoniaNovember is a 2017 Estonian fantasy drama film directed by Rainer Sarnet, based on Andrus Kivirähk‘s novel Rehepapp ehk November (Old Barny aka November).
“Sarnet’s earthbound fairy tale occupies a dreamscape somewhere between the teeming canvases of Brueghel and the existential agonies of Bela Tarr‘s films.” Sheri Linden