1189 – Jumper (2008)

timespace coordinates: filmed in 20 cities / 14 countries from 2006 to 2007

Jumper is a 2008 American science fiction action film loosely based on the 1992 novel of the same name by Steven Gould. The film is directed by Doug Liman and stars Hayden ChristensenJamie BellRachel BilsonMax ThieriotAnnaSophia RobbDiane LaneMichael Rooker, and Samuel L. Jackson. The film follows a young man capable of teleporting as he is chased by a secret society intent on killing him.

In response to the film’s box office performance, director Doug Liman has spoken of his ideas for a sequel. Among them are that Jumpers can reach other planets and travel in time, as well as their capacity for espionage. (read more: potential sequel)


A spin-off television series from the film, titled Impulse, was released on YouTube Premium on June 6, 2018. (wiki)

imdb   /   rottentomatoes

1152 – Samsara (2011 documentary)

Samsara is a 2011 American non-narrative documentary film of international imagery directed by Ron Fricke and produced by Mark Magidson. Samsara was filmed over a period of five years in 25 different countries around the world.

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The official website describes the film, “Expanding on the themes they developed in Baraka (1992) and Chronos (1985), Samsara explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of humanity’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation.” (wiki)

imdb   /   fantasy_coffins   /   819 – Olivier de Sagazan

1146 – Baraka (1992)

Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)

Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)

imdb   /   on YouTube

582 – Agora (2009)

spacetime coordinates: Alexandria, Egypt. 391 – 415 A.D.

Agora (Spanish: Ágora) is a 2009 Spanish English-language historical drama film directed by Alejandro Amenábar and written by Amenábar and Mateo Gil. The biopic stars Rachel Weisz as Hypatia, a female mathematician, philosopher and astronomer in late 4th-century Roman Egypt, The story uses historical fiction to highlight the relationship between religion and science at the time amidst the decline of Greco-Roman polytheism and the Christianization of the Roman Empire046b6e5aa20b3508ae444795bb34e496The set used in the film is meticulously historically authentic, showing a blend of Greek, Roman, and Egyptian architectural styles that would have been fitting to the time period,  but the costumes are anachronistic. Hypatia’s age in the film is also inaccurate; most scholars believe she would have been in her 50s or 60s at the time of her death, but the film portrays her as a young woman. Irene A. Artemi, a doctor of theology at Athens University, states that “The movie—albeit seemingly not turning against the Christian religion—is in fact portraying the Christians as fundamentalist, obscurantist, ignorant and fanatic”. Similarly, the atheist historian Tim O’Neil remarks: “Over and over again, elements are added to the story that are not in the source material: the destruction of the library, the stoning of the Jews in the theatre, Cyril condemning Hypatia’s teaching because she is a woman, the heliocentric “breakthrough” and Hypatia’s supposed irreligiosity.” (read more: Historical accuracy)

saint_cyril_of_alexandria

Cyril of Alexandria

imdb

566 – Les aventures extraordinaires d’Adèle Blanc-Sec (2010)

spacetime coordinates: Paris, c. 1912adele-blanc-secThe Extraordinary Adventures of Adèle Blanc-Sec (French: Les Aventures extraordinaires d’Adèle Blanc-Sec), released as Adèle: Rise of the Mummy in Malaysia and Singapore,  is a 2010 French fantasy adventure feature film written and directed by Luc Besson.5b1a7c271b3a7679a5d3d4f18a1cd6b2It is loosely based on the comic book series The Extraordinary Adventures of Adèle Blanc-Sec by Jacques Tardi and, as in the comic, follows the eponymous writer and a number of recurring side characters in a succession of far-fetched incidents in 1910s Paris and beyond, in this episode revolving around parapsychology and ultra-advanced Ancient Egyptian technology, which both pastiche and subvert adventure and speculative fiction of the period.Les_Aventures_Extrodinaires_D'Adele_Blanc-Sec_poster2The film incorporates characters and events from several of the albums, in particular the first, “Adèle and the Beast”, first published in 1976, and the fourth, 1978’s “Mummies on Parade”.cartel(5)

wiki   imdb

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“In Cairo ten years ago, in the museum, I saw all the mummies, torn out of their tombs, stripped of their flowers and gods, and laid out in plain wood cases under glass with their blackened faces exposed; on the walls an American scientist had put his X-ray photos of their skeletons, and the urn containing the entrails of Queen Hapshetshut was split open and brightly illuminated.”  Dangerous Emotions Alphonso Lingis

018 – X-Men (film series)

The X-Men is an American superhero film series based on the superhero team of the same name, who originally appeared in a series of comic books created by Stan Lee and Jack Kirby and published by Marvel Comics.

timeline: http://xmenmovies.wikia.com/wiki/Timeline


X-Men: First Class (2011)

spacetime coordinate: 1944, in a German concentration camp in occupied Poland , 1962 during the Cuban Missile Crisis

X-Men_First_Class_PosterThe story focuses on the relationship between Professor Charles Xavier and Erik Lensherr / Magneto, and the origin of their groups—the X-Men and the Brotherhood of Mutants, respectively, as they deal with the Hellfire Club led by Sebastian Shaw (Kevin Bacon), who is bent on world domination.


X-Men Origins: Wolverine (2009)

spacetime coordinate: 1845 > Vietnam War >70’s Canada (Wolverine’s lumberjack period) > Three Mile Island, 1979

X-Men_Origins-_Wolverine_PosterThe film is a prequel/spin-off focusing on the violent past of the mutant Wolverine and his relationship with his half-brother Victor Creed. The plot details Wolverine’s childhood as James Howlett (Troye Sivan), his early encounters with Major William Stryker, his time with Team X, a group of mutants including Agent Zero, Wade Wilson, John Wraith, Fred Dukes, and Chris Bradley. and the bonding of Wolverine’s skeleton with the indestructible metal adamantium during the Weapon X program.

Stryker activates Wade, now known as Weapon XI/Deadpool, a “mutant killer” with the powers of multiple mutants.


X-Men (2000)

spacetime coordinate: usa, 2000

X-MenThe film focuses on the mutants Wolverine and Rogue as they are brought into a conflict between two groups that have radically different approaches to bringing about the acceptance of mutant-kind


X2 (2003)

spacetime coordinate: usa, 2003

x2-coverinspired by the graphic novel God Loves, Man Kills, pits the X-Men and their enemies, the Brotherhood, against the genocidal Colonel William Stryker . He leads an assault on Professor Xavier’s school to build his own version of Xavier’s mutant-tracking computer Cerebro, in order to destroy every mutant on Earth and to save the human race from them.


X-Men: The Last Stand (2006)

spacetime coordinate: USA, 2006

x men last standThe film’s script is loosely based on two X-Men comic book story arcs: “The Dark Phoenix Saga” by writer Chris Claremont and artist John Byrne, and “Gifted” by writer Joss Whedon and artist John Cassaday, with a plot that revolves around a “mutant cure” that causes serious repercussions among mutants and humans, and on the resurrection of Jean Grey.

hope serum

hope serum


The Wolverine (2013)

spacetime coordinate: japan, 2013

the_wolverine_posterbased on the 1982 limited series Wolverine by Chris Claremont and Frank Miller. In the film, which follows the events of X-Men: The Last Stand, Logan travels to Japan, where he engages an old acquaintance in a struggle that has lasting consequences. Stripped of his healing factor, Wolverine must battle deadly samurai while struggling with guilt.


Deadpool (2016)

spacetime coordinate: USA, 2016

deadpool posterantihero Deadpool hunts Ajax, the man who nearly destroyed his life while also trying to reunite with his lost love. featuring Angel Dust, Colossus and Negasonic Teenage Warhead


X-Men: Days of Future Past (2014)

spacetime coordinate: 2023, China > 1973, USA

x-men-days-of-future-past-soundtrackThe story, inspired by the 1981 Uncanny X-Men storyline “Days of Future Past” by Chris Claremont and John Byrne, focuses on two time periods, with Wolverine traveling back in time to 1973 to change history and prevent an event that results in doom for both humans and mutants.x_men_days_of_future_past_poster_by_n8ma-d78r9xo


X-Men: Apocalypse (2016)

spacetime coordinate: ancient Egypt,  1983 Cairo,  East Berlin, New York, Communist Poland

X-Men_Apocalype_UK_PostermystiqueThe ancient mutant En Sabah Nur awakens in 1983 and plans to wipe out modern civilization and take over the world, leading the X-Men to try to stop him and defeat his team of renegade mutants.


Logan (2017)

spacetime coordinate:  2029 Texas, the Mexican border, Oklahoma City, North Dakota

logan-2017-poster-4It is the tenth installment in the X-Men film series, as well as the third and final Wolverine solo film following X-Men Origins: Wolverine (2009) and The Wolverine (2013). The film, which takes inspiration from “Old Man Logan” by Mark Millar and Steve McNiven, based in an alternate bleak future, follows an aged Wolverine and an extremely ill Professor X defending a young mutant named Laura from the villainous Reavers and Alkali-Transigen led by Donald Pierce and Zander Rice, respectively.5b0f74ecfb2a1ae5717856adb576e22bThe film takes visual, tonal and thematic inspiration from classic western and noir cinema, with director James Mangold having stated that Logan’s influences included “visual reference points” of cinema, citing Shane (1953), The Cowboys (1972), Paper Moon (1973), The Gauntlet (1977), Little Miss Sunshine (2006), and The Wrestler (2008).

Mangold spoke of cinematography-based framing, while noting that he does not necessarily think about the “comic-book” related sort, instead highlighting the variety of stylistic influences that went into Logan. These influences include film noir framings and classic Hollywood filmmaking styles, as well as the Germanic expressionist filmmaking style of the early part of the last century, which Mangold stated has a commonality with comic-book art. Mangold highlighted “Strong foregrounds, playing things in depth: you have to make an image say more within that one image.” Using the image of Logan at a funeral as an example of his stylistic logic, Mangold concluded by mentioning the aspects within modern filmmaking, primarily everything in close-up format. For Logan, his aim was to set frames that are descriptive, and evocative of comic-book panels and classical filmmaking

7acc05c0426a76e118eacb6d18277d15On April 29, 2017, James Mangold announced via Twitter that a black-and-white version of the film entitled Logan Noir would have a limited theatrical run in U.S. theaters, an event set to begin on May 16, 2017. Mangold stated that it was shot as a color film, with awareness that it would play well as a black and white film. The film was re-graded and timed shot by shot for the Noir edition. This version of the film is included on the Digital HD release and also included in the DVD and Blu-ray Combo Pack. (wiki)loganimaxposter

One Last Time Promotion and Future