timespace coordinates: filmed in 20 cities / 14 countries from 2006 to 2007
Jumper is a 2008 American science fiction action film loosely based on the 1992 novel of the same name by Steven Gould. The film is directed by Doug Liman and stars Hayden Christensen, Jamie Bell, Rachel Bilson, Max Thieriot, AnnaSophia Robb, Diane Lane, Michael Rooker, and Samuel L. Jackson. The film follows a young man capable of teleporting as he is chased by a secret society intent on killing him.
In response to the film’s box office performance, director Doug Liman has spoken of his ideas for a sequel. Among them are that Jumpers can reach other planets and travel in time, as well as their capacity for espionage. (read more: potential sequel)
A spin-off television series from the film, titled Impulse, was released on YouTube Premium on June 6, 2018. (wiki)
imdb / rottentomatoes
Samsara is a 2011 American non-narrative documentary film of international imagery directed by Ron Fricke and produced by Mark Magidson. Samsara was filmed over a period of five years in 25 different countries around the world.
The official website describes the film, “Expanding on the themes they developed in Baraka (1992) and Chronos (1985), Samsara explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of humanity’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation.” (wiki)
imdb / fantasy_coffins / 819 – Olivier de Sagazan
Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)
Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)
imdb / on YouTube
spacetime coordinates: Alexandria, Egypt. 391 – 415 A.D.
Agora (Spanish: Ágora) is a 2009 Spanish English-language historical drama film directed by Alejandro Amenábar and written by Amenábar and Mateo Gil. The biopic stars Rachel Weisz as Hypatia, a female mathematician, philosopher and astronomer in late 4th-century Roman Egypt, The story uses historical fiction to highlight the relationship between religion and science at the time amidst the decline of Greco-Roman polytheism and the Christianization of the Roman Empire. The set used in the film is meticulously historically authentic, showing a blend of Greek, Roman, and Egyptian architectural styles that would have been fitting to the time period, but the costumes are anachronistic. Hypatia’s age in the film is also inaccurate; most scholars believe she would have been in her 50s or 60s at the time of her death, but the film portrays her as a young woman. Irene A. Artemi, a doctor of theology at Athens University, states that “The movie—albeit seemingly not turning against the Christian religion—is in fact portraying the Christians as fundamentalist, obscurantist, ignorant and fanatic”. Similarly, the atheist historian Tim O’Neil remarks: “Over and over again, elements are added to the story that are not in the source material: the destruction of the library, the stoning of the Jews in the theatre, Cyril condemning Hypatia’s teaching because she is a woman, the heliocentric “breakthrough” and Hypatia’s supposed irreligiosity.” (read more: Historical accuracy)
Cyril of Alexandria