475

 spacetime coordinates: Los Angeles 2022, 2036,  2048.

Blade Runner Black Out 2022 is a neo-noir cyberpunk anime short film directed by Shinichiro Watanabe. The short is one of three short films, alongside 2036: Nexus Dawn and 2048: Nowhere to Run, that serve as prequels to the live-action film Blade Runner 2049.

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464 – Altered Carbon (TV Series 2018– )

spacetime coordinates:  Bay City, year 2384 // “The Protectorate” alteredcarbon_kovacs_vertical-core_rgb_us-1Altered Carbon is an American science fiction television series created by Laeta Kalogridis and based on the 2002 novel of the same title by English author Richard K. Morgan.

In the future, a person’s memories have been decanted into “cortical stacks”, storage devices of alien design which have been reverse engineered, duplicated en masse, and surgically inserted into the vertebrae at the back of the neck. Physical bodies are called “sleeves,” disposable vessels that can accept any “stack”. Takeshi Kovacs (Joel Kinnaman), a political operative with mercenary skills, wakes up 250 years after his sleeve is terminated, and he is given the choice to either spend the rest of time in prison for his crimes, or to help solve the murder of one of the wealthiest men in the settled worlds (James Purefoy). 22c7a39790c31ba2d3f72c0929d5d9c6http://www.imdb.com/title/tt2261227/

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“When everyone lies, telling the truth isn’t just rebellion.
It’s an act of revolution. So think carefully when you speak it,
because the truth is a weapon.”

436 – Looper (2012)

spacetime coordinates: 2044  Kansas City < 2074  Shanghailooper posterLooper is a 2012 American science fiction thriller film written and directed by Rian Johnson, and produced by Ram Bergman and James D. Stern. It stars Bruce WillisJoseph Gordon-Levitt, and Emily Blunt. It revolves around criminal syndicates using contracted killers called “loopers” to kill victims sent through time travel.looper_uk_steelbook

http://www.imdb.com/title/tt1276104/

385 – Aachi & Ssipak (2006)

aachi-et-ssipak posterAachi & Ssipak is a 2006 animated South Korean film directed by Jo Beom-jin and featuring the voices of Ryoo Seung-bumIm Chang-jung, and Hyun Young.aachi-et-ssipakSometime in the future, mankind has depleted all energy and fuel sources, however they have somehow engineered a way to use human excrement as fuel. To reward production, the government hands out extremely addictive, popsicle-like “Juicybars” to citizens,which in turn also makes them constipated. Aachi and Ssipak are street hoodlums who struggle to survive by trading black market Juicybars. Through a chain of events involving their porn-director acquaintance Jimmy the Freak, they meet a porn star named Beautiful, who gets a pink ring inside her butt which makes her defecations are rewarded by exceptional quantities of Juicybars. For that reason, Beautiful is also wanted by the violent blue mutants known as the Diaper Gang (led by the Diaper King), the police (most notably the cyborg police officer Geko), and others.

http://www.imdb.com/title/tt0972542/

345 – Pacific Rim (2013)

spacetime coordinates: 2020 – 2025 Alaska // Hong Kong // Manila // San Francisco // Pacific Ocean //  Tokyopacific_rim_coverPacific Rim is a 2013 American science fiction monster film directed by Guillermo del Toro and starring Charlie HunnamIdris ElbaRinko KikuchiCharlie DayBurn GormanRobert KazinskyMax Martini, and Ron Perlman. The screenplay was written by Travis Beacham and del Toro from a story by Beacham.Pacific-Rim-Quad-PosterPacificRim_DOM_RGB_3200x1600.inddThe film is set in the future, when Earth is at war with the Kaiju,  colossal sea monsters which have emerged from an interdimensional portal on the bottom of the Pacific Ocean. To combat the monsters, humanity unites to create the Jaegers,  gigantic humanoid mechas each controlled by at least two pilots, whose minds are joined by a mental link. Focusing on the war’s later days, the story follows Raleigh Becket, a washed-up Jaeger pilot called out of retirement and teamed with rookie pilot Mako Mori as part of a last-ditch effort to defeat the Kaiju.

Knifehead, the first Kaiju to appear in the film, is a tribute to the plodding kaiju of 1960s Japanese films, and is intended to look almost like a man in a rubber suit; its head was inspired by that of a goblin shark. Leatherback, the bouncer-like Kaiju which spews electro-magnetic charges, is a favorite of del Toro, who conceived it as a “brawler with this sort of beer belly”; the lumbering movements of gorillas were used as a reference.  The Kaiju Otachi homages the dragons of Chinese mythology. The director called it a “Swiss army knife of a Kaiju”; with almost 20 minutes of screen time, it was given numerous features so the audience would not tire of it. The creature moves like a Komodo dragon in water, sports multiple jaws and an acid-filled neck sack, and unfurls wings when necessary. It is also more intelligent than the other Kaiju, employing eagle-inspired strategies against the Jaegers.  Onibaba, the Kaiju that orphans Mako Mori, resembles a fusion of a Japanese temple and a crustacean. Slattern, the largest Kaiju, is distinguished by its extremely long neck and “half-horn, half-crown” head, which del Toro considered both demonic and majestic. 

Gipsy Danger, the American Jaeger, was based on the shape of New York City’s Art Deco buildings, such as the Chrysler Building and the Empire State Building, but infused with John Wayne‘s gunslinger gait and hip movements. Cherno Alpha, the Russian Jaeger, was based on the shape and paint patterns of a T-series Russian tank, combined with a giant containment silo to give the appearance of a walking nuclear power plant with a cooling tower on its head. Crimson Typhoon, the three-armed Chinese Jaeger, is piloted by triplets and resembles a “medieval little warrior”; its texture evokes Chinese lacquered wood with golden edges. Striker Eureka, the Australian Jaeger, is likened by del Toro to a Land Rover; the most elegant and masculine Jaeger, it has a jutting chest, a camouflage paint scheme recalling the Australian outback, and the bravado of its pilots.

Rather than popular culture, the director drew inspiration from works of art such as The Colossus and George Bellows‘s boxing paintings.

The classic Japanese woodblock print  The Great Wave off Kanagawa by Hokusai was a common motif in the ocean battles; Del Toro recalled, “I would say ‘Give me a Hokusai wave’… we use the waves and weather in the movie very operatically.”  The director asked that Knoll not necessarily match the lighting from shot to shot: “It’s pretty unorthodox to do that, but I think the results are really beautiful and very artistically free and powerful, not something you would associate with a big sci-fi action movie.” Del Toro considers the film’s digital water its most exciting visual effect: “The water dynamics in this movie are technically beautiful, but also artistically incredibly expressive. We agreed on making the water become almost another character. We would time the water very precisely. I’d say ‘Get out of the wave [on this frame].'”

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https://en.wikipedia.org/wiki/Pacific_Rim_(film)

http://www.imdb.com/title/tt1663662/

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