1529 – The Midnight Gospel (TV Series 2020)

spacetime coordinates: Set in a dimension known as “The Chromatic Ribbon”, a spacecaster named Clancy owns an unlicensed multiverse simulator. Through it, he travels through worlds about to have their own apocalypses interviewing some of their residents for his spacecast. The interviews are derived from earlier episodes of Trussell’s podcast The Duncan Trussell Family Hour. Special guests include Phil HendrieStephen RootDrew Pinsky, Trudy Goodman, Jason Louv, Caitlin Doughty, Michael Marcanio, Maria BamfordJoey DiazDavid Nichtern, and Deneen Fendig.

The Midnight Gospel is an American adult animated web television series created by Adventure Time creator Pendleton Ward and comedian Duncan Trussell. Released on Netflix on April 20, 2020, it is the first animated production from Ward for Netflix.

Throughout the episodes the series deals with different themes that explored through the interviews. During the first season, the guests interviewed covered topics such as magicmeditationforgivenessspiritualism, funerary rituals, death positivity, drug use, pain, moksha (transcendence) and existentialism. (wiki)

imdb   /   rt

1445 – 140 (2013 video game)

140 is a platform game independently developed by Jeppe Carlsen, known for his game-play direction for Playdead‘s Limbo. The game is described as a “minimalistic platformer”, using electronic music to create synesthesia as the player makes its way through four different levels, each with its own sound-track. The game-play has been compared to other similar games which involve music synchronization like Sound Shapes and the Bit.Trip series, though with difficult platforming elements comparable to games in the Mega Man series. The game was released on Microsoft Windows, OS X, and Linux systems in October 2013, on Xbox One in August 2016, and on PlayStation 4 as well as on Wii U in September 2016. Later then, Nintendo Switch version was released in January 2020. (wiki)

steam

1228 – Chad VanGaalen

“TARBOZ was planned as the first episode of “Translated Log of Inhabitants”, and was an experiment to see if i could make a long-form improvised animation and still get out alive. I barely did!

The “Translated Log of Inhabitants” was conceived as a guide to the origin story of many different species. I imagined myself doing dozens of these episodes, focusing on a new life form very time — very much like a page from “Barlowe’s Guide to Extraterrestrials“. It expands a universe that I had already been developing in my own music videos, as well as ones for other bands. The videos for “Peace on the Rise” as well as ones for Black Mountain and Shabazz Palaces all exist in the same world (at least in my head).

TARBOZ is stream of consciousness, dreams and friends. Alternate versions of my own reality. Coming to terms with the fact that I will never play freestyle disc professionally, but wanting to pay homage to the peaceful energy of that sport. It also reflects my needing to score a sci-fi film so badly that I ended up making my own.

I TARBOZed myself for 2 years, through software transitions and computer wastelands, and slowly the physical realm slipped away. I learned a lot about why you should get into something with a clear idea in mind. I would never make another animation in quite the same the way I made this again. After two years of working on it in solitude I just wanted my life back. Doing it alone was my biggest mistake. I was very lonely.

It didn’t really end up like any of these things, but I hope this might help people understand the spirt of the piece. Although I’m not sure i understand it entirely myself. Sometimes you need to just do it in order to know how to not to do it?”