140 is a platform game independently developed by Jeppe Carlsen, known for his game-play direction for Playdead‘s Limbo. The game is described as a “minimalistic platformer”, using electronic music to create synesthesia as the player makes its way through four different levels, each with its own sound-track. The game-play has been compared to other similar games which involve music synchronization like Sound Shapes and the Bit.Trip series, though with difficult platforming elements comparable to games in the Mega Man series. The game was released on Microsoft Windows, OS X, and Linux systems in October 2013, on Xbox One in August 2016, and on PlayStation 4 as well as on Wii U in September 2016. Later then, Nintendo Switch version was released in January 2020. (wiki)
“TARBOZ was planned as the first episode of “Translated Log of Inhabitants”, and was an experiment to see if i could make a long-form improvised animation and still get out alive. I barely did!
The “Translated Log of Inhabitants” was conceived as a guide to the origin story of many different species. I imagined myself doing dozens of these episodes, focusing on a new life form very time — very much like a page from “Barlowe’s Guide to Extraterrestrials“. It expands a universe that I had already been developing in my own music videos, as well as ones for other bands. The videos for “Peace on the Rise” as well as ones for Black Mountain and Shabazz Palaces all exist in the same world (at least in my head).
TARBOZ is stream of consciousness, dreams and friends. Alternate versions of my own reality. Coming to terms with the fact that I will never play freestyle disc professionally, but wanting to pay homage to the peaceful energy of that sport. It also reflects my needing to score a sci-fi film so badly that I ended up making my own.
I TARBOZed myself for 2 years, through software transitions and computer wastelands, and slowly the physical realm slipped away. I learned a lot about why you should get into something with a clear idea in mind. I would never make another animation in quite the same the way I made this again. After two years of working on it in solitude I just wanted my life back. Doing it alone was my biggest mistake. I was very lonely.
It didn’t really end up like any of these things, but I hope this might help people understand the spirt of the piece. Although I’m not sure i understand it entirely myself. Sometimes you need to just do it in order to know how to not to do it?”
Among all the tales there is one, / which you haven’t heard / and which the night reclaimed long ago. / Have you enough patience to listen to it?
The Hourglass Sanatorium (Polish: Sanatorium pod klepsydrą) is a 1973 Polish film directed by Wojciech Jerzy Has, starring Jan Nowicki, Tadeusz Kondrat, Mieczysław Voit, Halina Kowalska and Gustaw Holoubek. The story follows a young Jewish man who visits his father in a mystical sanatorium where time does not behave normally. The film is an adaptation of Bruno Schulz‘s story collection Sanatorium Under the Sign of the Hourglass. It won the Jury Prize at the 1973 Cannes Film Festival. (Release)
Joseph (Jan Nowicki) travels through a dream-like world, taking a dilapidated train to visit his dying father, Jacob, in a sanatorium. When he arrives at the hospital, he finds the entire facility is going to ruin and no one seems to be in charge or even caring for the patients. Time appears to behave in unpredictable ways, reanimating the past in an elaborate artificial caprice.
Though Joseph is always shown as an adult, his behavior and the people around often depict him as a child. He befriends Rudolf, a young boy who owns a postage stamp album. The names of the stamps trigger a wealth of association and adventure in Joseph. Among the many occurrences in this visually potent phantasmagoria include Joseph re-entering childhood episodes with his wildly eccentric father (who lives with birds in an attic), being arrested by a mysterious unit of soldiers for having a dream that was severely criticized in high places, reflecting on a girl he fantasized about in his boyhood and commandeering a group of historic wax mannequins. Throughout his strange journey, an ominous blind train conductor reappears like a death figure.
Has also adds a series of reflections on the Holocaust that were not present in the original texts, reading Schulz’s prose through the prism of the author’s death during World War II and the demise of the world he described. (wiki)
“There are things than cannot ever occur with any precision. They are too big and too magnificent to be contained in mere facts. They are merely trying to occur, they are checking whether the ground of reality can carry them. And they quickly withdraw, fearing to loose their integrity in the frailty of realization. ” (Bruno Schulz)
“I love to be alone. / The sun is but a morning star. / The wildest sound ever
heard makes the woods ring far / and wide. / Faint tinkling sounds borne to my ear. / Their roots reaching quite under the house. / Fearing that they
would be light-headed. / For want of food and also sleep. / Prevailing blue mixed with yellow of the sand. / Sunshine is the color of the water. / I used to wonder at the halo /
of light around my shadow / And fancied myself one of the elect.”
Upstream Color is a 2013 American experimental science fiction film written, directed, produced, edited, composed, designed, cast by and starring Shane Carruth. The film is the second feature directed by Carruth, best known for his 2004 debut Primer. Upstream Color stars Amy Seimetz, Carruth, Andrew Sensenig, and Thiago Martins.
Upstream Color is about two people whose behaviors are affected by a complex parasite—without knowing it—that has a three-stage life cycle in which it passes from humans to pigs to orchids. (wiki)