timespace coordinates: 2010’s Shibuya (Tokyo, Japan)
The Boy and the Beast (Japanese: バケモノの子 Hepburn: Bakemono no Ko, literally “The bakemono‘s child”) is a 2015 Japanese animated action-adventure fantasy film written and directed by Mamoru Hosoda. It won Animation of the Year at the 37th Japan Academy Prizes. (wiki)
imdb / rottentomatoes
Michał Jacaszek (born 1972) is a Polish electroacoustic musician, often credited on albums simply as Jacaszek.
“Penteal (2009) is an attempt to describe a gothic church interior by means of sounds. A temple owes its special atmosphere not only to visual elements but also to characteristic acoustics – reverb, enhancing and prolonging a slightest whisper into infinity. i spent several days in three Gdańsk historic churches (Oliwa Cathedral, St. Nicolas’ church, St. Mary’s Basilica) recording chanting, organs, and also a broad spectrum of accidental noises. Source sounds were used only as a stimulus which releases the sound of the whole inside, and as such, they were consequently retouched in the post production process. Studio work and also the atmosphere of melody and arrangements were subordinate to the idea of portraying the church as a place filled with distant mysteries, a huge music instrument.”
In our race towards modernity, amidst all the technological innovation and the rapid growth of our cities, silence is now quickly passing into legend. Beginning with an ode to John Cage‘s seminal silent composition 4’33“, the sights and sounds of this film delicately interweave with silence to create a contemplative and cinematic experience that works its way through frantic minds and into the quiet spaces of hearts. As much a work of devotion as it is a documentary, IN PURSUIT OF SILENCE is a meditative exploration of our relationship with silence, with sound, and the impact of noise on our lives. (rottentomatoes)
“The etymological roots of the word silence
are somewhat contested. There are two words
in particular that people go back to. There’s the Gothic term ana-silan, and then</i> desinere. One of them has to do with
the wind dying down and the other has to do with
a kind of stopping of motion. They’re both to do with an
interruption, not just of sound, but the roots of silence
are also to do with the interruption of our own… The imposition of our own egos
on the world.” GEORGE PROCHNIK
Ghostland (also known as Incident in a Ghostland) is a 2018 post-torture-porn horror film directed by Pascal Laugier. the film is a Canadian-French co-production.
(DISTURBING CONTENT) !extreme violence!
Dennis Harvey of Variety declared the Ghostland “slick, intense, and unpleasant in the same hollow way “Martyrs” did, because all the cruelty is so meaningless. Replacing that film’s empty pseudo-mysticism are villains for whom Laugier doesn’t bother providing any motivation or backstory.”
imdb villagevoice review
New French Extremity
spacetime coordinates: Coney Island in the 1950’s
Wonder Wheel is a 2017 American period drama film written and directed by Woody Allen, and starring Jim Belushi, Kate Winslet, Juno Temple, and Justin Timberlake. The film is set in the early 1950s at an amusement park on Coney Island, and named for the park’s Ferris wheel. The story follows the second wife and the estranged daughter of a carousel operator as they both pursue affairs with a life guard.
spacetime coordinates: 2017 Atlanta, Georgia.
(bad music / good people)
Baby Driver is a 2017 crime action film written and directed by Edgar Wright. It stars Ansel Elgort, Kevin Spacey, Lily James, Eiza González, Jon Hamm, Jamie Foxx, and Jon Bernthal. The plot follows Baby, a young getaway driver and music lover who must work for a kingpin.
spacetime coordinates: 19th century Amherst, Massachusetts
A Quiet Passion is a 2016 biographical film directed and written by Terence Davies about the life of U.S poet Emily Dickinson. The film stars Cynthia Nixon as the reclusive poet. It co-stars Emma Bell as young Dickinson, Jennifer Ehle, Duncan Duff and Keith Carradine. Despite its title, the film isn’t quiet.
“Goodbye to the life I used to live,
And the world I used to know;
And kiss the hills for me, just once;
Now I am ready to go!
Because I could not stop for Death –
He kindly stopped for me –
The carriage held but just ourselves –
We slowly drove – he knew no haste
And I had put away
My labour and my leisure too,
For His civility.
We passed the school,
where children strove,
At recess – in the ring –
We passed the fields of grazing grain –
We passed the setting sun –
Or rather – he passed us –
The dews drew quivering and chill –
For only gossamer, my gown –
My tippet – only tulle –
We paused before a house that seemed
A swelling of the ground –
The roof was scarcely visible –
The cornice – in the ground –
Since then – ’tis centuries – and yet
Feels shorter than the day
I first surmised the horses’ heads
Were toward eternity –
This is my letter to the world,
That never wrote to me, –
The simple news that Nature told,
With tender majesty.
Her message is committed
To hands I cannot see;
For love of her, sweet countrymen,
Judge tenderly of me!”