timespace coordinates: 1976 Formula One season
Rush is a 2013 biographical sports film centred on the Hunt–Lauda rivalry between two Formula One drivers, the British James Hunt and the Austrian Niki Lauda during the 1976 Formula 1 motor-racing season. It was written by Peter Morgan, directed by Ron Howard and stars Chris Hemsworth as Hunt and Daniel Brühl as Lauda. (wiki)
Some things in the film are exaggerated (like the Hunt–Lauda rivalry; in reality they had shared a flat early in their careers and were good friends), others downplayed (like Lauda’s wife’s shock at his disfigurement), and others invented (like Hunt beating up a reporter or the Nürburgring nickname being “the graveyard”; in fact Jackie Stewart had nicknamed it “the Green Hell”). (read more: historical accuracy)
timespace coordinates: 18th century Europe / America
An Entertainment for Angels, rather than for Men, one observer called electricity, and it proved to be the most significant scientific discovery of the Enlightenment. Lecturers attracted huge audiences who marveled at sparkling fountains, flaming drinks, pirouetting dancers, and electrified boys. Flamboyant experimenters made chains of soldiers leap into the air, while wealthy women titillated their admirers with a sensational electric kiss. Optimists predicted that this strange power of nature would cure illnesses, improve crop production, even bring the dead back to life. An Entertainment for Angels tells the story of how electricity charged the eighteenth-century imagination. With contemporary illustrations and engaging prose, Patricia Fara vividly portrays the struggles to understand the unusual and exciting effects that electrical experiments were producing. (goodreads)
timespace coordinates: 2000’s New JerseyThe Wrestler is a 2008 American sports drama film produced and directed by Darren Aronofsky, written by Robert D. Siegel, and starring Mickey Rourke (plays an aging professional wrestler), Marisa Tomei (as a stripper), and Evan Rachel Wood.
Promotion: WWE helped promote it through an on-screen angle (a fictional storyline used in wrestling). This involved the heel Chris Jericho criticizing legendary retired wrestlers such as Ric Flair, who he felt were embarrassing themselves, as well as Mickey Rourke for his portrayal in The Wrestler. At the 15th Screen Actors Guild Awards, Rourke announced he would be competing at WrestleMania XXV, specifically targeting Jericho. The announcement led to a confrontation between the two on Larry King Live, which showed signs of second thoughts from Rourke. On January 28, it was announced through Rourke’s spokesperson that the actor would not compete at the event, and he was soon after announced instead as a guest. Rourke was also invited to the 2009 WWE Hall of Fame induction ceremony the night before WrestleMania. The angle culminated the following night where Jericho faced Ricky Steamboat, Roddy Piper, and Jimmy Snuka in a handicap match. After his victory, Jericho dismantled Flair and challenged Rourke, who finally entered the ring and punched him out. (wiki)
timespace coordinates: 2010’s Los Angeles, California / Mexico
Fear the Walking Dead is an American post-apocalyptic horror drama television series created by Robert Kirkman and Dave Erickson. The show premiered on AMC on August 23, 2015. It is a companion series and prequel to The Walking Dead, which is based on the comic book series of the same name by Robert Kirkman, Tony Moore, and Charlie Adlard. (wiki)
Terminus is a 2015 Australian science fiction drama film directed by Marc Furmie, who wrote it with Shiyan Zheng and Gabriel Dowrick. It stars Jai Koutrae, Todd Lasance, Bren Foster, and Kendra Appleton. Terminus tells the story of David, a small town American who has a near fatal accident after coming in contact with a meteorite. The mysterious object has an extraterrestrial element with enormous implications for humankind.
The film was made on a small budget in Sydney with a predominantly Australian cast. It has been praised for its character introspection and classic sci-fi feel. (wiki)
Among all the tales there is one, / which you haven’t heard / and which the night reclaimed long ago. / Have you enough patience to listen to it?
The Hourglass Sanatorium (Polish: Sanatorium pod klepsydrą) is a 1973 Polish film directed by Wojciech Jerzy Has, starring Jan Nowicki, Tadeusz Kondrat, Mieczysław Voit, Halina Kowalska and Gustaw Holoubek. The story follows a young Jewish man who visits his father in a mystical sanatorium where time does not behave normally. The film is an adaptation of Bruno Schulz‘s story collection Sanatorium Under the Sign of the Hourglass. It won the Jury Prize at the 1973 Cannes Film Festival. (Release)
Joseph (Jan Nowicki) travels through a dream-like world, taking a dilapidated train to visit his dying father, Jacob, in a sanatorium. When he arrives at the hospital, he finds the entire facility is going to ruin and no one seems to be in charge or even caring for the patients. Time appears to behave in unpredictable ways, reanimating the past in an elaborate artificial caprice.
Though Joseph is always shown as an adult, his behavior and the people around often depict him as a child. He befriends Rudolf, a young boy who owns a postage stamp album. The names of the stamps trigger a wealth of association and adventure in Joseph. Among the many occurrences in this visually potent phantasmagoria include Joseph re-entering childhood episodes with his wildly eccentric father (who lives with birds in an attic), being arrested by a mysterious unit of soldiers for having a dream that was severely criticized in high places, reflecting on a girl he fantasized about in his boyhood and commandeering a group of historic wax mannequins. Throughout his strange journey, an ominous blind train conductor reappears like a death figure.
Has also adds a series of reflections on the Holocaust that were not present in the original texts, reading Schulz’s prose through the prism of the author’s death during World War II and the demise of the world he described. (wiki)
“There are things than cannot ever occur with any precision. They are too big and too magnificent to be contained in mere facts. They are merely trying to occur, they are checking whether the ground of reality can carry them. And they quickly withdraw, fearing to loose their integrity in the frailty of realization. ” (Bruno Schulz)