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Last year, the astrophysicist Adam Frank implored an audience at Google that we see climate change – and the newly baptised geological age of the Anthropocene – against this cosmological backdrop. The Anthropocene refers to the effects of humanity’s energy-intensive activities upon Earth. Could it be that we do not see evidence of space-faring galactic civilisations because, due to resource exhaustion and subsequent climate collapse, none of them ever get that far? If so, why should we be any different?

A few months after Frank’s talk, in October 2018, the Intergovernmental Panel on Climate Change’s update on global warming caused a stir. It predicted a sombre future if we do not decarbonise. And in May, amid Extinction Rebellion’s protests, a new climate report upped the ante, warning: “Human life on earth may be on the way to extinction.”


… apocalyptic prophecies are designed to reveal the ultimate moral meaning of things. It’s in the name: apocalypse means revelation. Extinction, by direct contrast, reveals precisely nothing and this is because it instead predicts the end of meaning and morality itself – if there are no humans, there is nothing humanly meaningful left.

The end of the world: a history of how a silent cosmos led humans to fear the worst









1263 – All Is True (2018)

timespace coordinates: After the Globe Theatre burns down in 1613 William Shakespeare returns home to Stratford with his wife, Anne HathawayMV5BODI5Nzc1Nzk2Ml5BMl5BanBnXkFtZTgwNTg5MTQ5NjM@._V1_SY1000_CR0,0,674,1000_AL_All Is True is a 2018 British film directed by Kenneth Branagh, written by Ben Elton. It stars Branagh as playwright William Shakespeare. (wiki)

 “…as if the fire that gutted the Globe also burned his brain.” Matthew Lickona – San Diego Reader 😛

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990 – Chymical Wedding of Christian Rosenkreutz (1616 book)

“and you,” she went on, addressing me, “have received more than others, see that you also give more!”


The Chymical Wedding of Christian Rosenkreutz (German: Chymische Hochzeit Christiani Rosencreutz anno 1459) is a German book edited in 1616 in Strasbourg. Its anonymous authorship is attributed to Johann Valentin Andreae. The Chymical Wedding is often described as the third of the original manifestos of the mysterious “Fraternity of the Rose Cross” (Rosicrucians), although it is markedly different from the Fama Fraternitatis and Confessio Fraternitatis in style and in subject matter.

It is an allegoric romance (story) divided into Seven Days, or Seven Journeys, like Genesis, and recounts how Christian Rosenkreuz was invited to go to a wonderful castle full of miracles, in order to assist the Chymical Wedding of the king and the queen, that is, the husband and the bride.

This manifesto has been a source of inspiration for poets, alchemists (the word “chymical” is an old form of “chemical” and refers to alchemy—for which the ‘Sacred Marriage’ was the goal) and dreamers, through the force of its initiation ritual with processions of tests, purifications, death, resurrection, and ascension and also by its symbolism found since the beginning with the invitation to Rosenkreutz to assist this Royal Wedding. (read more: wiki)

Rosicrucian Trilogy: Modern Translations

Chemical Wedding of Christian Rosenkreutz [Audiobook]

The Chymical Wedding of Christian Rosenkreutz [English translation 1690 – pdf]

Esoteric Christianity and the Mission of Christian Rosenkreutz

The Mission of Christian Rosenkreutz

984 – The Golem (2018)

timespace coordinates: 1673 Lithuanian village

8eb9dc88230a9d1b08741f5b55ae4810“In 1915, the first of a trilogy of silent films was produced. The Golem, based on Gustav Meyrink’s 1914 novel mixed with general European folklore, is the first in a trilogy all written and directed by Paul Wegner (along with others, specific to each film). The first movie is partially lost, though it is possible to watch the clips that do remain for free online. Its first sequel is lost, again, save for a few pieces. The third film, commonly referred to as The Golem as well, released in 1920, is a prequel and is the most well known, in part because the whole thing is intact. It also happens to be my favorite German Expressionist horror film from that timeframe. Aside from that notable early movie, the magically-created creature has been mainly out of the popular culture sphere. It has shown up on occasion in a random horror movie here, an X-Files episode there, or in a book every once in a while, but compared to its other terror-inducing brethren, it is not as well known or iconic. Now, thanks to horror imprint Dread (formerly Dread Central Presents) a new horror movie based around the ancient Jewish monster is being released.” Bobby LePire (read more)


The Golem is a 2018 Israeli/American supernatural horror feature film directed by Doron and Yoav Paz (JeruZalem). The movie stars Hani FurstenbergIshai Golan and Alex Tritenko. It was produced by Shalom Eisenbach in conjunction with Shaked Berenson and Patrick Ewald of Epic Pictures Group. (horrorpedia)

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