141 – Army of Darkness (1992)

spacetime coordinates:  1300 A.D england

Army of Darkness (also known as Bruce Campbell vs. Army of Darkness and Army of Darkness: The Medieval Dead) is a 1992 American horror comedy film directed and co-written by Sam Raimi, co-produced by Robert Tapert and Bruce Campbell and co-written by Ivan Raimi. It stars Campbell and Embeth Davidtz. It is the third installment in the Evil Dead franchise, and continuing from Evil Dead II, Ash Williams (Campbell) is TRAPPED IN THE MIDDLE AGES and battles the undead in his quest to return to the present.

The original ending, preferred by Raimi and Campbell themselves, is one in which Ash is shown being placed in a cave and given a potion which will put him to sleep for centuries. Echoing his experience in botching the recovery of the Necronomicon, Ash mishandles the specific instructions for the potion, accidentally taking an extra dose. Ash awakes and arises from his cave to find himself in a post-apocalyptic future, in which the city of London is in ruins

http://www.imdb.com/title/tt0106308/, https://en.wikipedia.org/wiki/Army_of_Darkness

In July 2014, Campbell stated it was likely the planned SEQUEL would instead be a TV series with him as the star. The ten-episode season of Ash vs Evil Dead premiered on Starz on October 31, 2015, with the pilot co-written and directed by Sam Raimi. Due to legal issues with Universal, the events from Army of Darkness could not specifically be mentioned in the first season. In addition to Campbell, the series stars Dana DeLorenzo, Ray Santiago, and Lucy Lawless.

Klaatu barada nikto

Necronomicon

100 – Sam Was Here (2016)

spacetime coordinates:   Mojave Desert, California 1998

Sam Was Here is a 2016 French-American mystery horror co-produced and directed by Christophe Deroo, making his feature debut, from a screenplay co-written with Clement Tuffreau.  The film stars Rusty Joiner and Sigrid La Chapelle.

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052 – Night on Earth (1991)

spacetime coordinates: 1991 Los Angeles, New York, Paris, Rome, and Helsinki

Night on Earth is a 1991 film written and directed by Jim Jarmusch. It is a collection of five vignettes, taking place during the same night, concerning the temporary bond formed between taxi driver and passenger in five cities. Jarmusch wrote the screenplay in about eight days, and the choice of certain cities was largely based on the actors with whom he wanted to work. The soundtrack of the same name is by Tom Waits.

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TRAILER

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oo4 – Room and a Half 2009

Полторы комнаты или сентиментальное путешествие на родину

spacetime coordinate: 40’s > 90’s, Saint Petersburg > New York

When asked in an interview whether he ever intended to return to his Motherland, Joseph Brodsky replied: “Such a journey could only take place anonymously…”

The creators of this film imagined that the journey in question was undertaken after all, selecting the genre of an ironic fairytale. The poet sails to the country of his childhood, and with him we traverse not only geographical expanses, but travel through time as well; stringing together a number of facts from the Nobel Prize Laureate’s biography, we return to the USSR of the 50s and early 60s, soaking up the atmosphere of the “European” city of Petersburg, to this day Russia’s cultural center.  Along with live-action sequences, the film features animation, as well as documentary footage concerning Brodsky and his milieu.

Some of the animated sequences — of winged horses and flying sleds, of Brodsky as a farm animal on all fours drawing a cart — suggest Chagall. Other, more elegant pictures — of pianos and other musical instruments flying in formation while framed against the heroic architecture of St. Petersburg — are closer to Magritte’s surrealism. Visually, it is an ode to St. Petersburg (its museums, architecture and statuary are lovingly photographed), and to the Neva River, which runs by the city.

With its unabashedly nostalgic glow, the film belongs to what might be called the “rosebud” school (after “Citizen Kane”) of film biographies that locate the essence of a life in childhood memories. Recurrent images in the film are visual representations of the family’s house cat. The youthful Brodsky (Evgeniy Ogandzhanyan) is shown conversing with his father in meows and later subverting the solemnity of a school anthem sung by a chorus by substituting cat cries for words. He later confides to a friend that he wants to be reincarnated as a cat in Venice.

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