timespace coordinates: equatorial South America – Iron City – 2563, 300 years after Earth is devastated by a catastrophic interplanetary war known as “The Fall”
Alita: Battle Angel is a 2019 American cyberpunk science fiction action film based on the 1990s Japanese manga series Gunnm (known as Battle Angel Alita in the English translation) by Yukito Kishiro. Directed by Robert Rodriguez, the film is co-produced by James Cameron and written by Cameron and Laeta Kalogridis. Rosa Salazar stars as the titular heroine Alita, an amnesiac cyborg girl who sets out to learn about her destiny after she awakens in a new body with no past memory of who she is. Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley and Keean Johnson also star in supporting roles. \scored by Junkie XL\ (wiki)
The post-apocalyptic architecture in sci-fi blockbuster Alita: Battle Angel is a diverse fusion of Panama’s vibrant ruins and Hong Kong’s Kowloon Walled City, say its creators. (dezeen)
“Large temptations will emanate from these machine-animals, produced by people themselves, and it will be the task of a spiritual science that explores the cosmos to ensure all these temptations do not exert any damaging influence on human beings.” —Rudolf Steiner
In an increasingly digitized world, where both work and play are more and more taking place online and via screens, Rudolf Steiner’s dramatic statements from 1917 appear prophetic. Speaking of “intelligent machines” that would appear in the future, Steiner presents a broad context that illustrates the multitude of challenges human beings will face. If humanity and the Earth are to continue to evolve together with the cosmos, and not be cut off from it entirely, we will need to work consciously and spiritually to create a counterweight to such phenomena.
In the lectures gathered here, edited with commentary and notes by Andreas Neider, Rudolf Steiner addresses a topic that he was never to speak of again–the secret of the geographical, or ahrimanic, Doppelganger. The human nervous system houses an entity that does not belong to its constitution, he states. This is an ahrimanic being that enters the body shortly before birth and leaves at death, providing the basis for all electrical currents needed to process and coordinate sensory perceptions and react to them.
Based on his spiritual research, Steiner discusses this Doppelganger, or double, in the wider context of historic occult events relating to spirits of darkness. Specific brotherhoods seek to keep such knowledge to themselves to exert power and spread materialism. But this knowledge is critical, says Steiner, if the geographical Doppelganger and its challenges are to be understood.
goodreads / amazon
Love, Death & Robots (stylized as LOVE DEATH + ROBOTS) is an American adult animated anthology web television series on Netflix. The 18-episode first season was released on March 15, 2019. The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. Each episode was animated by different crews from a range of countries. The series is a re-imagining of Fincher and Miller’s long in-development reboot of the 1981 animated science fiction film Heavy Metal.
The cast includes Mary Elizabeth Winstead, Topher Grace, Gary Cole, Samira Wiley and Stefan Kapičić, with Grace and Winstead appearing in live-action roles, rather than animated.
In March 2019, Netflix revealed that it was experimenting with a new approach by including a different order of episodes to different users. (*four unique episode orders, released to users at random.) (wiki)
timespace coordinates: 2162 Lost Angeles / the NAG > 3491 AD, Damnation Island
Season two picks up in 2162, and Josh, Wolf, and Tiger learn that their season one mission to stop the cure from getting out didn’t work. In this timeline, Stu Camillo is now in power, having created the cure, and launched a plan to relocate humanity to Mars. A shadowy organization called the Pointed Circle seeks to recruit Josh to take Stu down — but are they the good guys, or is Stu? As Wolf quickly acclimates to the strange customs of this time, Tiger struggles with her Biotic identity and searches for an escape. Josh unites the team in an epic plan to save the world, but their time-traveling catches up to them, and they must reckon with their choices and what to do next. (rottentomatoes)
timespace coordinates: 21st Century (2010’s ?) New York City > Atlanta, Georgia
Cyborg also known as Slinger is a 1989 American martial-arts cyberpunk film directed by Albert Pyun. Jean-Claude Van Damme stars as Gibson Rickenbacker, a mercenary who battles a group of murderous marauders led by Fender Tremolo (Vincent Klyn) along the East coast of the United States in a post-apocalyptic future. The film is the first in Pyun’s Cyborg Trilogy. It was followed by 1993’s Knights (originally entitled The Kingdom of Metal: Cyborg Killer) and Omega Doom in 1997. Cyborg was followed by sequels Cyborg 2 and Cyborg 3: The Recycler. (wiki)
The film was shot for less than $500,000 and was filmed in 23 days. Jean-Claude Van Damme re-edited the film, much as he did with Bloodsport (1988), to make the fight scenes more exciting and trim down the drama. Van Damme spent two months editing the film. He would do the same on Hard Target (1993) (imdb)
timespace coordinates: distant future – subterranean Mine-World / planet Trinia
Starchaser: The Legend of Orin is a 1985 animated science fantasy film directed and produced by Steven Hahn, and written by Jeffrey Scott. It was originally released in 3D by Atlantic Releasing. Starchaser: The Legend of Orin was one of the first animated movies to mix traditional and computer animation, as well as one of the first to be released in 3D.
timespace coordinates: Following a cataclysmic conflict known as the Sixty Minute War, the remnants of humanity regroup and form mobile “predator” cities. Under a philosophy known as “Municipal Darwinism”, larger cities hunt and absorb smaller settlements in the “Great Hunting Ground”, which includes Great Britain and Continental Europe. In opposition, settlements of the “Anti-Traction League” have developed an alternative civilization consisting of “static settlements” (traditional, non-mobile cities) in Asia led by Shan Guo (formerly China), protected by the “Shield Wall”. “After the Ancients destroyed themselves in the Sixty Minute War, there were several thousand years in which nothing much happened. These were the Black Centuries. The great civilizations of the Screen Age had been utterly swept away, and humanity was reduced to a few scattered bands of savages’ ‘The Traction Codex’
Mortal Engines is a 2018 post-apocalyptic adventure film directed by Christian Rivers and with a screenplay by Fran Walsh, Philippa Boyens and Peter Jackson, based on the novel of the same name by Philip Reeve, and starring Hugo Weaving, Hera Hilmar, Robert Sheehan, Jihae, Ronan Raftery, Leila George, Patrick Malahide, and Stephen Lang. An American–New Zealand co-production, the film is set in a post-apocalyptic world where entire cities have been mounted on wheels and motorised, and prey on one another. (wiki)