timespace coordinates: Cairn, a dark, war-torn world (loosely based on the Victorian era) where a once proud empire has been brought to ruin and the human race driven to the edge of extinction. Cairn has become ground zero of an eternal war between two otherworldly powers, the Aetherials and Chthonians, one seeking to use human bodies as a resource, the other intent upon destroying the human race before that can happen.
Enter an apocalyptic fantasy world where humanity is on the brink of extinction, iron is valued above gold and trust is hard earned. This Isometric Hack and slash ARPG features complex character development, hundreds of unique items, crafting and quests with choice & consequence. (steam)
Crate Entertainment is a small indie studio founded by the lead gameplay designer of Titan Quest and includes veterans from such companies as Blizzard North, Irrational and Harmonix.
SYSTEM REQUIREMENTS (MINIMUM): OS: Windows XP / Windows Vista / Windows 7 / Windows 8 / Windows 10 / Processor: x86 compatible 2.3GHz or faster processor (Intel 2nd generation core i-series or equivalent) / Memory: 2 GB RAM / Graphics: 512MB NVIDIA GeForce 6800 series or ATI Radeon X800 series or better / DirectX: Version 9.0c / Storage: 5 GB available space / Sound Card: DirectX 9.0c compatible 16-bit sound card / Additional Notes: 4GB of memory is required to host multiplayer games
timespace coordinates: 1998 / 2042 / 2020 Mexico City > Texas
Terminator: Dark Fate is a 2019 American science fiction action film directed by Tim Miller. It is the sixth installment in the Terminator film franchise, and acts as a direct sequel to The Terminator (1984) and Terminator 2: Judgment Day (1991), while disregarding Terminator 3: Rise of the Machines (2003), Terminator Salvation (2009), Terminator Genisys (2015), and the television series Terminator: The Sarah Connor Chronicles (2008–2009) as occurring in alternate timelines, following the return of creative control to Cameron. (wiki)
imdb / rottentomatoes
Fate of John Connor
In Welcome to the Greenhouse, award-winning editor Gordon Van Gelder has brought together sixteen speculative [climate fiction (cli-fi)] stories by some of the most imaginative writers of our time. Terrorists, godlike terraformers, and humans both manipulative and hapless populate these pages. The variety of stories reflects the possibilities of our future: grim, hopeful, fantastic and absurd.
Included is new work by Brian W. Aldiss, Jeff Carlson, Judith Moffett, Matthew Hughes, Gregory Benford, Michael Alexander, Bruce Sterling, Joseph Green, Pat MacEwen, Alan Dean Foster, David Prill, George Guthridge, Paul Di Filippo, Chris Lawson, Ray Vukcevich and M. J. Locke.
Ten years in the making, Fabricated is a stop-motion journey through an alien world which was once our own.
After biological life has passed from existence, our machines try to restart it with the pieces we have left behind. On an anonymous assembly line, a creature is built from steel and bone and sent off. Making his way through an old world that is dying and a new world struggling to be born, he begins to sense that he may have a part to play in the evolution of his imperfect kind. This ﬁlm was animated by one person (Brett Foxwell) over ten years in four different cities.
«The Romans stole the alphabeta system from the Greeks through war», explains Rammellzee. «Then, in medieval times, monks ornamented letters to hide their meaning from the people. Now, the letter is armored against further manipulation.»
New York graffiti artist and B-boy theoretician Rammellzee (the artist encases himself during gallery performances in Gasholeer, a 148-pound, gadgetry-encrusted exoskeleton inspired by an android he painted on a subway train in 1981. Four years in the making, Rammellzee’s exuberantly low-tech costume bristles with rocket launchers, nozzles that gush gouts of flame, and an all-important sound system.)
«From both wrists, I can shoot seven flames, nine flames from each sneaker’s heel, and colored flames from the throat. Two girl doll heads hanging from my waist and in front of my balls spit fire and vomit smoke… The sound system consists of a Computator, which is a system of screws with wires. These screws can be depressed when the keyboard gun is locked into it. The sound travels through the keyboard and screws, then through the Computator, then the belt, and on up to the four mid-range speakers (with tweeters). This is all balanced by a forward wheel from a jet fighter plane. I also use an echo chamber, Vocoder, and system of strobe lights. A coolant device keeps my head and chest at normal temperature. A 100-watt amp and batteries give me power.»
«slanguage» – a heavily encrypted hip-hop argot – is the linguistic equivalent of graffiti «tags» all over the mother tongue. In an essay on English as the imperial language of the Internet, the cultural critic McKenzie Wark argues for the willful, viral corruption of the lingua franca of global corporate monoculture as a political act.
For All Tomorrow’s Parties. 全为明日派对。
timespace coordinates: The Waste Tide depicts a dystopian China in the post-2020 era. (2040’s -2050’s) In the Guiyu island, the large electronic recycle industries are in full control of local lineage associations. The laborers who undertake dangerous work for the profit of the Chinese and foreign businessmen who employ them are depicted not as humans, but cyborgs whose bodies and minds have been altered permanently through bio-engineering.
The Waste Tide is a science fiction novel by the Chinese writer Chen Qiufan.
The story takes place in the imaginary ”Silicon Isle”. The Chinese word ”硅屿” for Silicon Isle shares a similar pronunciation with Guiyu (Chinese: 贵屿) in Mandarin. In the real world, Guiyu is a town in the Shantou prefecture of Guangdong province in China. And it is Shantou where Chen Qiufan was born and grew up before he entered Peking University. Situated on the South China Sea coast, Guiyu got famous in the global environmentalist community for its reception of E-waste. The town held the record for being the largest E-waste site up to 2013. Though some residents got rich by electronic recycling, pollution became serious in the town. Talking about the background of writing the novel, Chen said: ”Choosing my hometown as background to write the story, is related to my thinking of China. To depict the pain of changing China, is just because I desire for she getting better gradually.’ (wiki)