spacetime coordinates: 1960s New Jersey
spacetime coordinates: 1969 > 1978 San Francisco
Zodiac is a 2007 American mystery-thriller film directed by David Fincher. The screenplay by James Vanderbilt is based on the 1986 non-fiction book of the same name by Robert Graysmith. The film stars Jake Gyllenhaal, Mark Ruffalo, and Robert Downey, Jr.. _______ Zodiac tells the story of the manhunt for a notorious serial killer who called himself the “Zodiac” and killed in and around the San Francisco Bay Area during the late 1960s and early 1970s, leaving several victims in his wake and taunting police with letters, blood stained clothing, and ciphers mailed to newspapers. The cases remain one of the United States’ most infamous unsolved crimes.
Fincher, Vanderbilt and producer Bradley J. Fischer spent 18 months conducting their own investigation and research into the Zodiac murders. Fincher employed the digital Thomson Viper Filmstream camera to photograph most of the film with traditional high-speed film cameras used for slow-motion murder sequences.
spacetime coordinates: 1960s London
Legend is a 2015 French-British crime thriller film written and directed by Brian Helgeland. It is adapted from John Pearson‘s book The Profession of Violence: The Rise and Fall of the Kray Twins, which deals with the rise and fall of the Kray twins; the relationship that bound them together, and charts their gruesome career to their downfall and imprisonment for life in 1969.
spacetime coordinates: 1959 > 1965 Kansas
Capote is a 2005 biographical film about Truman Capote, following the events during the writing of Capote’s non-fiction book In Cold Blood. Philip Seymour Hoffman won several awards, including the Academy Award for Best Actor, for his critically acclaimed portrayal of the title character. The film was based on Gerald Clarke‘s biography Capote and was directed by Bennett Miller.
“The viIIage of HoIcomb stands on the high wheat pIains of western Kansas, a lonesome area that other Kansans call ‘out there.
UntiI one morning in mid-November, 1959 few Americans, in fact, few Kansans, had ever heard of Holcomb.
Like the waters of the Arkansas River, Iike the motorists on the highway, exceptionaI happenings never stopped there. Perry Smith’s voice
was both gentIe and prim. A voice that, though soft, manufactured each sound exactIy, ejected it Iike a smoke ring issuing from a parson’s mouth.
The four coffins, which quite fiIIed the smaII, flower-crowded parlor, were to be sealed at the funeral services, very understandabIy,
for the effect was disquieting. Nancy wore her dress of cherry-red veIvet, her brother a bright pIaid shirt. The parents were more sedateIy attired,
Mr. Clutter in navy-blue flannel, his wife in navy-bIue crepe. And it was this especiaIIy that lent the scene an awful aura,
the head of each was compIeteIy encased in cotton. A swollen cocoon twice the size of an ordinary bIown-up baIIoon.
And the cotton, because it had been sprayed with a gIossy substance, twinkled like Christmas tree snow.
One Tuesday at dawn, a carload of strangers, ignorant of the IocaI disaster, were startIed by what they saw as they crossed the prairies
and passed through HoIcomb. Windows ablaze.
AImost every window in aImost every house, and in the brightIy-Iit rooms, fuIIy-cIothed peopIe, even entire families, who had sat the whoIe night wide awake,
watchfuI, Iistening. Of what were they frightened? It might happen again.”
Legion is an American cable television series created for FX by Noah Hawley, based on the Marvel Comics character David Haller / Legion. It is connected to the X-Men film series, the first television series to be so, and is produced by FX Productions in association with Marvel Television. Hawley serves as showrunner on the series.
as a director Hawley wanted the series to be highly stylized, describing his vision for it as “a 1964 Terence Stamp movie”. It was not feasible to literally translate Bill Sienkiewicz‘s iconic artwork of the character to the screen, and Hawley wanted the series to have “its own visual aesthetic to it, and part of that is being a story kind of out of time and out of place”. He stated that “the design of a show has to have its own internal logic”, and compared this sensibility to the series Hannibal, which he said was “a great example of something that had this almost fetishistic beauty to everything that you saw, whether it was food or violence.” Hawley elaborated that the design choice of 60s British films came about because “this whole show is not the world, it’s David’s experience of the world. He’s piecing his world together from nostalgia and memory and the world becomes that.”
At New York Comic-Con 2016, Donner said that the series is “far from the X-Men movies, but still lives in that universe. The only way for X-Men to keep moving forward is to be original and to surprise. And this is a surprise. It is very, very different.” Hawley explained that because the series is depicting the title character’s “subjective reality”, it would not have to address any connections to the films straight away, at first “had to stand on its own feet” before exploring those connections more; He did state that “you can’t tell this story without” acknowledging that Legion is the son of Charles Xavier, who appears in the films. (read more – s
spacetime coordinates: 1963 New York (Coney Island, Brooklyn, Walden’s Pond)
Scorpio Rising is a 1963 American experimental short film by Kenneth Anger, starring Bruce Byron as Scorpio. Themes central to the film include the occult, biker subculture and homosexuality. the film also explores the worship of rebel icons of the era, such as James Dean and Marlon Brando. Like many of Anger’s films, the film does not contain any dialogue; it instead features a prominent soundtrack consisting of 1960’s pop music. (Scorpio Rising is considered by some to be the first drama film to feature a rock & roll soundtrack.)
watch Scorpio Rising (lovely interview version) on YouTube HERE