An incredible comedy movie that is available online, even if in a trashy VHS rip version – the medium perfectly fits the content. With some great actors such as late great Harry Dean Stanton, a phenomenal Cindy Williams and and incredibly likable macho-drifter Fred Ward.
Don’t know about you but I find this trashy cult movie a revelation in many senses. First it depicts the whole playa of fringe culture, high weirdness and faith hybridization, after the whole 1970s drift of the counterculture waking up in the midst of Reagan era (movie was finished in 1981 but released in 1985). Take it as a goofy, zany heart felt retro comedy, and it is still ok. It also combines the most unlikely bed fellows in an alternate reality US, almost as if the local mid west hicks would finally join the Rajneesh commune. The line is so blurry thats we can see all the shifts, radical possibilities & liabilities of charisma. Or it makes one consider an even more radical possibility, that an agnostic even cynical car smuggling atheist might lend himself to a mad and bumpy vision quest. By the 70s various subcultures, be it activist or hippie Fists or Heads had been intermingling or fusing as thr the term ‘freak’ started being used both by anti-drug Jesus Freaks or by hybrid experimenting /performative eco-technical living such as the Synergia commune and its later outpost Biosphere 2 (also in asemi desert setting).
What I like most is how the whole phenomenology of faith healers, quacks, abductee, miracle peddlers of the worst kind is being tackled. In a comic, parodic, screwball comedy, utterly unsophisticated way it gives credence to the whole Ufological transcendent drive. Ufo cults are easy to dismiss or to ridicule, but this movie takes it into another plane. It shows what is the genuine core behind it, its modern importance and the way it has incorporated so many other, older and more orthodox apparently outlooks (Jesus is an Alien) abducting them into outer space. They are basically a living phenomenon mapping out a new territory of contact and extra planetary revelation out of a very terrestrial setting. It has abducted & taken common feelings into a different dimension, while becoming such a waste basket hodge podge of bizarre witnessings from the most unexpected quarters, age groups and backgrounds. It also almost shows the glimpses of a rich quantum foam and sleeze that gave birth to the Burning Man and all the other desert happenings. To be sure the 2012 Mayan calendar was on, Terence and Dennis McKenna already launched their eschatological visions into the 80s America.
It is also a great example of James Williams approach on faith, and his experiential, interior lived contact, his still valuable take on extreme religious vision quests and nearly psychotic episodes. While non-dissmissive, it is one of the most irreverent movies in regard to all sorts of beliefs, even the most sincere one while it keeps an open mind, it never shows any preferences and always regards traditions as multiform and shape-shifting, often hype oriented and capital driven in the form of revivals and charismatic churches that pick on the newest trend or the most outrageous message. It also shows how much one is not in control, but under the spell or open to an outside that is mediated by the most unlikely messengers, hitchhiking the most bland or unspectacular of carriers & transmitters, even if that outside is constantly being subsumed into capitalism, circuits of profit and consumption, always fragile & liable to became the next attraction and the next way to bring a quick buck on the back of gullible congregations that are always never quite so lost or gullible. It shows what it might mean to be stranded in the universe’s backyard, washed out on the cosmic shore.
The Adventures of Buckaroo Banzai Across the 8th Dimension, often shortened to Buckaroo Banzai, is a 1984 American science fiction action/adventure film produced and directed by W. D. Richter and written by Earl Mac Rauch. The premise centers upon the efforts of the polymath Dr. Buckaroo Banzai, a physicist, neurosurgeon, test pilot, and musician, to save the world by defeating a band of inter-dimensional aliens called Red Lectroids from Planet 10. The film is a cross between the action/adventure and science fiction film genres and also includes elements of comedy and romance.
Figment is a hand-drawn isometric puzzle game with combat elements that invites you to explore a unique surreal universe filled with music, humor and multi layered narrative. Join Dusty and his ever-optimistic friend, Piper, on an adventure through the different sides of the mind seeking to restore the courage that’s been lost.
SYSTEM REQUIREMENTS (MINIMUM): OS: Windows 7/8/10 / Processor: Intel Core i5 4670T @2.3 GHz, AMD FX 8370E @3.3 GHz / Memory: 8 GB RAM / Graphics: Nvidia Geforce GTX 480, Nvidia GeForce GTX 580M, AMD Radeon R7-265 or equivalent / DirectX: Version 11 / Storage: 3 GB available space / Sound Card: Compatible with DirectX 11 / Additional Notes: Screen with support for either 16:9 or 16:10 aspect ratio / Additional Notes: Controller Support: Xbox One (requires Windows 10), PlayStation 4, Xbox 360, PlayStation 3, Logitech F710, Logitech F310 and several other controllers)
timespace coordinates: AMC describes the series as a “modern fable set in Long Beach, California about a disarmingly optimistic local ex-surfer, Dud (Wyatt Russell), who’s drifting after the death of his father and collapse of the family business.” In the first season, Dud joins a fraternal order known as the Order of the Lynx, hoping the Lodge can put him “on the path to recover the idyllic life he’s lost.”
Lodge 49 is an American comedy-drama television series created by Jim Gavin. It aired on the television network AMC in the United States from August 6, 2018, to October 14, 2019, spanning two seasons and 20 episodes.