Mind Game (マインド・ゲーム) is a 2004 Japanese animated feature film based on Robin Nishi’s manga of the same name. It was planned, produced and primarily animated by Studio 4°C and adapted and directed by Masaaki Yuasa in his directorial debut, with chief animation direction and model sheets by Yūichirō Sueyoshi, art direction by Tōru Hishiyama and groundwork and further animation direction by Masahiko Kubo.
It is unusual among features other than anthology films in using a series of disparate visual styles to tell one continuous story. As Yuasa commented in a Japan Times interview, “Instead of telling it serious and straight, I went for a look that was a bit wild and patchy. I think that Japanese animation fans today don’t necessarily demand something that’s so polished. You can throw different styles at them and they can still usually enjoy it.”The film received a cult audience and was well received, winning multiple awards worldwide, and has been praised by directors Satoshi Kon and Bill Plympton. Allegedly, according to Tekkonkinkreet director Michael Arias, there was consideration for a release of the film on R1 DVD but it fell through. The film is now available to stream on Netflix in Australia as of 2016. GKIDS announced that they licensed the film, which will be streamed on VRV Select on December 29, 2017 followed by a limited theatrical run in February 2018 and a home video release in spring 2018. (wiki)
Fantastic Planet (French: La Planète sauvage, Czech: Divoká planeta, lit. The Wild Planet) is a 1973 animated science fiction film directed by René Laloux and written by Laloux and Roland Topor. Topor also completed the film’s production design and it was animated at Jiří Trnka Studio in Prague. The entire animation team was composed of women.
The film was an international co-production between companies from France and Czechoslovakia (The animation was started in Prague but had to be moved to Paris to avoid interference by the Communist authorities who were in power at the time).The allegorical story, about humans living on a strange planet dominated by giant humanoid aliens (blue Draags) who consider them animals, is based on the 1957 novel Oms en série by French writer Stefan Wul. (wiki) imdb Interpretations
Paragraph 201 in the Passengers’ Guide warns that Area 1224- 1225 is especially cold. The train heating won’t be strong enough. Passengers are advised to hug each other to keep warm.2046 is a 2004 Hong Kong romantic drama film written and directed by Wong Kar-wai. It is a loose sequel to Wong’s films Days of Being Wild (1990) and In the Mood for Love (2000). It follows the aftermath of Chow Mo-wan’s unconsummated affair with Su Li-zhen in 1960s Hong Kong but also includes some science fiction elements and makes frequent references to the date of December 24 or Christmas Eve, on which many significant events in the film occur.The main character (Tony Leung) writes science fiction stories, in which 2046 is a popular year and place to which people travel through time. The stories are titled 2046 and later 2047 (a collaboration with Faye Wong’s character). The year 2046 has its own significance for Hong Kong. It is 49 years after the handover of Hong Kong by the British on 1 July 1997. At the time of handover, the Mainland government promised fifty years of self-regulation for the former British colony. The year 2046 references the moment before Hong Kong’s special, self-regulated status ends.
The title may also be a reference to the Twilight Zone episode “The Lonely“, about a man sentenced to solitary confinement on a distant asteroid beginning in the year 2046. The isolated inmate falls in love with a gynoid that was delivered to keep him company. This plot structure parallels some of the science fiction motifs in Wong’s 2046. (wiki)
spacetime coordinates: modern-day Moscow / Budapest
Red Sparrow is a 2018 American spy thriller film directed by Francis Lawrence and written by Justin Haythe, based on the 2013 novel of the same name by Jason Matthews. The film stars Jennifer Lawrence, Joel Edgerton, Matthias Schoenaerts, Charlotte Rampling, Mary-Louise Parker, and Jeremy Irons. It tells the story of a Russian intelligence officer who is sent to make contact with a CIA agent in the hope of discovering the identity of a mole. Matthews, a former member of the CIA, advised the production on the depiction of spying. Based on historic Soviet “sexpionage” and contemporary Russian use of kompromat.