The Galapagos Affair: Satan Came to Eden is a 2013 feature-length documentary directed by Daniel Geller and Dayna Goldfine. It is about a series of unsolved disappearances on the Galapagos island of Floreana in the 1930s among the largely European expatriate residents at the time. The voice cast includes Cate Blanchett, Sebastian Koch, Thomas Kretschmann, Diane Kruger, Connie Nielsen, Josh Radnor and Gustaf Skarsgård.
The Big Bad Fox and Other Tales… is a 2017 French/Belgian animated anthology comedy film directed by Benjamin Renner and Patrick Imbert, adapted from Renner’s own comic books The Big Bad Fox and Un bébé à livrer. Originally conceived as half-hour TV specials, the three segments are linked together by a frame narrative. (wiki)
As Edith, you’ll explore the colossal Finch house, searching for stories as she explores her family history and tries to figure out why she’s the last one in her family left alive. Each story you find lets you experience the life of a new family member on the day of their death, with stories ranging from the distant past to the present day.
The gameplay and tone of the stories are as varied as the Finches themselves. The only constants are that each is played from a first-person perspective and that each story ends with that family member’s death.
Ultimately, it’s a game about what it feels like to be humbled and astonished by the vast and unknowable world around us.
timespace coordinates: Yorkshire 1974 / 1980 / 1983
Red Riding (2009) is a three-part television adaptation of English author David Peace‘s Red Riding Quartet (1999–2002). The quartet comprises the novels Nineteen Seventy-Four (1999), Nineteen Seventy-Seven (2000), Nineteen Eighty (2001) and Nineteen Eighty-Three (2002) and the first, third, and fourth of these books became three feature-length television episodes: Red Riding 1974, Red Riding 1980, and Red Riding 1983. They aired in the UK on Channel 4 beginning on 5 March 2009 and were produced by Revolution Films. The three films were released theatrically in the US in February 2010.
Set against a backdrop of serial murders from 1974 to 1983, including the Yorkshire Ripper killings, the books and films follow several recurring fictional characters through a bleak and violent world of multi-layered police corruption and organised crime. Although there are allusions to real-life crimes, the plot is fictional rather than a documentary or factual account of events. Both the books and films mix elements of fact, fiction, and conspiracy theory – a confection dubbed “Yorkshire Noir” by some critics – and are notable for a chronologically fractured narrative and for defying neat or trite endings and resolutions. The name of the series is a reference to the murders and to their location, the historic county of Yorkshire being traditionally divided into three areas known as ridings.
Captain Fantastic is a 2016 American comedy-drama film written and directed by Matt Ross and starring Viggo Mortensen. The story centers on a family that is forced by circumstances to reintegrate into society after living in isolation for a decade.
[plot] Ben Cash and his wife Leslie and their six children live in the Washington wilderness. Ben and Leslie are former anarchist activists disillusioned with capitalism and American life, and chose to instill survivalist skills, left wing politics, and philosophy in their children – educating them to think critically, training them to be self-reliant, physically fit and athletic, guiding them without technology, demonstrating the beauty of coexisting with nature and celebrating Noam Chomsky‘s birthday instead of Christmas… (read more – wiki)
timespace coordinates: 2035, subterranean compound / ruins of Philadelphia (after a deadly virus released in 1996 wipes out almost all of humanity, forcing survivors to live underground) > 1990 / 1996 Baltimore + battlefield during ww1
12 Monkeys, also known as Twelve Monkeys, is a 1995 American neo-noir science fiction film directed by Terry Gilliam, inspired by Chris Marker‘s 1962 short film La Jetée, and starring Bruce Willis, Madeleine Stowe, and Brad Pitt, with Christopher Plummer and David Morse in supporting roles.
References to time, time travel, and monkeys are scattered throughout the film, including the Woody Woodpecker cartoon “Time Tunnel” playing on the TV in a hotel room, the Marx Brothers film Monkey Business (1931) on TV in the asylum, and the subplots involving monkeys (drug testing, news stories and animal rights). The film is also intended to be a study of people’s declining ability to communicate in modern civilization due to the interference of technology. (Memory,_time,_and_technology)
12 Monkeys is inspired by the French short film La Jetée (1962); as in La Jetée, characters are haunted by the images of their own deaths. Like La Jetée, 12 Monkeys contains references to Alfred Hitchcock‘s Vertigo (1958). Toward the end of the film, Cole and Railly hide in a theater showing a 24-hour Hitchcock marathon and watch a scene from Vertigo. Railly then transforms herself with a blonde wig, as Judy (Kim Novak) transforms herself into blonde Madeleine in Vertigo; Cole sees her emerge within a red light, as Scottie (James Stewart) saw Judy emerge within a green light. Brief notes of Bernard Herrmann‘s film score can also be heard. Railly also wears the same coat Novak wore in the first part of Vertigo. The scene at Muir Woods National Monument, where Judy (as Madeleine) looks at the growth rings of a felled redwood and traces back events in her past life, resonates with larger themes in 12 Monkeys. Cole and Railly later have a similar conversation while the same music from Vertigo is repeated. The Muir Woods scene in Vertigo is also reenacted in La Jetée. In a previous scene in the film, Cole wakes up in a hospital bed with the scientists talking to him in chorus. This is a direct homage to the “Dry Bones” scene in Dennis Potter‘s The Singing Detective. James Cole is a notable Christ figure in film. The film is significant in the genre of science-fiction film noir, and it alludes to various “canonical noir” films.
After the release of The Zero Theorem in 2013, claims were made that Gilliam had meant it as part of a trilogy. A 2013 review for The Guardian newspaper said, “Calling it [The Zero Theorem] the third part of a trilogy formed by earlier dystopian satires Brazil and Twelve Monkeys [sic]”; but in an interview with Alex Suskind for Indiewire in late 2014, Gilliam said, “Well, it’s funny, this trilogy was never something I ever said, but it’s been repeated so often it’s clearly true [laughs]. I don’t know who started it but once it started it never stopped”(wiki)