spacetime coordinates: London 1888
spacetime coordinates: London 1888
spacetime coordinates: the last ice age > 813 A.D > 1697 > … > 21th century America // 1721 Ireland > 1979 Tehran
American Gods is an American television series based on the novel of the same name, written by Neil Gaiman and originally published in 2001. The television series was developed by Bryan Fuller and Michael Green for the premium cable network Starz. Fuller and Green are the showrunners for the series.
The series focuses on Shadow Moon, who meets a strange man named Mr. Wednesday after being released from prison, and soon becomes embroiled in a large-scale conflict between the Old Gods and the New Gods, who grow stronger each day.
The Witch (stylized as The VVitch, subtitled A New-England Folktale) is a 2015 historical period supernatural horror film written and directed by Robert Eggers in his directorial debut and stars Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger and Lucas Dawson. The film follows a Puritan family encountering forces of evil in the woods beyond their New England farm.
the film was inspired by many folktales, fairytales and written accounts of historical witchcraft, including journals, diaries and court records. much of the dialogue comes directly from the period sources. The production team worked extensively with British and American museums, as well as consulting experts on seventeenth-century British agriculture.
In order to give the film an authentic look, Eggers shot only “with natural light and indoors, the only lighting was candles.” Eggers also chose to stylize the film’s title as “The VVitch” in its title sequence and on posters, stating that he found this spelling in a Jacobean era pamphlet on witchcraft, along with other period texts.
In the Witch’s Coven scene, the chant is in Enochian which is an angelic language often used in magical rituals. It first recorded by the 16th century occultist John Dee and his partner Edward Kelley. In this particular scene, the witches are using The Eleventh Enochian Key is used to herald the coming of the dead and establish a sustenance beyond the grave. To bind to the earth. A funerary call.
In December 2013, costume designer Linda Muir joined the crew, and consulted 35 books in the Clothes of the Common People in Elizabethan and Early Stuart England series to plan the costumes. The costumes were made with wool, linen, or hemp. Muir also lobbied for a larger costume budget.
A hare appears frequently in the film. In New England superstitions, hares were considered magical creatures in their own right, but were often associated with witches, either as a witch’s familiar (called a milk-hare), which stole or spoiled milk from the farm animals, or the witch themselves, who was thought able to turn into a hare in order to spy on and influence people.
The H.P. Lovecraft Historical Society presents its all new motion picture The Whisperer in Darkness. Folklore professor Albert Wilmarth investigates legends of strange creatures in the most remote hills of Vermont. His inquiry reveals a terrifying glimpse of the truth that lurks behind the legends. H.P. Lovecraft’s classic tale of suspense and alien horrors is brought to life in the style of the classic horror films of the 1930s like Dracula, Frankenstein and King Kong. Using the Mythoscope™ process — a mix of modern and vintage techniques — the HPLHS filmed on location in New England to create the most authentic and faithful screen adaptation of a Lovecraft story yet attempted.
Moon is a 2009 British science fiction drama film co-written and directed by Duncan Jones. The film follows Sam Bell (Sam Rockwell), a man who experiences a personal crisis as he nears the end of a three-year solitary stint mining helium-3 on the far side of the Moon. It was the feature debut of director Duncan Jones. Kevin Spacey voices Sam’s robot companion, GERTY.
Jones described the intent: “[We] wanted to create something which felt comfortable within that canon of those science fiction films from the sort of late seventies to early eighties.” The director spoke of his interest in the lunar setting: “for me, the Moon has this weird mythic nature to it…. There is still a mystery to it. As a location, it bridges the gap between science-fiction and science fact. We (humankind) have been there. It is something so close and so plausible and yet at the same time, we really don’t know that much about it.”
The director described the lack of romance in the Moon as a location, citing images from the Japanese lunar orbiter SELENE: “It’s the desolation and emptiness of it…it looks like some strange ball of clay in blackness…. Look at photos and you’ll think that they’re monochrome. In fact, they’re not. There simply are no primary colours.” Jones made reference to the photography book Full Moon by Michael Light in designing the look of the film.
Jones is planning a follow-up film, titled Mute, which will serve as an epilogue to Moon. “Sam has agreed to do a little cameo in the next film”, said Jones, who ultimately hopes to complete a trilogy of films set in the same fictional universe.
Wheatley became interested in the film’s historical setting of the English Civil War when he filmed a documentary about the Sealed Knot, a historical reenactment society. In his research, Wheatley also learned about the use of hallucinogens during the 17th century.
Variety reported that the film was described as “a psychedelic trip into magic and madness”. Wheatley said A Field in England combines “the more psychedelic elements” from his previous films Kill List and Sightseers and “weaves in our take on historical drama”