Stalingrad (Russian: Сталинград) is a 2013 Russian war film directed by Fedor Bondarchuk. The screenwriter studied diaries of the participants of the Battle of Stalingrad. He also used museum archives, documents and recorded stories of its participants.
Braveheart is a 1995 American epic war film directed and co-produced by Mel Gibson, who portrays William Wallace, a late-13th-century Scottish warrior. The film is fictionally based on the life of Wallace leading the Scots in the First War of Scottish Independence against King Edward I of England. The film also stars Sophie Marceau, Patrick McGoohan and Catherine McCormack. The story is inspired by Blind Harry‘s epic poem The Actes and Deidis of the Illustre and Vallyeant Campioun Schir William Wallace and was adapted for the screen by Randall Wallace. It has been described as one of the most historically inaccurate modern films. (wiki)
Noah is a 2014 American epic Biblical drama film directed by Darren Aronofsky and inspired by the Biblical story of Noah’s Ark from the Book of Genesis. Noah, which was co-written by Aronofsky and Ari Handel, stars Russell Crowe as Noah, along with Jennifer Connelly, Emma Watson, Ray Winstone, Logan Lerman, Douglas Booth, and Anthony Hopkins.
Noah was praised for its direction and acting, but generated controversy, primarily due to its lack of racial diversity, its perceived left-leaning political messages and its extensive use of non-biblical sources for inspiration such as the Book of Enoch. It was banned in China for “religion-related reason”. Also, it was banned in several Muslim countries because it was seen as contradicting the teachings of Islam. Christian blogger Michael Snyder claims that the film “promotes the Luciferian Gnostic belief that the Creator of this world is evil”. (wiki)
“Think vividly back into the end of the Atlantean epoch. Man still had a kind of clairvoyance; the air was saturated with water vapour. In this dense watery air, sun and stars could not be perceived; a rainbow could never have come into being; thick, heavy mist masses covered the earth. Hence it is that the myth speaks of Niflheim, of a mist-home. Then the waters that were so much spread out in the air, condensed. They covered Atlantis. The Flood signifies the mighty condensation of the mist masses into water. When the water separated itself from the air, our present kind of perception came about. Man was only then able to see himself when he saw other objects around him.
The physical body shows many regularities that have a deeper meaning. One of these is the following. If one were to make a chest the height, width, and length of which were in relation of three to five to thirty, the length corresponding to a body length, then the height and width would also correspond to the body’s proportions. In other words, herewith the proportions of a normally organized human body are given. [Here, length = depth. – e.Ed] When man emerged from the Flood of Atlantis, the proportions of his physical body corresponded to these measures. This is expressed in the Bible in a beautiful way in the following words:
“And God commanded Noah to build a chest three hundred ells long, fifty ells wide, and thirty ells high.” (I Moses, 6-15). [Meaning, the first book of Moses, Genesis. e.Ed] In these measurements of Noah’s Ark we have stated exactly the measurements for the harmony of the human body.”
(…) human beings gradually transform themselves since, as a matter of fact, they lived in vessels, under the influence of great initiates, which had been built according to these measurements. Before the time of our present humanity there was a kind of water or sea-life that was lived in vessels, in which humanity gradually accustomed itself to life on land. The life of the Atlanteans was for the most part a life in vessels. Not only were they surrounded by a watery, misty air, but a large part of Atlantis was covered by the sea. This is the deep mystery of Noah’s Ark. What is to be found in the original religious documents has an immense depth. A radiance of wisdom and limitless sublimity surrounds these primal records when we immerse ourselves deeply in them.
Hotel Mumbai is a 2018 biographical thriller film directed by Anthony Maras and written by John Collee and Maras. It is inspired by the 2009 documentary Surviving Mumbai about the Mumbai attacks in 2008 at the Taj Mahal Palace Hotel in India. The film stars Dev Patel, Armie Hammer, Nazanin Boniadi, Anupam Kher, Tilda Cobham-Hervey, Jason Isaacs, Suhail Nayyar, and Natasha Liu Bordizzo. (wiki)
timespace coordinates: the 23rd century, Buenos Aires / Terran Federation > Klendathu, the “Bugs’” home planet / Planet “P”/ remote outpost on a planet inhabited by Arachnids / agricultural planet Roku San / classified planet OM-1 /
Starship Troopers (1997)
Starship Troopers is a 1997 American satirical military science fiction action film directed by Paul Verhoeven and written by Edward Neumeier. It originally came from an unrelated script called Bug Hunt at Outpost Nine, but eventually licensed the name Starship Troopers from a science fiction novel by Robert A. Heinlein. The story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry, a futuristic military unit. Rico’s military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an insectoid species known as “Arachnids”.
(Relationship to novel) Because the film originated from an unrelated script, with names and superficial details from the novel being added retroactively, there are many differences between the two. While the novel has been accused of promoting militarism, fascism, and military rule, the film satirizes these concepts by featuring bombastic displays of nationalism as well as news reports that are intensely fascistic, xenophobic, and propagandistic. Verhoeven stated in 1997 that the first scene of the film—an advertisement for the Mobile Infantry—was adapted shot-for-shot from a scene in Leni Riefenstahl’s Triumph of the Will (1935), specifically an outdoor rally for the Reichsarbeitsdienst. Other references to Nazism in the movie include the Wehrmacht-inspired uniforms and insignia of field grade officers, M.I. working uniforms reminiscent of Mussolini’s Blackshirts, Albert Speer‘s style of architecture, and its propagandistic dialogue (“Violence is the supreme authority!”).
In a 2014 interview on The Adam Carolla Show, the actor Michael Ironside, who read the novel as a youth, said that he asked Verhoeven, who grew up in Nazi-occupied Netherlands, “Why are you doing a right-wing fascist movie?” Verhoeven replied, “If I tell the world that a right-wing, fascist way of doing things doesn’t work, no one will listen to me. So I’m going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it’s only good for killing fucking Bugs!”
(Themes) … In his DVD commentary, Verhoeven stated his intentions clearly: the film’s message is that “War makes fascists of us all”. He evoked Nazi Germany’s fashion, iconography, and propaganda because he saw it as a natural evolution of the United States after World War II, and especially after the Korean War. “I’ve heard this film nicknamed All Quiet on the Final Frontier“, he said, “which is actually not far from the truth.” Edward Neumeier (who had previously worked with Verhoeven on RoboCop) broadly concurs, although he sees a satire on human history rather than solely the United States. Verhoeven says his satirical use of irony and hyperbole is “playing with fascism or fascist imagery to point out certain aspects of American society… of course, the movie is about ‘Let’s all go to war and let’s all die.'” (wiki)
Starship Troopers 2: Hero of the Federation (2004)
Starship Troopers 2: Hero of the Federation is a 2004 military science-fiction action television film directed by Phil Tippett and starring Richard Burgi, Lawrence Monoson, and Colleen Porch. It is a sequel to Starship Troopers (1997) and the second installment of the Starship Troopers film series. (wiki)
Made for 5% of the cost of Starship Troopers (1997). (imdb)
Starship Troopers 3: Marauder (2008)
01:33:47,715 –> 01:33:51,617
I got religion, Dix. I got it bad.
Starship Troopers 3: Marauder is a 2008 American military science fiction film written and directed by Edward Neumeier and starring Casper Van Dien who returned as Johnny Rico from the original film, along with Jolene Blalock and Boris Kodjoe. It is a sequel to Starship Troopers (1997) and Starship Troopers 2: Hero of the Federation (2004) (which were both written by Neumeier) and the third installment of the Starship Troopers film series. The film was released directly to DVD in the U.S. on August 5, 2008. (wiki)
Joe Leydon of Variety stated:
“Die-hard fans of Starship Troopers, Paul Verhoeven’s notorious 1997 cult-fave sci-fi spectacle, will be pleased to note that its second made-for-vid sequel gamely attempts to replicate the original pic’s over-the-top style and self-satirical tone. (…) the latest episode reprises Verhoeven’s love-it-or-hate-it mix of gruesome mayhem, overstated melodrama, peek-a-boo nudity and tongue-in-cheek fascist aesthetics.”
Starship Troopers: Invasion (2012)
Starship Troopers: Invasion –imdb– (スターシップ・トゥルーパーズ インベイジョン) is a Japanese-American 2012 computer-animated military science fiction film directed by Shinji Aramaki. It is the fourth installment of the Starship Troopers film series.
The film was followed by
timespace coordinates: 2001 isolated farm in Doylestown, Pennsylvania
Signs is a 2002 American science fiction horror film written and directed by M. Night Shyamalan. Its story focuses on a former Episcopal priest named Graham Hess, played by Mel Gibson, who discovers a series of crop circles in his cornfield. Hess slowly discovers that the phenomenon is a result of extraterrestrial life. It also stars Joaquin Phoenix, Rory Culkin, and Abigail Breslin. Signs explores the themes of faith, kinship, and extraterrestrials. (wiki)
Love, Death & Robots (stylized as LOVE DEATH + ROBOTS) is an American adult animated anthology web television series on Netflix. The 18-episode first season was released on March 15, 2019. The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. Each episode was animated by different crews from a range of countries. The series is a re-imagining of Fincher and Miller’s long in-development reboot of the 1981 animated science fiction film Heavy Metal.
In March 2019, Netflix revealed that it was experimenting with a new approach by including a different order of episodes to different users. (*four unique episode orders, released to users at random.) (wiki)