timespace coordinates: 2019 USDaybreakers is a 2009 Australian–American “Ozploitation” science fiction action horror film written and directed by Michael and Peter Spierig. The film takes place in a futuristic world overrun by vampires. A vampiric corporation sets out to capture and farm the remaining humans while researching a substitute for human blood. Lead vampire hematologist Edward Dalton’s (Ethan Hawke) work is interrupted by human survivors led by former vampire “Elvis” (Willem Dafoe), who has a cure that can save the human species. (wiki)
timespace coordinates: 2019 Staten Island
What We Do in the Shadows is an American comedy horror television series, based on the 2014 film of the same name written by Jemaine Clement and Taika Waititi, that premiered on March 27, 2019, on FX. The series follows four vampire roommates living in New York City and it stars Kayvan Novak, Matt Berry, Natasia Demetriou, Harvey Guillén, and Mark Proksch. In May 2019, FX renewed the series for a 10-episode second season to debut in 2020. (wiki)What We Do in the Shadows featured meta cameos from Evan Rachel Wood (“True Blood”), Danny Trejo (“From Dusk Till Dawn”), Wesley Snipes (“Blade”), Tilda Swinton (“Only Lovers Left Alive”) and Paul Reubens (“Buffy the Vampire Slayer”) — all of whom played vampires in TV series and movies. (nypost)
Love, Death & Robots (stylized as LOVE DEATH + ROBOTS) is an American adult animated anthology web television series on Netflix. The 18-episode first season was released on March 15, 2019. The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. Each episode was animated by different crews from a range of countries. The series is a re-imagining of Fincher and Miller’s long in-development reboot of the 1981 animated science fiction film Heavy Metal.
In March 2019, Netflix revealed that it was experimenting with a new approach by including a different order of episodes to different users. (*four unique episode orders, released to users at random.) (wiki)
timespace coordinates: 1980’s. the American Midwest
The story follows a young man in a small midwestern town who becomes involved with a family of nomadic American vampires. Starring the little-known actors Adrian Pasdar and Jenny Wright, the film was part of a revival of serious vampire movies in the late 1980s. It received positive reviews for its mix of the Western, biker and vampire movie genres. Over the years, the film has gained a cult following. (wiki)
timespace coordinates: 1986 London / Halley’s Comet Lifeforce is a 1985 British science fiction horror film directed by Tobe Hooper, written by Dan O’Bannon and Don Jakoby, and starring Steve Railsback, Peter Firth, Frank Finlay, Mathilda May, and Patrick Stewart. Based on Colin Wilson‘s 1976 novel The Space Vampires, the film portrays the events that unfold after a trio of humanoids in a state of suspended animation are brought to Earth after being discovered in the hold of an alien space ship by the crew of a European space shuttle.
Horror and comic book writer C. J. Henderson praised the film: “Lifeforce is an incredible film, and may by be the most intelligent vampire movie ever made … [The ideas presented in Lifeforce] are beyond [others vampire movies] beyond all of them, light-years beyond … the story is what makes this movie hum…. Lifeforce is a true, thinking sci-fi fan’s film”. Andrew Migliore and John Strysik in their Lurker in the Lobby explain that Colin Wilson wrote The Space Vampires as a consequence of H.P. Lovecraft‘s publisher August Derleth challenging Wilson (who was critical of Lovecraft’s writing) to write a Lovecraftian novel himself (a challenge that resulted in three such novels, The Mind Parasites, The Space Vampires, and The Philosopher’s Stone), and they continue, “[Lifeforce] is big, splashy, and … the scenes of an apocalyptic London are not to be missed. And the film, an obvious tribute to Nigel Kneale‘s Quatermass, has deep roots in Lovecraft’s mythos”. (wiki)
timespace coordinates: 1980’s Warsaw PolandThe Lure (Polish: Córki dancingu – “The Daughters of Dance Party”) is a 2015 Polish horror musical film directed by Agnieszka Smoczyńska. The story is a reworking of The Little Mermaid by Hans Christian Andersen, with inspiration from Smoczyńska’s experiences.
Smoczyńska likened the mermaids to immigrants, abused by the locals (used in the sex industry) on their way to their real goal—America. She added they represent innocence, yet their odour and slime recalled girls maturing, “they menstruate, they ovulate, their bodies start smelling and feeling different.” (wiki)