Attraction (Russian: Притяжение, romanized: Prityazhenie) is a 2017 Russian science fiction action film directed by Fyodor Bondarchuk. The plot tells about an extraterrestrial spaceship that crash-lands in the Chertanovo district of Moscow. The Russian government immediately introduces martial law, as the locals grow increasingly angry at the unwelcome guest. The film stars Irina Starshenbaum, Alexander Petrov, Rinal Mukhametov and Oleg Menshikov.
According to Bondarchuk, the movie is a social allegory. The script writers stated that it was inspired by the 2013 Biryulyovo riots. (wiki)
Invasion, also known as Attraction 2 (Russian: Вторжение, romanized: Vtorzhenie), is a 2020 Russian science fiction action film directed and produced by Fyodor Bondarchuk’s company by Art Pictures Studio and Vodorod. The action of the film unfolds three years after the events described in Attraction. The film stars Irina Starshenbaum, Rinal Mukhametov, Alexander Petrov, Yuri Borisov, Oleg Menshikov and Sergei Garmash. (wiki)
His House is a 2020 horror thriller film written and directed by Remi Weekes from a story by Felicity Evans and Toby Venables. It stars Wunmi Mosaku, Sope Dirisu and Matt Smith. The film tells the story of a refugee couple from South Sudan, struggling to adjust to their new life in an English town that has an evil lurking beneath the surface. (wiki)
“The main source of information on witchcraft of the Dinka people comes from British anthropologist Godfrey Lienhardt, who devoted his studies to the Dinka religion. His article written in 1951 for the International African Institute, “Some Notions of Witchcraft Among the Dinka”, sheds light on the apeth and helps to enrich the folkloric vocabulary of His House. According to Lienhardt, night witches work their supernatural misfortunes in the darkness, an element incorporated in the film when Bol turns on the lights to make the ghosts go away. They can also make their presence known through footprints and place curses on their victims through the staring “evil eye,” a concept that says as much about Bol and Rial’s suspiciously xenophobic neighbors as it does their haunting.
Night witches are the most malicious wielders of magic since their main intentions are always to harm others without receiving anything as a trade-off. Thieves like the one in Rial’s story may be creating hardship for those they steal from, but their deeds are motivated by the goal of gaining benefits for themselves. The apeth, on the other hand, lives only to “eat,” a distinction made to describe the fact that the witch consumes the good fortune of its victims, leaving nothing but misery in its wake. Lienhardt talks about this idea in the context of the community or family unit, a thematic connection to His House.” (read more: His House: Dinka Mythology Explained by andrew housman / His House: The Ending, Monster & Final Scene Explained by hannah shaw-williams)
timespace coordinates: The film is partially presented in a found footage format by featuring fictional interviews, news footage, and video from surveillance cameras. The story, which explores themes of humanity, xenophobia and social segregation, begins in an alternate1982, when an alien spaceship appears over Johannesburg, South Africa. When a population of sick and malnourished insectoid aliens are discovered on the ship, the South African government confines them to an internment camp called District 9. Twenty years later, during the government’s relocation of the aliens to another camp, one of the confined aliens named Christopher Johnson, who is about to try to escape from Earth with his son and return home, crosses paths with a bureaucrat leading the relocation named Wikus van der Merwe. The title and premise of District 9 were inspired by events in Cape Town‘s District Six, during the apartheid era.
timespace coordinates: In 1990, Johannesburg is home to a number of extraterrestrial refugees, whose large spaceships (estimated to be nearly one kilometre in length) can be seen hovering above the city. When the visitors first arrived, the human population was enamored with, among other aspects, the aliens’ advanced “bio-suits”, and welcomed them with open arms. However, the aliens later began moving into other areas of the city, committing crimes in order to survive and frequently clashing with police. Playing as a documentary, the film continues with interviews and footage taken from handheld cameras, which highlight the growing tension between Earth’s civilian population and the extraterrestrial visitors.
According to individuals “interviewed” in the film, the aliens were captive labour (slaves or indentured servants), forced to live in “conditions that were not good” and had escaped to Earth. Because the film takes place in 1990, while apartheid was still in effect in South Africa, the aliens were forced to live amongst the already-oppressed black population, causing conflict with them as well as the non-white and white populations.
All of the interview statements which do not explicitly mention extraterrestrials were taken from authentic interviews with many South Africans who had been asked their opinions of Zimbabwean refugees. (wiki)
District 13: Ultimatum, also known as D13-U (French: Banlieue 13 – Ultimatum or B13-U), is a 2009 French action film and a sequel to the 2004 film District 13. Directed by Patrick Alessandrin and written and produced by Luc Besson, the film sees parkour artists David Belle and Cyril Raffaelli reprising their original roles of Leïto and Damien. (wiki)
District 9 is a 2009 science fiction action film directed by 
