679 – Night in the Woods (2017 video game)

timespace coordinates: 2017 Possum Springs

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Night in the Woods is a single-player adventure game released for Microsoft Windows, macOS, Linux, PlayStation 4, Xbox One, and Nintendo Switch. (wiki)

NIGHT IN THE WOODS is an adventure game focused on exploration, story, and character, featuring dozens of characters to meet and lots to do across a lush, vibrant world. After a successful Kickstarter it’s being made by Infinite Fall, a teamup of Alec Holowka (Aquaria), Scott Benson (Late Night Work Club), and Bethany Hockenberry.

OST * vol 1vol 2 *

SYSTEM REQUIREMENTS MINIMUM: OS: Windows 7 // Processor: Intel i5 Quad-Core // Memory: 4 GB RAM // Graphics: Intel HD 4000 // Storage: 8 GB available space // Additional Notes: 32-bit systems must use virtual memory to get over 2GB.

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http://www.nightinthewoods.com/   steam

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674 – Secret Life Underground: Series 1 (2016 documentary)

Nature Documentary hosted by Geoffrey Bateman, published by Arte in 2016 – English narration. (docuwiki)

The underground world is so unfamiliar to us that you only have to dig down a few yards to reveal a totally unknown realm, just beneath our feet. Today, only a fraction of the rich biodiversity that inhabits the soil has been studied. Scientists estimate that the ground is probably home to 70% of the living organisms yet to be discovered.

The Skin Of The Earth

Secret-Life-Underground-Series-1-chaptershot0We know less than 10% of the organisms that populate the underground world and that, each in their own way, take an active part in creating the soil. We are just beginning to discover that plants form partnerships and create complex unions. Welcome to this subtle, surprising and secret world.

Hidden in the Depths

Secret-Life-Underground-Series-1-chaptershot1Take a journey alongside scientists into an underground maze with huge surprises in store. They lead us into monumental cavities, shaped by water and by time. They reveal to us mineral jewels of staggering beauty, and shed light on certain species of fauna that defy the imagination.

mineral trees:

661 – West of Loathing (2017 video game)

spacetime coordinates: 1890’s   wild west

West of Loathing is a comedy adventure role-playing video game developed by Asymmetric Publications and released on 10 August 2017.

The game takes place in the universe of Asymmetric’s Kingdom of Loathing, in a Weird Western themed frontier setting. The player character leaves the family farm and heads west to seek their fortune on a trek to the city of Frisco. (wiki)

SYSTEM REQUIREMENTS (MINIMUM) – OS: Windows XP SP2+ / Processor: 2.8 GHz Intel® Core™2 Duo or better / Memory: 2 GB RAM / Graphics: 512 MB / Storage: 4 GB available space

steam

612 – Davi Kopenawa, Bruce Albert, Alison Dundy – The falling sky – words of a Yanomami shaman

The Falling Sky is a remarkable first-person account of the life story and cosmo-ecological thought of Davi Kopenawa, shaman and spokesman for the Yanomami of the Brazilian Amazon. Representing a people whose very existence is in jeopardy, Davi Kopenawa paints an unforgettable picture of Yanomami culture, past and present, in the heart of the rainforest–a world where ancient indigenous knowledge and shamanic traditions cope with the global geopolitics of an insatiable natural resources extraction industry.the-falling-sky-1In richly evocative language, Kopenawa recounts his initiation and experience as a shaman, as well as his first encounters with outsiders: government officials, missionaries, road workers, cattle ranchers, and gold prospectors. He vividly describes the ensuing cultural repression, environmental devastation, and deaths resulting from epidemics and violence. To counter these threats, Davi Kopenawa became a global ambassador for his endangered people. The Falling Sky follows him from his native village in the Northern Amazon to Brazilian cities and finally on transatlantic flights bound for European and American capitals. These travels constitute a shamanic critique of Western industrial society, whose endless material greed, mass violence, and ecological blindness contrast sharply with Yanomami cultural values.

Bruce Albert, a close friend since the 1970s, superbly captures Kopenawa’s intense, poetic voice. This collaborative work provides a unique reading experience that is at the same time a coming-of-age story, a historical account, and a shamanic philosophy, but most of all an impassioned plea to respect native rights and preserve the Amazon rainforest. (amazon)

“When I come back from a trip among the white people, the dizziness leaves my eyes after a while and my thought be-comes clear again. I no longer hear cars, machines, or airplanes. I only lend an ear to the tooro toads and krouma frogs that call the rain in the forest. I only hear the rustling of the leaves in the wind and the rumbling of the thunders in the sky. The ignorant words of the city politicians gradually vanish in the quiet of my sleep. I become calm again by going to hunt and making my spirits dance.

The forest is very beautiful to see. It is cool and aromatic. When you move through it to hunt or travel, you feel joyful and your mind is slow-paced. You listen to the chirping of the cicadas in the distance, or the cries of the curassows and the agami herons, and the clamor of the spider monkeys in the trees. Your worries are eased. Your thoughts can then follow one another without getting obscured.”

558 – Synthetic Worlds: Nature, Art and the Chemical Industry by Esther Leslie

“Through coal’s carbon chemistry, and its waste product of coal-tar, a realm of synthetic colours and substances is unlocked from a dense and primitive blackness. The first magic act is coal-tar becoming colour, the first of thousands of substitutions. This magic is a black force. Gravity’s Rainbow lets loose its narrative strands amongst a world of acronyms and neologisms, fictional and actual. spqr, arf, mmpi, soe, spog,
cios, bafo, nta, shaef, pwd, cns, pisces, viam, tsagi, niso, bafo, okw, achtung, Kryptosam, Hexeszüchtigung, ctenophile, Oneirine. These clatter like the evil spells from a necromancer’s manual. These clotted words spell out the coordinates of military, economic and technological power. The most important of these cryptic formulae, the acronyms that generate the rainbow and allow the tracing of its arc,are the colour factory ig Farben and the German Second World War rocket weaponry known as v-1, v-2 or a4. Pynchon brings these two industrial-technological forces into proximity with magic, mysticism and alchemy.”

“Inside the arcades, the ur-architectural phenomenon of the nineteenth century, transitional colours, twinkle, glimmer and reflection danced, and all the more charmingly as night fell. In the early days the gas lighting, whose illumination was an uneven flickering, cast a sparkly sheen over everything. In the arcades, their historian Walter Benjamin claimed, ‘falser colours are possible’, and everything is doused in a special ‘glaucous gleam’, which is reminiscent of aquariums, as Friedrich Gerstäcker imagined in a fictional transposition and, after him, Aragon made so vivid in Paris Peasant. In Gerstäcker’s The Sunken City, the hero sees, to his amazement, that
with the gradual infusion of twilight, these undersea corridors just as gradually lit up by themselves. For everywhere in the bushes of coral and sponge were sitting broad-brimmed, glassy-looking medusas, which already at the outset had given off a weak,greenish phosphorescent light that quickly picked up strength at the approach of darkness and now was shining with great intensity.
The arcades are zones of special effects where optical illusions, tricks of the light and transformations readily occur. This is why the arcades appear so magical, but it also intimates something of their propensity to deception and delusion. The very magic of the space colludes with the commodity promises on sale.”

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Celestis offers space burials, with the ashes compacted in a capsule and sent into orbit (before re-entering) or fired to the moon or into deep space (for ever). That which is legally a ‘final deposition’ can be commodified further in an effort to afford a technologically guaranteed sublime.They also offer a star-naming service.   At the start of the twenty-first century, a Chicago company announced that it had created a new way to memorialize loved ones: by turning their charred remains into a gem. The ‘patent-pending’ LifeGem offers to press the cremated ashes of a lost one into a diamond. You can have your loved one with you whenever you choose, which is something that no other memorial product offers, remarks Greg Herro, LifeGem’s chief executive. ‘Nothing else quite offers that everlasting love.’ (…) ‘The proprietary LifeGem creation process creates diamonds from the true essence of our loved ones, the carbon.”

Synthetic Worlds: Nature, Art and the Chemical Industry by Esther Leslie

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Der Bildungstrieb der Stoffe : veranschaulicht in selbstständig gewachsenen Bildern (Fortsetzung der Musterbilder)

by Runge, F. F., 1795-1867 (Includes 23 smaller chromatograms mounted on the title page surrounding the title, and 60 larger chromatograms mounted on 31 leaves. The chromatograms consist of concentric circles of color produced by applying a liquid chemical compound to filter paper.)

548 – The Vanishing of Ethan Carter (2014 video game)

spacetime coordinates: 1970s Red Creek Valley

Experience, in non/linear fashion, a story that combines the pleasures of pulp, private eye, and horror fiction, all of it inspired by writers such as Raymond Chandler, Algernon Blackwood, Stefan Grabinski, and H. P. Lovecraft.

maxresdefault1The Vanishing of Ethan Carter is a 2014 horror adventure video game developed and published by The Astronauts for Microsoft Windows, PlayStation 4 and Xbox One.

The Vanishing of Ethan Carter is a first-person story-driven mystery game that focuses entirely on exploration and discovery. Inspired by the weird fiction (and other tales of the macabre) from the early twentieth century, The Vanishing of Ethan Carter aims to significantly evolve immersive storytelling in games. While it features a private detective and quite a few mental challenges, The Vanishing of Ethan Carter is not an especially puzzle-ridden game. Our focus is on atmosphere, mood, and the essential humanity of our characters.

SYSTEM REQUIREMENTS (MINIMUM): OS: Windows 64-bit // Processor: Intel Core2 Duo or equivalent AMD // Memory: 6 GB RAM // Graphics: DirectX11 compliant card with 1GB of VRAM // DirectX: Version 11 // Storage: 9 GB available space // Sound Card: DirectX9c compliant

The Vanishing of Ethan Carter Review

447 – Journey to the Center of the Earth (2008)

spacetime coordinates: 2000s Iceland ˅2008-journey_to_the_center_of_the_earth_3d-2Journey to the Center of the Earth  is a 2008 American 3D science fantasy adventure film directed by Eric Brevig. It is not considered a sequel or a remake of the 1959 film  Journey to the Center of the Earth.

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The film was the introduction for the special “4D” motion effects cinema in Seoul, South Korea, which feature tilting seats to convey motion, wind, sprays of water and sharp air, probe lights to mimic lightning, fog, scents, and other theatrical special effects. This format is known as 4DX.

http://www.imdb.com/title/tt0373051/