701 – In Pursuit of Silence (2015 Documentary)

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In our race towards modernity, amidst all the technological innovation and the rapid growth of our cities, silence is now quickly passing into legend. Beginning with an ode to John Cage‘s seminal silent composition 4’33“, the sights and sounds of this film delicately interweave with silence to create a contemplative and cinematic experience that works its way through frantic minds and into the quiet spaces of hearts. As much a work of devotion as it is a documentary, IN PURSUIT OF SILENCE is a meditative exploration of our relationship with silence, with sound, and the impact of noise on our lives. (rottentomatoes)

“The etymological roots of the word silence
are somewhat contested. There are two words
in particular that people go back to. There’s the Gothic term ana-silan, and then</i> desinere. One of them has to do with
the wind dying down and the other has to do with
a kind of stopping of motion. They’re both to do with an
interruption, not just of sound, but the roots of silence
are also to do with the interruption of our own… The imposition of our own egos
on the world.” GEORGE PROCHNIK

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670 – A Quiet Place (2018)

spacetime coordinates: 2020 – 2021 upstate New YorkDadqFveV4AA8jo4

Speaking of the political and social commentary the film encouraged, director Krasinski said, “The best compliment you can get on any movie is that it starts a conversation. The fact that people are leaving and talking about anything is really fun—but certainly about deep stuff like that, is awesome.”  Krasinski, who did not grow up with horror films, said that prior films of the genre such as Don’t Breathe (2016) and Get Out (2017) that had societal commentary were part of his research. In addition to considering his film a metaphor for parenthood, he compared the premise to US politics in 2018, “I think in our political situation, that’s what’s going on now: You can close your eyes and stick your head in the sand, or you can try to participate in whatever’s going on.” He cited Jaws (1975) as an influence, with how the protagonist police officer moved from New York to an island to avoid frightening situations, and was forced to encounter one in his new location with shark attacks.

Matthew Monagle of Film School Rejects said A Quiet Place seemed to be “the early frontrunner for the sparsely intellectual horror movie of the year”, like previous films The Babadook (2014) and The Witch (2015). Monagle said Krasinski, who had directed two previous films, was “making an unusual pivot into a genre typically reserved for newcomers”, and considered it to be part of a movement toward horror films layered “in storytelling, [with] character beats not typically found in a horror movie”. Tatiana Tenreyro, writing for Bustle, said while A Quiet Place was not a silent film, “It is the first of its kind within the modern horror genre for how little spoken dialogue it actually has.” She said the rare moments of spoken dialogue “give depth to this horror movie, showing how the narrative defies the genre’s traditional films even further”.

Bishop Robert Barron was surprised by strikingly religious themes in the film. He likened the family’s primitive, agrarian life of silence to monasticism, and commends their self-giving love. Barron noted the pervasive pro-life themes, especially in the choices of the parents, as Mrs. Abbott risks everything to give birth to a child, and her husband lays down his own life so that the children can live: what Barron sees as the ultimate expression of parental love.  Sonny Bunch of the Washington Post also commented and expanded on a pro-life message. 

Krasinski, who had recently become a new father, said in a conference interview “I was already in a state of terror about whether or not I was a good enough father,” and added that the meaning of parenthood had been elevated for him by imagining being a father in a nightmare world, struggling to simply keep his children alive.  Jonathan Hetterly, writing in Shrinktank, saw the film’s whole premise as a commentary on modern American paranoid parenting, saying that Krasinski “viewed the premise as a metaphor for a parent’s worst fears”.

Krasinski himself has told CBS News “The scares were secondary to how powerful this could be as an allegory or metaphor for parenthood. For me, this is all about parenthood.” (wiki)

imdb             THE TRUE MEANING

622 – Tomb Raider (2013 video game) / Tomb Raider (2018 film)

Tomb-Raider-2018-movie-posterTomb Raider is a 2018 action-adventure film directed by Roar Uthaug, with a screenplay by Geneva Robertson-Dworet and Alastair Siddons, from a story by Evan Daugherty and Robertson-Dworet. It is based on the 2013 video game of the same namewith some elements of its sequel by Crystal Dynamics, and is a reboot of the Tomb Raider film series. The film stars Alicia Vikander as Lara Croft, who embarks on a perilous journey to her father’s last-known destination, hoping to solve the mystery of his disappearance. Dominic WestWalton GogginsDaniel Wu, and Kristin Scott Thomas appear in supporting roles.tomb-raider-2013Producer Adrian Askarieh told IGN in an interview that he may oversee a film universe with Just CauseHitmanTomb RaiderDeus Ex, and Thief. Askarieh however is not officially accredited with the production of this movie. (wiki)

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Tomb Raider – FULL GAME WALKTHROUGH

618 – Hunt for the Wilderpeople (2016)

spacetime coordinates: 2010’s New Zealand509306b92fea2d065cd0bf47c4b12d56--warner-bros-movie-postersHunt for the Wilderpeople is a 2016 New Zealand adventure comedy-drama film written and directed by Taika Waititi, whose screenplay was based on the book Wild Pork and Watercress by Barry CrumpCarthew Neal, Leanne Saunders, Matt Noonan, and Waititi produced the film. Sam Neill and Julian Dennison play “Uncle” Hector and Ricky Baker, a father figure and son who become the targets of a manhunt after fleeing into the New Zealand bush.

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464 – Altered Carbon (TV Series 2018– )

spacetime coordinates:  Bay City, year 2384 // “The Protectorate” alteredcarbon_kovacs_vertical-core_rgb_us-1Altered Carbon is an American science fiction television series created by Laeta Kalogridis and based on the 2002 novel of the same title by English author Richard K. Morgan.

In the future, a person’s memories have been decanted into “cortical stacks”, storage devices of alien design which have been reverse engineered, duplicated en masse, and surgically inserted into the vertebrae at the back of the neck. Physical bodies are called “sleeves,” disposable vessels that can accept any “stack”. Takeshi Kovacs (Joel Kinnaman), a political operative with mercenary skills, wakes up 250 years after his sleeve is terminated, and he is given the choice to either spend the rest of time in prison for his crimes, or to help solve the murder of one of the wealthiest men in the settled worlds (James Purefoy). 22c7a39790c31ba2d3f72c0929d5d9c6http://www.imdb.com/title/tt2261227/

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“When everyone lies, telling the truth isn’t just rebellion.
It’s an act of revolution. So think carefully when you speak it,
because the truth is a weapon.”