timespace coordinates: 2010’s U.S. / Colombia / Hungary
Gemini Man is a 2019 American action thriller film directed by Ang Lee. Starring Will Smith, Mary Elizabeth Winstead, Clive Owen, and Benedict Wong, the film follows a hitman who is targeted by a younger clone of himself while on the run from the government. (wiki)
timespace coordinates: Occupied Holland during World War II
The Exception is a 2016 romantic war drama directed by David Leveaux, in his directorial debut, and written by Simon Burke, based on Alan Judd‘s 2003 novel The Kaiser’s Last Kiss. The film stars Jai Courtney, Lily James, Janet McTeer, and Christopher Plummer.
The plot is a fictionalized account of the life of exiled Kaiser Wilhelm II (Plummer). When a Wehrmacht officer (Courtney) is ordered to determine whether or not a British spy has infiltrated the Kaiser’s residence with a view to assassinating the deposed monarch. (wiki)
timespace coordinates: 1986 – 1987 Ukrainian Soviet Socialist Republic / Soviet Union
Chernobyl is a historical drama television miniseries created and written by Craig Mazin and directed by Johan Renck (Stakka Bo). The series a co-production of HBO and Sky UK depicting the Chernobyl nuclear disaster of April 1986 and the unprecedented cleanup efforts that followed. It features an ensemble cast led by Jared Harris, Stellan Skarsgård, Emily Watson, and Paul Ritter. The miniseries is based in large part on the recollections of Pripyat locals, as told by Belarusian Nobel laureate Svetlana Alexievich in her book Voices from Chernobyl. (wiki)
timespace coordinates: Japan, 2077Vexille (ベクシル 2077日本鎖国 Bekushiru 2077 Nihon sakoku, full Japanese title literally “Vexille: 2077 Japanese Isolation”) is a 2007 Japanese CGI anime film, written, directed, and edited by famed Ping Pong director Fumihiko Sori, and features the voices of Meisa Kuroki, Yasuko Matsuyuki, and Shosuke Tanihara. (wiki)
A female agent named Vexille is dispatched to Tokyo to investigate whether Japanese are developing robotic technology, which has been banned by the U.N. due to its potential threat to humankind. (imdb)
As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world.
In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age.
From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.
In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime. (VERSO)
man always makes it clear to himself: “You are using things which have the intention of not being penetrable.” 1180