1450 – Welcome to the Greenhouse: New Science Fiction on Climate Change (2011 short story anthology)

In Welcome to the Greenhouse, award-winning editor Gordon Van Gelder has brought together sixteen speculative [climate fiction (cli-fi)] stories by some of the most imaginative writers of our time. Terrorists, godlike terraformers, and humans both manipulative and hapless populate these pages. The variety of stories reflects the possibilities of our future: grim, hopeful, fantastic and absurd.

Included is new work by Brian W. Aldiss, Jeff Carlson, Judith Moffett, Matthew Hughes, Gregory Benford, Michael Alexander, Bruce Sterling, Joseph Green, Pat MacEwen, Alan Dean Foster, David Prill, George Guthridge, Paul Di Filippo, Chris Lawson, Ray Vukcevich and M. J. Locke.

goodreads

1349 – Aniara (2018)

timespace coordinates: 2038 (+) Aniara, a luxurious spaceship carrying settlers from Earth to Mars

aniara posterAniara is a 2018 Swedish-Danish co-production co-directed by Pella Kagerman and Hugo Lilja. The film is an adaptation of the 1956 Swedish epic poem of the same name by Harry Martinson.

The film is set in a dystopian future where climate change has left Earth ravaged, forcing people to resettle from Earth to Mars. When such a routine trip veers off course the passengers struggle to cope with their new lives. (wiki)

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imdb


Director Pella Kagerman & Hugo Lilja on the end of the world in Aniara


1330 – Ruiner (2017 video game)

timespace coordinates: cyber metropolis Rengkok / nightscapes and industrial jungles of a grit-tech 20911519286441-436203609Ruiner is a brutal cyberpunk top-down shooter / isometric slasher video game developed by Polish indie game studio Reikon Games and published by Devolver Digital. The game was released for Linux, PlayStation 4, Windows, Xbox One on 26 September 2017. Omri Pettite of PC Gamer stated that “Ruiner is gorgeous, a sensory feast inspired by the works of cyberpunk’s 1980s heyday, in which a silent, masked protagonist travels through the nightscapes and industrial jungles of a grit-tech 2091. Underneath, a thumping top-down action game delivers sword-sharp combat, the familiarity of its design offset by the constant urge to simply stand still and drink everything in.”

SYSTEM REQUIREMENTS (MINIMUM)Requires a 64-bit processor and operating system /  OS: Windows 7/8.1/10 x64 / Processor: Intel Core i5-760 (4 * 2800) or equivalent / AMD Athlon II X4 645 AM3 (4 * 3100) or equivalent / Memory: 4 GB RAM / Graphics: GeForce GTX 460 (1024 MB) / Radeon HD 6850 (1024 MB) / Storage: 10 GB available space

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wiki   /   steam

1324 – Strange Days (1995)

timespace coordinates: 1999, turn of the century (near-future) Los Angeles (racial war zone / New Year’s Eve party) 

MV5BODFkMTBmNjktMjM1Yy00MjY5LTliMGEtM2FhYjE2YjRmN2RkXkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_Strange Days is a 1995 American science fiction thriller film directed by Kathryn Bigelow, written by James Cameron and Jay Cocks, and produced by Cameron and Steven-Charles Jaffe. It stars Ralph FiennesAngela BassettJuliette Lewis, and Tom Sizemore. Set in the last two days of 1999, the film follows the story of a black marketeer of SQUID discs, recordings that allow a user to experience the recorder’s memories and physical sensations, as he attempts to uncover the truth behind the murder of a prostitute.

Blending science fiction with film noir conventions, Strange Days explores themes such as racismabuse of powerrape, and voyeurism. Although the story was conceived by Cameron around 1986, Bigelow found inspiration after incidents such as the Lorena Bobbitt trial and the 1992 Los Angeles riots that followed the Rodney King verdict.

Strange Days was a commercial failure and almost derailed Bigelow’s career (…) Nevertheless, the film’s critical standing has improved over the years, with many fans feeling that the film has been overlooked by a casual mass audience and misguided critics.

The scene where the crowd celebrates the turn of the new century at the end of the film was shot at the corner of the 5th and Flower streets, between the Westin Bonaventure Hotel and the Los Angeles Public Library. Over 50 off-duty police officers were hired to control an assembled crowd of 10,000 people, who had to pay $10 in advance to attend the event. The film-makers also hired rave promoters Moss Jacobs and Philip Blaine to produce performances featuring Aphex TwinDeee-Lite, as well as “all the cyber-techno bands they could garner”.

In 2015The Washington Post editor Sonny Bunch felt that Strange Days was still relevant, comparing the imagery captured by the SQUID units to that of first-person shooters or cellphone videos on YouTube. He added that events such as Jeriko One’s murder and the subsequent coverup of the crime contribute to activist movements like Black Lives Matter, and that their media documentation amplifies their reception and consequences. (read more: Themes)

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wiki   /   imdb

1305

the adjective “real” is ambiguous; it has a thousand meanings. The verb “to exist” has even more. (1314)


What dream among dreams is reality?

1288

What did Baudrillard think about The Matrix?

“a film about the matrix that only the matrix could produce”