1330 – Ruiner (2017 video game)

timespace coordinates: cyber metropolis Rengkok / nightscapes and industrial jungles of a grit-tech 20911519286441-436203609Ruiner is a brutal cyberpunk top-down shooter / isometric slasher video game developed by Polish indie game studio Reikon Games and published by Devolver Digital. The game was released for Linux, PlayStation 4, Windows, Xbox One on 26 September 2017. Omri Pettite of PC Gamer stated that “Ruiner is gorgeous, a sensory feast inspired by the works of cyberpunk’s 1980s heyday, in which a silent, masked protagonist travels through the nightscapes and industrial jungles of a grit-tech 2091. Underneath, a thumping top-down action game delivers sword-sharp combat, the familiarity of its design offset by the constant urge to simply stand still and drink everything in.”

SYSTEM REQUIREMENTS (MINIMUM)Requires a 64-bit processor and operating system /  OS: Windows 7/8.1/10 x64 / Processor: Intel Core i5-760 (4 * 2800) or equivalent / AMD Athlon II X4 645 AM3 (4 * 3100) or equivalent / Memory: 4 GB RAM / Graphics: GeForce GTX 460 (1024 MB) / Radeon HD 6850 (1024 MB) / Storage: 10 GB available space

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wiki   /   steam

1324 – Strange Days (1995)

timespace coordinates: 1999, turn of the century (near-future) Los Angeles (racial war zone / New Year’s Eve party) 

MV5BODFkMTBmNjktMjM1Yy00MjY5LTliMGEtM2FhYjE2YjRmN2RkXkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_Strange Days is a 1995 American science fiction thriller film directed by Kathryn Bigelow, written by James Cameron and Jay Cocks, and produced by Cameron and Steven-Charles Jaffe. It stars Ralph FiennesAngela BassettJuliette Lewis, and Tom Sizemore. Set in the last two days of 1999, the film follows the story of a black marketeer of SQUID discs, recordings that allow a user to experience the recorder’s memories and physical sensations, as he attempts to uncover the truth behind the murder of a prostitute.

Blending science fiction with film noir conventions, Strange Days explores themes such as racismabuse of powerrape, and voyeurism. Although the story was conceived by Cameron around 1986, Bigelow found inspiration after incidents such as the Lorena Bobbitt trial and the 1992 Los Angeles riots that followed the Rodney King verdict.

Strange Days was a commercial failure and almost derailed Bigelow’s career (…) Nevertheless, the film’s critical standing has improved over the years, with many fans feeling that the film has been overlooked by a casual mass audience and misguided critics.

The scene where the crowd celebrates the turn of the new century at the end of the film was shot at the corner of the 5th and Flower streets, between the Westin Bonaventure Hotel and the Los Angeles Public Library. Over 50 off-duty police officers were hired to control an assembled crowd of 10,000 people, who had to pay $10 in advance to attend the event. The film-makers also hired rave promoters Moss Jacobs and Philip Blaine to produce performances featuring Aphex TwinDeee-Lite, as well as “all the cyber-techno bands they could garner”.

In 2015The Washington Post editor Sonny Bunch felt that Strange Days was still relevant, comparing the imagery captured by the SQUID units to that of first-person shooters or cellphone videos on YouTube. He added that events such as Jeriko One’s murder and the subsequent coverup of the crime contribute to activist movements like Black Lives Matter, and that their media documentation amplifies their reception and consequences. (read more: Themes)

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wiki   /   imdb

1305

the adjective “real” is ambiguous; it has a thousand meanings. The verb “to exist” has even more. (1314)


What dream among dreams is reality?

1288

What did Baudrillard think about The Matrix?

“a film about the matrix that only the matrix could produce”

1171 – The Electronic Doppelganger: The Mystery of the Double in the Age of the Internet (Book by Rudolf Steiner / Andreas Neider 1917 – 2016)

“Large temptations will emanate from these machine-animals, produced by people themselves, and it will be the task of a spiritual science that explores the cosmos to ensure all these temptations do not exert any damaging influence on human beings.” —Rudolf Steiner 
In an increasingly digitized world, where both work and play are more and more taking place online and via screens, Rudolf Steiner’s dramatic statements from 1917 appear prophetic. Speaking of “intelligent machines” that would appear in the future, Steiner presents a broad context that illustrates the multitude of challenges human beings will face. If humanity and the Earth are to continue to evolve together with the cosmos, and not be cut off from it entirely, we will need to work consciously and spiritually to create a counterweight to such phenomena.
In the lectures gathered here, edited with commentary and notes by Andreas Neider, Rudolf Steiner addresses a topic that he was never to speak of again–the secret of the geographical, or ahrimanic, Doppelganger. The human nervous system houses an entity that does not belong to its constitution, he states. This is an ahrimanic being that enters the body shortly before birth and leaves at death, providing the basis for all electrical currents needed to process and coordinate sensory perceptions and react to them.
Based on his spiritual research, Steiner discusses this Doppelganger, or double, in the wider context of historic occult events relating to spirits of darkness. Specific brotherhoods seek to keep such knowledge to themselves to exert power and spread materialism. But this knowledge is critical, says Steiner, if the geographical Doppelganger and its challenges are to be understood.

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goodreads   /   amazon


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The Computer and the Incarnation of Ahriman

By David B. Black (online)