‘Ce Magnifique Gâteau !’ is a mid-length stop-motion animated anthology film set in colonial Africa in the late 19th century at the time of King Leopold, Belgian Congo and the Scramble for Africa. It tells the stories of 5 different characters: a troubled king, a middle-aged Pygmy working in a luxury hotel, a failed businessman on an expedition, a lost porter, and a young army deserter.
«The Romans stole the alphabeta system from the Greeks through war», explains Rammellzee. «Then, in medieval times, monks ornamented letters to hide their meaning from the people. Now, the letter is armored against further manipulation.»
New York graffiti artist and B-boy theoretician Rammellzee (the artist encases himself during gallery performances in Gasholeer, a 148-pound, gadgetry-encrusted exoskeleton inspired by an android he painted on a subway train in 1981. Four years in the making, Rammellzee’s exuberantly low-tech costume bristles with rocket launchers, nozzles that gush gouts of flame, and an all-important sound system.)
«From both wrists, I can shoot seven flames, nine flames from each sneaker’s heel, and colored flames from the throat. Two girl doll heads hanging from my waist and in front of my balls spit fire and vomit smoke… The sound system consists of a Computator, which is a system of screws with wires. These screws can be depressed when the keyboard gun is locked into it. The sound travels through the keyboard and screws, then through the Computator, then the belt, and on up to the four mid-range speakers (with tweeters). This is all balanced by a forward wheel from a jet fighter plane. I also use an echo chamber, Vocoder, and system of strobe lights. A coolant device keeps my head and chest at normal temperature. A 100-watt amp and batteries give me power.»
«slanguage» – a heavily encrypted hip-hop argot – is the linguistic equivalent of graffiti «tags» all over the mother tongue. In an essay on English as the imperial language of the Internet, the cultural critic McKenzie Wark argues for the willful, viral corruption of the lingua franca of global corporate monoculture as a political act.
Memory: The Origins of Alien is a 2019 documentary film that traces the origin of Ridley Scott’s Alien franchise. Directed and written by Alexandre O. Philippe, it focuses on the idea that film is “a collective art form – not just the wider circle of writers, performers and technicians beyond the director, but in the case of the truly great films, serendipitous access to a deeper collective unconscious …”, tracing the connections from H. P. Lovecraft to Francis Bacon to the Greek Furies. (wiki) / imdb / rt
30 Alien Poster Designs / Poster Posse Project / alternativemovieposters.com/portfolio
timespace coordinates: 1920s London > Shanghai > small village in a remote area of China (Huangyao Ancient Town (黄姚古镇, huángyáo gǔzhèn) in Guangxi Zhuang Autonomous Region)The Painted Veil is a 2006 American drama film directed by John Curran. The screenplay by Ron Nyswaner is based on the 1925 novel of the same title by W. Somerset Maugham. Edward Norton, Naomi Watts, Toby Jones, Lü Yan, Anthony Wong Chau Sang and Liev Schreiber appear in the leading roles.
This is the third film adaptation of the Maugham book, following a 1934 film starring Greta Garbo and Herbert Marshall and a 1957 version called The Seventh Sin with Bill Travers and Eleanor Parker. (wiki)