timespace coordinates: 2020’s fictional Norwegian town of Edda in Western Norway
Ragnarok is a Norwegian-language fantasy drama from Netflix that premiered on 31 January 2020. The series is produced by the Danish production company SAM Productions. The show has been renewed for a second season.
The show takes place in the fictional town of Edda which is plagued by climate change and the industrial pollution caused by the factories owned by the local Jutul family, the fifth-richest family in Norway. The Jutuls are actually four Jötunn, frost giants and giantesses posing as a family in Edda. They are challenged by Magne, a teenage boy who is surprised to learn that he is the embodiment of Thor and begins the fight against those that are destroying the planet.
The story draws inspiration from Norse mythology. (wiki)
Seven Worlds, One Planet is a documentary series from the BBC Natural History Unit. The seven-part series, in which each episode focuses on one continent, debuted on 27 October 2019 and is narrated and presented by naturalist Sir David Attenborough. Over 1,500 people worked on the series, which was filmed over 1,794 days, with 92 shoots across 41 different countries. (wiki)
Last year, the astrophysicist Adam Frank implored an audience at Google that we see climate change – and the newly baptised geological age of the Anthropocene – against this cosmological backdrop. The Anthropocene refers to the effects of humanity’s energy-intensive activities upon Earth. Could it be that we do not see evidence of space-faring galactic civilisations because, due to resource exhaustion and subsequent climate collapse, none of them ever get that far? If so, why should we be any different?
A few months after Frank’s talk, in October 2018, the Intergovernmental Panel on Climate Change’s update on global warming caused a stir. It predicted a sombre future if we do not decarbonise. And in May, amid Extinction Rebellion’s protests, a new climate report upped the ante, warning: “Human life on earth may be on the way to extinction.”
… apocalyptic prophecies are designed to reveal the ultimate moral meaning of things. It’s in the name: apocalypse means revelation. Extinction, by direct contrast, reveals precisely nothing and this is because it instead predicts the end of meaning and morality itself – if there are no humans, there is nothing humanly meaningful left.
Our Planet is a British nature documentary series made for Netflix. The series is narrated by David Attenborough and produced by Silverback Films, led by Alastair Fothergill and Keith Scholey, who also created BBC documentary series Planet Earth, Frozen Planet and The Blue Planet, in collaboration with the conservation charity World Wildlife Fund (WWF).
The series addresses issues of conservation while featuring these disparate animals in their respective home regions, and has been noted for its greater focus on humans’ impact on the environment than traditional nature documentaries; centering around how climate change impacts all living creatures. It marked the first nature documentary Netflix has ever made. All episodes were released on 5 April 2019. A behind the scenes documentary was released onto Netflix on 2 August 2019.
timespace coordinates: 2038 (+) Aniara, a luxurious spaceship carrying settlers from Earth to Mars
Aniara is a 2018 Swedish-Danish co-production co-directed by Pella Kagerman and Hugo Lilja. The film is an adaptation of the 1956 Swedish epic poem of the same name by Harry Martinson.
The film is set in a dystopian future where climate change has left Earth ravaged, forcing people to resettle from Earth to Mars. When such a routine trip veers off course the passengers struggle to cope with their new lives. (wiki)
“A four-year long journey in the Fukushima Daiichi nuclear disaster and twofold tragedy that befell Japan in the March 2011, directed by Matteo Gagliardi, written by Christine Reinhold, Matteo Gagliardi e Pio d’Emilia. (…) “Fukushima: A Nuclear Story” offers a completely original point of view on the tragedy, narrated by the actor Willem Dafoe in the English version.
Christine Reinhold and Matteo Gagliardi combine different elements in the film: The story of a journalist, Pio d’Emilia, who refused to abandon his job even when the nuclear danger was at its greatest; the doubts and fears of man in the days following the threefold tragedy; the search for the truth regarding what really happened inside the Fukushima Daiichi plant. The former prime minister Naoto Kan, in a previously unreleased interview, will reveal how Tokyo, and probably the whole of Japan, avoided a much bigger tragedy thanks to sheer luck.
The director describes the tragic events using Manga Drawings, to make them more comprehensible to our perception (…)” – vimeo
see also https://timespacewarps.wordpress.com/2018/11/29/868-william-t-vollmann/