spacetime coordinates: late 19th century > mid-20th century HungarySunshine is a 1999 historical drama film directed by István Szabó and written by Israel Horovitz and Szabó. It follows five generations of a Hungarian Jewish family, originally named Sonnenschein (German: “sunshine”), later changed to Sors (Hungarian: “fate”), during changes in Hungary, focusing mostly on the three generations from the late 19th century through the mid-20th century. The family story traverses the creation of the Austro-Hungarian Empire through to the period after the 1956 Revolution, while the characters are forced to surrender much of their identity and endure family conflict. The central male protagonist of all three generations is portrayed by Ralph Fiennes. The film’s stars include Rachel Weisz and John Neville, with the real-life daughter and mother team of Jennifer Ehle and Rosemary Harris playing the same character across a six-decade storyline.
spacetime coordinates: 1960, the underwater city of Rapture
The game’s concept was developed by Irrational’s creative lead, Ken Levine, and incorporates ideas by 20th century dystopian and utopian thinkers such as Ayn Rand, George Orwell, and Aldous Huxley, as well as historical figures such as John D. Rockefeller. The game is considered a spiritual successor to the System Shock series, on which many of Irrational’s team including Levine had worked previously.
BioShock is set in 1960. The player guides the protagonist, Jack, after his airplane crashes in the ocean near the bathysphere terminus that leads to the underwater city of Rapture. Built by the business magnate Andrew Ryan, the city was intended to be an isolated utopia, but the discovery of ADAM, a genetic material which can be used to grant superhuman powers, initiated the city’s turbulent decline. Jack tries to find a way to escape, fighting through hordes of ADAM-obsessed enemies, and the iconic, deadly Big Daddies, while engaging with the few sane humans that remain and eventually learning of Rapture’s past. The player, as Jack, is able to defeat foes in a number of ways by using weapons, utilizing plasmids that give unique powers, and by turning Rapture’s own defenses against them. BioShockincludes elements of role-playing games, giving the player different approaches in engaging enemies such as by stealth, as well as moral choices of saving or killing characters; additionally, the game and biopunk theme borrow concepts from the survival horror genre.
BioShock received critical acclaim and was particularly praised by critics for its morality-based storyline, immersive environments, and its unique setting, and is considered to be one of the greatest video games of all time and a demonstration of video game as an art form.
pc requirements (MINIMUM): Operating System: Windows XP (with Service Pack 2) or Windows Vista. CPU: Intel single-core Pentium 4 processor at 2.4GHz. RAM: 1 GB, Video Card:Direct X 9.0c compliant video card with 128MB RAM and Pixel Shader 3.0 (NVIDIA 6600 or better/ATI X1300 or better, excluding ATI X1550)
spacetime coordinates: 2010s West TexasHell or High Water is a 2016 American neo-Western crime thriller film directed by David Mackenzie and written by Taylor Sheridan, whose script was on the 2012 Black List. The film follows two brothers (Chris Pine and Ben Foster) who carry out a series of bank robberies to save their family ranch, while being pursued by two Texas Rangers (Jeff Bridges and Gil Birmingham).
spacetime coordinates: 1978 – 1985 – 1994 Sussex, EnglandNever Let Me Go is a 2010 British dystopian romantic drama film based on Kazuo Ishiguro‘s 2005 novel of the same name. The film was directed by Mark Romanek from a screenplay by Alex Garland. Never Let Me Go is set in an alternative history and centres on Kathy, Ruth and Tommy portrayed by Carey Mulligan, Keira Knightley and Andrew Garfield respectively, who become entangled in a love triangle.
spacetime coordinates: 1970s > 1980s > 1990s Tehran / Vienna
Persepolis is a 2007 French-Iranian animated biographical film based on Marjane Satrapi‘s autobiographical graphic novel of the same name. The film was written and directed by Satrapi with Vincent Paronnaud. The story follows a young girl as she comes of age against the backdrop of the Iranian Revolution. The title is a reference to the historic city of Persepolis.
“the first ever Ethiopian post-apocalyptic, surreal, sci-fi feature length film.”
spacetime coordinates: Chicago, 2055 > the cretaceous
A Sound of Thunder is a 2005 science fiction thriller film directed by Peter Hyams, and starring Edward Burns, Catherine McCormack and Ben Kingsley. It is a co-production film between the United Kingdom, the United States, Germany, and the Czech Republic.
a classic example of “failed return” or “no return” cautionary tales is A Sound of Thunder by Ray Bradbury published in 1952. on a personal level i love both the EC comic book adaptation with artwork by Al Williamson and the 2005 movie adaptation by Peter Hyams that was a box office flop and has receive mostly negative reviews by critics. the original story features one of the first instances of the butterfly effect, in particular as applied to time travel paradoxes and uncontrollable evolutionary/ political outcomes. this was way before it became a meteorologic mainstay of chaos theory after its use by Edward Lorenz to describe stormy ripple-like effects on nonlinear systems, seemingly very sensitive to minute initial conditions. the movie A Sound of Thunder features a time travel tourist agency from the year 2055. Time Safari Inc. is a chronocapitalist enterprise that organizes prehistoric retro-hunting expeditions to far-off epochs where dinosaurs roamed the earth. in order to do that, mankind is cheating on the big dinosaur mass extinction. long after humankind has killed most of the big game life on earth it tracks down other, more elusive and ferocious megafauna. the whole ‘hunting’ for the ultimate predator T-Rex (or an Allosaurus in the movie) turns out to be a very complex business. the paleo-poaching is based on hiding your acts under the cover of natural occurrences, trophy hunting pretending to be a mass extimction event. in order to fake the killing shot one must plan ahead every retro-killing move. practically Time Safari Inc. is cheating evolutionary history by trying to synchronize with ‘naturally’ occurring death events and extract entertainment value out of impossible inter-species encounters, normally separated by enormous gulfs of time. (…)
geohistory becomes a perfect crime scene – where the time traveling expedition has to erase all traces – all influence that might otherwise impact the future with definite catastrophic (especially anthropic future) results. as often, humans are kind of role-playing hide and seek with natural selection. in this bizarre and strange inversion of the anthropocenic stratigraphic proof – masquerades as natural force, where a devious human causality is trying to hide behind a pre-human mass extinction event. it is almost the same principle guiding the climate denialist that pretends to hide behind previous catastrophic climate fluctuations.as one might expect, it’s a chronoclysm waiting to happen. all the clients of Time Safari Inc. are prone to making mistakes, and not only do they leave marks (the absolute no 1 rule of time travel is non-intervention) but they also bring back something (the 2nd most important rule) basically invariably smuggling the prehuman past into the future. somehow a prehistoric dead butterfly makes it through the biofilter (a great example of what I would call New Wallace Lines) that is scanning every living reentry into the present, every possibility of warping the timelines. the alteration of the past produces a chronoclysm that manifests itself as a rhythmic, rapidly accelerating ‘time waves’ that transform the city and its denizens. more to the point in the Peter Hyams movie, the first divergence is a sudden appearance of teeming swarms of beetles and a gigantic strangler fig-like tree bursting through a Chicago high rise building, while the main characters Ryan and Rand make a narrow escape. it is by no means accidental that swarms and insect swarms in particular are associated with time waves. multiply proliferating and and highly distributed, swarms are chronoclysmic purveyors that help carry and suffer the radical effects of timeline distortion. there are reports of global increases in temperature and humidity and plant life seems to prosper, while this time warped climate change suddenly seems to be echoing sweltering hot pre-human conditions of long gone geological epochs and dead jungles. (…)
stefan tiron – Cosm/c Dr/ft & T3mporal D/vergence (2016)- EXIT THE PORTAL: The Strange Comeback to a Weird Earth