spacetime coordinates: 117 AD Roman outpost of Pinnata Castra & Roman forts along the Glenblocker line and the Gask Ridge at the southern border of the Scottish Highlands. Centurion is a 2010 British historical action-war film directed by Neil Marshall, loosely based on the disappearance of the Roman Empire’s Ninth Legion in Caledonia in the early second century AD.
The Witcher 2: Assassins of Kings (Polish: Wiedźmin 2: Zabójcy królów) is an action role-playing hack and slash video game developed by CD Projekt Red for Microsoft Windows, Xbox 360, OS X, and Linux. The game was released for Microsoft Windows in May 2011, for Xbox 360 and OS X in 2012, and for Linux in 2014.It is a sequel to the 2007 video game The Witcher. Like its predecessor, the game is based on The Witcher series of fantasy novels by Polish author Andrzej Sapkowski. The player directs the actions of Geralt of Rivia, a monster hunter known as a Witcher. The fantasy world in which his adventures take place owes much to Polish history and Slavic mythology.
SYSTEM REQUIREMENTS (MINIMUM): OS: Windows XP/Vista/7 // Processor: Intel 2.2 GHz Dual-Core or AMD 2.5 GHz Dual-Core // Memory: 1.5 GB (Win XP), 2GB (Win Vista/Win 7) // Graphics: GeForce 8800 (512 MB) or Radeon HD3850 (512 MB). Resolution: 1280×720. // DirectX®: DirectX 9.29 has to be installed. // Hard Drive: 25GB
Angel’s Egg (天使のたまご Tenshi no Tamago) is a Japanese OVA film released by Tokuma Shoten on 15 December 1985. It was a collaboration between popular artist Yoshitaka Amano and director Mamoru Oshii. It features very little spoken dialogue. Its sparse plot and visual style have led to it being described as “animated art rather than a story”.
Prior to the production on Angel’s Egg, Mamoru Oshii lost his faith in Christianity. Senses of Cinema opined that the film “seems informed by the existential desperation caused by the collapse of one’s belief system”; Oshii himself has stated he does not know what the film is about.
Wind River is a 2017 American neo-western murder mystery thriller film written and directed by Taylor Sheridan. The film stars Jeremy Renner and Elizabeth Olsen as a U.S. Fish and Wildlife Service tracker and an FBI agent, respectively, who try to solve a murder on the Wind River Indian Reservation in Wyoming. According to Sheridan, the opening “inspired by true events” card was a reference to the “thousands of actual stories just like it” involving sexual assault of women on reservations, his primary motivation for writing the film.
spacetime coordinates: Chicago, 2055 > the cretaceous
A Sound of Thunder is a 2005 science fiction thriller film directed by Peter Hyams, and starring Edward Burns, Catherine McCormack and Ben Kingsley. It is a co-production film between the United Kingdom, the United States, Germany, and the Czech Republic.
a classic example of “failed return” or “no return” cautionary tales is A Sound of Thunder by Ray Bradbury published in 1952. on a personal level i love both the EC comic book adaptation with artwork by Al Williamson and the 2005 movie adaptation by Peter Hyams that was a box office flop and has receive mostly negative reviews by critics. the original story features one of the first instances of the butterfly effect, in particular as applied to time travel paradoxes and uncontrollable evolutionary/ political outcomes. this was way before it became a meteorologic mainstay of chaos theory after its use by Edward Lorenz to describe stormy ripple-like effects on nonlinear systems, seemingly very sensitive to minute initial conditions. the movie A Sound of Thunder features a time travel tourist agency from the year 2055. Time Safari Inc. is a chronocapitalist enterprise that organizes prehistoric retro-hunting expeditions to far-off epochs where dinosaurs roamed the earth. in order to do that, mankind is cheating on the big dinosaur mass extinction. long after humankind has killed most of the big game life on earth it tracks down other, more elusive and ferocious megafauna. the whole ‘hunting’ for the ultimate predator T-Rex (or an Allosaurus in the movie) turns out to be a very complex business. the paleo-poaching is based on hiding your acts under the cover of natural occurrences, trophy hunting pretending to be a mass extimction event. in order to fake the killing shot one must plan ahead every retro-killing move. practically Time Safari Inc. is cheating evolutionary history by trying to synchronize with ‘naturally’ occurring death events and extract entertainment value out of impossible inter-species encounters, normally separated by enormous gulfs of time. (…)
geohistory becomes a perfect crime scene – where the time traveling expedition has to erase all traces – all influence that might otherwise impact the future with definite catastrophic (especially anthropic future) results. as often, humans are kind of role-playing hide and seek with natural selection. in this bizarre and strange inversion of the anthropocenic stratigraphic proof – masquerades as natural force, where a devious human causality is trying to hide behind a pre-human mass extinction event. it is almost the same principle guiding the climate denialist that pretends to hide behind previous catastrophic climate fluctuations.as one might expect, it’s a chronoclysm waiting to happen. all the clients of Time Safari Inc. are prone to making mistakes, and not only do they leave marks (the absolute no 1 rule of time travel is non-intervention) but they also bring back something (the 2nd most important rule) basically invariably smuggling the prehuman past into the future. somehow a prehistoric dead butterfly makes it through the biofilter (a great example of what I would call New Wallace Lines) that is scanning every living reentry into the present, every possibility of warping the timelines. the alteration of the past produces a chronoclysm that manifests itself as a rhythmic, rapidly accelerating ‘time waves’ that transform the city and its denizens. more to the point in the Peter Hyams movie, the first divergence is a sudden appearance of teeming swarms of beetles and a gigantic strangler fig-like tree bursting through a Chicago high rise building, while the main characters Ryan and Rand make a narrow escape. it is by no means accidental that swarms and insect swarms in particular are associated with time waves. multiply proliferating and and highly distributed, swarms are chronoclysmic purveyors that help carry and suffer the radical effects of timeline distortion. there are reports of global increases in temperature and humidity and plant life seems to prosper, while this time warped climate change suddenly seems to be echoing sweltering hot pre-human conditions of long gone geological epochs and dead jungles. (…)
stefan tiron – Cosm/c Dr/ft & T3mporal D/vergence (2016)- EXIT THE PORTAL: The Strange Comeback to a Weird Earth
spacetime coordinates: 1981 expedition into the uncharted Amazon in Bolivia // Tuichi River
Jungle is a 2017 Australian adventure/ psychological thriller film directed by Greg McLean and written by Justin Monjo. The film is based on Yossi Ghinsberg‘s nonfiction novel Jungle: A Harrowing True Story of Survival. Jungle follows the three weeks that Ghinsberg spent in the Bolivian jungle without any supplies or help.
Lost is an American drama television series that originally aired on the American Broadcasting Company (ABC) from September 22, 2004, to May 23, 2010, over six seasons, comprising a total of 121 episodes. The show contains elements of supernatural and science fiction, and follows the survivors of a commercial jet airliner crash, flying between Sydney and Los Angeles, California, on a mysterious tropical island somewhere in the South Pacific Ocean. The story is told in a heavily serialized manner. Episodes typically feature a primary storyline set on the island, augmented by flashback or flashforward sequences which provide additional insight into the involved character(s).
The television show Lost includes a number of mysterious elements that have been ascribed to science fiction or supernatural phenomena, usually concerning coincidences, synchronicity, déjà vu, temporal and spatial anomalies, paradoxes, and other puzzling phenomena. The creators of the series refer to these as part of the mythology of the series. (read more: https://en.wikipedia.org/wiki/Mythology_of_Lost)