coordinates: Draenor // AzerothWarcraft (alternatively known as Warcraft: The Beginning) is a 2016 American action fantasy film directed by Duncan Jones and written by Charles Leavitt and Jones. It is based on the video game series of the same name. The film stars Travis Fimmel, Paula Patton, Ben Foster, Dominic Cooper, Toby Kebbell, Ben Schnetzer, Robert Kazinsky, Clancy Brown and Daniel Wu. The film portrays the initial encounters between the humans and the orcs and takes place in a variety of locations established in the video game series.
Duncan Jones said that the Warcraft universe is very “High Fantasy” and planned to make it feel more grounded in reality though at the same time keep the look and feel of the games in the film. Chris Metzen, the lead story writer at Blizzard Entertainment and the voice of many key characters in the Warcraft series, is also in charge of the story of the film.
imdb // Sequel
spacetime coordinates: post-human extinction-era AustraliaLegend of the Guardians: The Owls of Ga’Hoole is a 2010 American-Australian 3D computer-animated fantasy-adventure film based on the Guardians of Ga’Hoole series by Kathryn Lasky.
spacetime coordinates: 18th – 19th century Easter Island
“According to one early commentator, Rapanui songs expressed ‘the surprise of being alive and also the sadness of life.’”
spacetime coordinates: 1889 Belgian Congo // LondonThe Legend of Tarzan is a 2016 American adventure film based on the fictional character created by Edgar Rice Burroughs. Directed by David Yates, with a screenplay by Adam Cozad and Craig Brewer, the film stars Alexander Skarsgård as the title character, with Samuel L. Jackson, Margot Robbie, Djimon Hounsou, Jim Broadbent and Christoph Waltz in supporting roles.
Making Africa seem authentic was especially important to the filmmakers, since the film was shot in England, except for six weeks in Gabon, filming background by helicopter without the cast. A working waterfall and a 100-foot-long collapsible pier were assembled at Warner Bros.’ Leavesden studios. Seven versions of the African jungle were constructed to show different scenery throughout the filming. Plants from Holland were mixed with trees sculpted by the art department. Kedleston Hall stood in for the Greystoke Manor, and a cedar tree on the grounds of Highclere Castle served as the setting for an early pivotal scene between Tarzan and Jane. (wiki)
spacetime coordinates: 1892–1973 Chicago, Illinois, U.S.
In the Realms of the Unreal is a 2004 documentary film directed by Jessica Yu about American outsider artist Henry Darger.
An obscure janitor during his life, Darger is known for the posthumous discovery of his elaborate 15,145-page fantasy manuscript entitled The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion, along with several hundred watercolor paintings and other drawings illustrating the story.
The film’s style is atypical of a documentary. Because there are only three known photographs of Darger, and because of his reclusive lifestyle, the film is mostly a narrated biographical account, accompanied by animated versions of events from his magnum opus, which is also surveyed in detail. Interviews with his few neighbors and other acquaintances are included.
In the last entry in his diary, he wrote: “January 1, 1971. I had a very poor nothing like Christmas. Never had a good Christmas all my life, nor a good new year, and now… I am very bitter but fortunately not revengeful, though I feel should be how I am…”
spacetime coordinates: 18th century South America
The Mission is based on events surrounding the Treaty of Madrid in 1750, in which Spain ceded part of Jesuit Paraguay to Portugal. A significant subtext is the impending Suppression of the Jesuits, of which Father Gabriel is warned by the film’s narrator, Cardinal Altamirano, who was once himself a Jesuit. Altamirano, speaking in hindsight in 1758, corresponds to the actual Andalusian Jesuit Father Luis Altamirano, who was sent by Jesuit Superior General Ignacio Visconti to Paraguay in 1752 to transfer territory from Spain to Portugal. He oversaw the transfer of seven missions south and east of the Río Uruguay, that had been settled by Guaranis and Jesuits in the 17th century. As compensation, Spain promised each mission 4,000 pesos, or fewer than 1 peso for each of the circa 30,000 Guaranis of the seven missions, while the cultivated lands, livestock, and buildings were estimated to be worth 7–16 million pesos. The film’s climax is the Guarani War of 1754–1756, during which historical Guaranís defended their homes against Spanish-Portuguese forces implementing the Treaty of Madrid. For the film, a re-creation was made of one of the seven missions, São Miguel das Missões.
Father Gabriel’s character is loosely based on the life of Paraguayan saint and Jesuit Roque González de Santa Cruz. The story is taken from the book The Lost Cities of Paraguay by Father C. J. McNaspy, S.J., who was also a consultant on the film.
The waterfall setting of the film suggests the combination of these events with the story of older missions, founded between 1610–1630 on the Paranapanema River above the Guaíra Falls, from which Paulista slave raids forced Guaranís and Jesuits to flee in 1631. The battle at the end of the film evokes the eight-day Battle of Mbororé in 1641, a battle fought on land as well as in boats on rivers, in which the Jesuit-organized, firearm-equipped Guaraní forces stopped the Paulista raiders.