timespace coordinates: 2010’s Marais, LouisianaSwamp Thing is an American superhero horror web television series based on the DC Comics character of the same name. The ten-episode series premiered May 31, 2019, on DC Universe. Despite positive reviews, the series was canceled shortly after its first episode aired. (wiki)
Samsara is a 2011 American non-narrative documentary film of international imagery directed by Ron Fricke and produced by Mark Magidson. Samsara was filmed over a period of five years in 25 different countries around the world.
The official website describes the film, “Expanding on the themes they developed in Baraka (1992) and Chronos (1985), Samsara explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of humanity’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation.” (wiki)
timespace coordinates: Kree Empire’s capital planet of Hala, 8K1M.YY67A47+58E698L / planet C-53 Terran Homeworld CO53.FR45887+125X47 (1995 California, Louisiana)
Captain Marvel is the name of several superheroes appearing in American comic books published by Marvel Comics. Most of these versions exist in Marvel’s main shared universe, known as the Marvel Universe. (read more)
timespace coordinates: 1934 Texas, Oklahoma, Kansas, LouisianaThe Highwaymen is a 2019 American crime film directed by John Lee Hancock and written by John Fusco. The film follows Frank Hamer and Maney Gault (Kevin Costner and Woody Harrelson), two Texas Rangers who attempt to track down and apprehend notorious criminals Bonnie and Clyde in the 1930s. Kathy Bates, John Carroll Lynch, Kim Dickens, Thomas Mann and William Sadler also star. The Highwaymen began a limited theatrical release in the United States on March 15, 2019 and was released digitally on March 29, 2019 on Netflix. (wiki)
“The art direction is equally meticulous in illustrating the time period: the migrant camps and other settings, the clothes and incidentals, including old-time chenille bedspreads. In addition, the film doesn’t gloss over Bonnie and Clyde’s merciless brutality.” (Diane Carson review)