108 – Manderlay (2005)

spacetime coordinates:  1933 rural Alabama, Manderlay plantation

manderlay

Manderlay is a 2005 internationally co-produced avant-garde drama film written and directed by Lars von Trier and the second part of von Trier’s projected USA – Land of Opportunities trilogy. It stars Bryce Dallas Howard, who replaces Nicole Kidman in the role of Grace Mulligan. The film co-stars Willem Dafoe, replacing James Caan. Lauren Bacall, Željko Ivanek, Jeremy Davies, and Chloë Sevigny return portraying different characters from those in Dogville. Only John Hurt, Udo Kier, and Jean-Marc Barr reprise their roles.

trailer: https://youtu.be/9h9QykHz4Wg

http://www.imdb.com/title/tt0342735/

075 – The Grand Budapest Hotel (2014)

spacetime coordinates: 1985 > 1968 > 1932
the town of Nebelsbad / Lutz  in the former Republic of Zubrowka  (the farthest eastern boundary of the Europen continent)

The-Grand-Budapest-Hotel-Poster

The Grand Budapest Hotel is an 2014 comedy film written and directed by Wes Anderson, from a story by Anderson and Hugo Guinness, inspired by the writings of Stefan Zweig. The narrative takes the form of a story within a story within a story.

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imdb

049 – Shirley: Visions of Reality (2013)

spacetime coordinates: 

saturday, august 28th 1931 paris, 11 p.m.
sunday, august 28th 1932 new york, 9 p.m.
monday, august 28th 1939 new york, 10 p.m.

wednesday, august 28th 1940 new york, 10 p.m.
friday, august 28th 1942 new haven, 8 p.m.

thursday, august 28th 1952 new york, 6 a.m.
tuesday, august 28th 1956 new york, 9 a.m.
wednesday, august 28th 1957 pacific palisades, 6 p.m.
friday, august 28th 1959 cape cod, 11 a.m.

monday, august 28th 1961 cape cod, 7 a.m.
wednesday, august 28th 1963 albany, 7 p.m.
thursday, august 28th 1963 albany, 9 a.m.

shirley_visions_of_reality

Faithfully reproducing 13 of Edward Hopper‘s tableaux three-dimensionally on set, the basis of the film is the story of an independent and opinionated New York actress (Stephanie Cumming) whose life we follow through three turbulent decades of American history, from 1931’s Great Depression to the Riots of 1963.

“Unconsciously, probably, I was painting the loneliness of a large city,” Edward Hopper once remarked of his masterpiece Nighthawks, the famous scene depicting a downtown diner late at night. In fact, many pieces in Hopper’s oeuvre, a sun-drenched yet grimly nostalgic memento of midcentury modern America, depict solitary figures engaged in an act of reflection. Whether we see them deep in thought in the morning sun or swallowing whisky at a bar after dark, Hopper’s paintings conjure a sense of curiosity for his subjects’ past – and indeed, Vienna-born director Gustav Deutsch was so inspired by this aura of mystery that he decided to create Shirley: Visions of Reality, an exquisite example of interdisciplinary cinema based on the imagery in Hopper’s paintings.

read more: www.anothermag.com