Born from Nicolas Winding Refn‘s passion for the rare, the forgotten and unknown, byNWR breathes new life into the culturally intriguing, influential and extreme.
Quarterly volumes of content divide into three monthly chapters, each featuring a fully-restored film. (…)
timespace coordinates: teenage soldiers in the Colombian conflict – the Eastern Ranges of the Colombian Andes + jungle scenes (shot around the Samaná river, five hours from Medellín. Because of the conflict, the place was visited only by soldiers and illegal gold miners until recently, hence remaining mostly unspoiled by humans.)
Monos is a 2019 internationally co-produced war drama film directed by Alejandro Landes, written by Landes and Alexis Dos Santos and produced by Fernando Epstein, Santiago Zapata, Cristina Landes and Landes himself. It stars Julianne Nicholson, Sofia Buenaventura and Moisés Arias. The film follows a group of armed teenage guerillas assigned to watch over a hostage.
The film was loosely inspired by the novels Lord of the Flies by William Golding and Heart of Darkness by Joseph Conrad. Filmic influences included Come and See and Beau Travail. While “monos“, the title as well as the code name of the main squad in the film, superficially means “monkeys” in Spanish, it signifies the prefix mono- of Greek origin meaning “alone” or “one”. (wiki)
imdb / rt
«The Romans stole the alphabeta system from the Greeks through war», explains Rammellzee. «Then, in medieval times, monks ornamented letters to hide their meaning from the people. Now, the letter is armored against further manipulation.»
New York graffiti artist and B-boy theoretician Rammellzee (the artist encases himself during gallery performances in Gasholeer, a 148-pound, gadgetry-encrusted exoskeleton inspired by an android he painted on a subway train in 1981. Four years in the making, Rammellzee’s exuberantly low-tech costume bristles with rocket launchers, nozzles that gush gouts of flame, and an all-important sound system.)
«From both wrists, I can shoot seven flames, nine flames from each sneaker’s heel, and colored flames from the throat. Two girl doll heads hanging from my waist and in front of my balls spit fire and vomit smoke… The sound system consists of a Computator, which is a system of screws with wires. These screws can be depressed when the keyboard gun is locked into it. The sound travels through the keyboard and screws, then through the Computator, then the belt, and on up to the four mid-range speakers (with tweeters). This is all balanced by a forward wheel from a jet fighter plane. I also use an echo chamber, Vocoder, and system of strobe lights. A coolant device keeps my head and chest at normal temperature. A 100-watt amp and batteries give me power.»
«slanguage» – a heavily encrypted hip-hop argot – is the linguistic equivalent of graffiti «tags» all over the mother tongue. In an essay on English as the imperial language of the Internet, the cultural critic McKenzie Wark argues for the willful, viral corruption of the lingua franca of global corporate monoculture as a political act.
For All Tomorrow’s Parties. 全为明日派对。
timespace coordinates: The Waste Tide depicts a dystopian China in the post-2020 era. (2040’s -2050’s) In the Guiyu island, the large electronic recycle industries are in full control of local lineage associations. The laborers who undertake dangerous work for the profit of the Chinese and foreign businessmen who employ them are depicted not as humans, but cyborgs whose bodies and minds have been altered permanently through bio-engineering.
The Waste Tide is a science fiction novel by the Chinese writer Chen Qiufan.
The story takes place in the imaginary ”Silicon Isle”. The Chinese word ”硅屿” for Silicon Isle shares a similar pronunciation with Guiyu (Chinese: 贵屿) in Mandarin. In the real world, Guiyu is a town in the Shantou prefecture of Guangdong province in China. And it is Shantou where Chen Qiufan was born and grew up before he entered Peking University. Situated on the South China Sea coast, Guiyu got famous in the global environmentalist community for its reception of E-waste. The town held the record for being the largest E-waste site up to 2013. Though some residents got rich by electronic recycling, pollution became serious in the town. Talking about the background of writing the novel, Chen said: ”Choosing my hometown as background to write the story, is related to my thinking of China. To depict the pain of changing China, is just because I desire for she getting better gradually.’ (wiki)
timespace coordinates: 2060’s (?) Mongolian part of the Altai Mountains
Redeemer is a top-down shooter video game developed by Russian company Sobaka Studio and published by Good Shepherd Entertainment. The game was released for Microsoft Windows on August 1, 2017. An Enhanced Edition was released for PlayStation 4, Nintendo Switch and Xbox One on July 19, 2019. (wiki)
SYSTEM REQUIREMENTS (MINIMUM): OS: Win7 SP1, Windows 8.1, Windows 10 / Processor: Intel(R) Core(TM) i3-6300 CPU / Memory: 4 GB RAM / Graphics: AMD Radeon R9 200 Series or equivalent / DirectX: Version 11 / Storage: 7 GB available space / Additional Notes: 64-Bit OS Required
Based on his pioneering work in the recent book High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies, author and podcaster Erik Davis will explore the phenomenon of occult revivals, comparing and contrasting some of the factors that made the early 1970s and the late 2010s hotbeds of occultism, witchcraft, and visionary experience. Featuring films by visual artists Dustin Wong and Amanda Siegel.
For Litquake 2019, Erik Davis spoke with RU Sirius about the politics of high weirdness, then and now.
This hysterical hobbyist’s guide belongs in every hip library. Coot cat Reverend Ivan Stang, high holy of the Church of the SubGenius, has compiled a bestiary of American creeps and crazies so that you can write to them and receive mail that is weird, horrible, wonderfully absurd, or a combination of all three.
goodreads / wikipedia
timespace coordinates: 1980’s – 1991 – 1993 Norway
Lords of Chaos is a 2018 horror-thriller film directed by Jonas Åkerlund and written by Dennis Magnusson and Åkerlund. Adapted from the 1998 book of the same name, the film is a semi-fictionalised account of the early 1990s Norwegian black metal scene told from the perspective of Mayhem co-founder Euronymous. It stars Rory Culkin as Euronymous, Emory Cohen as Varg Vikernes, Jack Kilmer as Dead, and Sky Ferreira as Ann-Marit (character invented for the movie). Music for the film is by sigur rós. (wiki)
Reactions from the depicted +
imdb / rt / Euronymous Interview (1993)