Rocks in My Pockets (Latvian: Akmeņi manās kabatās) is a 2014 2D / 3D animated film written, produced, directed and animated by Signe Baumane. It was originally created in English and a Latvian version was thereafter translated and produced. The film is based on true events about five women of the filmmaker’s family, including herself, and their battles with depression and suicide. For the entire film, approximately 30,000 drawings were created.
Annemarie Minna Renée Schwarzenbach (23 May 1908 – 15 November 1942) was a Swiss writer, journalist, photographer and traveler.
Annemarie Schwarzenbach: Une Suisse rebelle (2000)
Based on unreleased archive material, this first film about Annemarie Schwarzenbach explores the life of woman born within a very rich Swiss family with open inclinations towards the Nazi Order. A writer, a journalist and a reporter photographer, Annemarie stood up against her aristocratic family and she travels around the world to denounce, European fascism as well as the exploitation of American workers. Annemarie Schwarzenbach doubts and disturbs.
Die Reise nach Kafiristan (2001)
In 1939, the author Annemarie Schwarzenbach and the ethnologist Ella Maillart travel together by car to Kabul.
spacetime coordinates: 1930s Chicago, Indiana, Wisconsin, Arizona
Public Enemies is a 2009 American biographical mob drama film directed by Michael Mann and written by Mann, Ronan Bennett and Ann Biderman. It is an adaptation of Bryan Burrough‘s non-fiction book Public Enemies: America’s Greatest Crime Wave and the Birth of the FBI, 1933–34. Set during the Great Depression, the film chronicles the final years of the notorious bank robber John Dillinger(Johnny Depp) as he is pursued by FBI agent Melvin Purvis (Christian Bale), Dillinger’s relationship with Billie Frechette (Marion Cotillard), as well as Purvis’ pursuit of Dillinger’s associates and fellow criminals Homer Van Meter (Stephen Dorff) and Baby Face Nelson (Stephen Graham).
Burrough originally intended to make a television miniseries about the Depression-era crime wave in the United States, but decided to write a book on the subject instead. Mann developed the project, and some scenes were filmed on location where certain events depicted in the film occurred, though the film is not entirely historically accurate.
spacetime coordinates: 1933 New York City. Skull Island, deep in the southern waters
King Kong is a 2005 epic monster adventure film co-written, produced, and directed by Peter Jackson. A remake of the 1933 film of the same name, the film stars Naomi Watts, Jack Black, Adrien Brody, and, through motion capture, Andy Serkis as the title character. Set in 1933, King Kong tells the story of an ambitious filmmaker who coerces his cast and hired ship crew to travel to the mysterious Skull Island. There they encounter Kong, a legendary giant gorilla, whom they capture and take to New York City.
saturday, august 28th 1931 paris, 11 p.m.
sunday, august 28th 1932 new york, 9 p.m.
monday, august 28th 1939 new york, 10 p.m.
wednesday, august 28th 1940 new york, 10 p.m.
friday, august 28th 1942 new haven, 8 p.m.
thursday, august 28th 1952 new york, 6 a.m.
tuesday, august 28th 1956 new york, 9 a.m.
wednesday, august 28th 1957 pacific palisades, 6 p.m.
friday, august 28th 1959 cape cod, 11 a.m.
monday, august 28th 1961 cape cod, 7 a.m.
wednesday, august 28th 1963 albany, 7 p.m.
thursday, august 28th 1963 albany, 9 a.m.
Faithfully reproducing 13 of Edward Hopper‘s tableaux three-dimensionally on set, the basis of the film is the story of an independent and opinionated New York actress (Stephanie Cumming) whose life we follow through three turbulent decades of American history, from 1931’s Great Depression to the Riots of 1963.
“Unconsciously, probably, I was painting the loneliness of a large city,” Edward Hopper once remarked of his masterpiece Nighthawks, the famous scene depicting a downtown diner late at night. In fact, many pieces in Hopper’s oeuvre, a sun-drenched yet grimly nostalgic memento of midcentury modern America, depict solitary figures engaged in an act of reflection. Whether we see them deep in thought in the morning sun or swallowing whisky at a bar after dark, Hopper’s paintings conjure a sense of curiosity for his subjects’ past – and indeed, Vienna-born director Gustav Deutsch was so inspired by this aura of mystery that he decided to create Shirley: Visions of Reality, an exquisite example of interdisciplinary cinema based on the imagery in Hopper’s paintings.
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