146 – King Kong (2005)

spacetime coordinates: 1933 New York City. Skull Island, deep in the southern waters

2005-king_kong-2

King Kong is a 2005 epic monster adventure film co-written, produced, and directed by Peter Jackson. A remake of the 1933 film of the same name, the film stars Naomi Watts, Jack Black, Adrien Brody, and, through motion capture, Andy Serkis as the title character. Set in 1933, King Kong tells the story of an ambitious filmmaker who coerces his cast and hired ship crew to travel to the mysterious Skull Island. There they encounter Kong, a legendary giant gorilla, whom they capture and take to New York City.

wiki, imdb

049 – Shirley: Visions of Reality (2013)

spacetime coordinates: 

saturday, august 28th 1931 paris, 11 p.m.
sunday, august 28th 1932 new york, 9 p.m.
monday, august 28th 1939 new york, 10 p.m.

wednesday, august 28th 1940 new york, 10 p.m.
friday, august 28th 1942 new haven, 8 p.m.

thursday, august 28th 1952 new york, 6 a.m.
tuesday, august 28th 1956 new york, 9 a.m.
wednesday, august 28th 1957 pacific palisades, 6 p.m.
friday, august 28th 1959 cape cod, 11 a.m.

monday, august 28th 1961 cape cod, 7 a.m.
wednesday, august 28th 1963 albany, 7 p.m.
thursday, august 28th 1963 albany, 9 a.m.

shirley_visions_of_reality

Faithfully reproducing 13 of Edward Hopper‘s tableaux three-dimensionally on set, the basis of the film is the story of an independent and opinionated New York actress (Stephanie Cumming) whose life we follow through three turbulent decades of American history, from 1931’s Great Depression to the Riots of 1963.

“Unconsciously, probably, I was painting the loneliness of a large city,” Edward Hopper once remarked of his masterpiece Nighthawks, the famous scene depicting a downtown diner late at night. In fact, many pieces in Hopper’s oeuvre, a sun-drenched yet grimly nostalgic memento of midcentury modern America, depict solitary figures engaged in an act of reflection. Whether we see them deep in thought in the morning sun or swallowing whisky at a bar after dark, Hopper’s paintings conjure a sense of curiosity for his subjects’ past – and indeed, Vienna-born director Gustav Deutsch was so inspired by this aura of mystery that he decided to create Shirley: Visions of Reality, an exquisite example of interdisciplinary cinema based on the imagery in Hopper’s paintings.

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