spacetime coordinates: early 19th century GermanyFaust (Russian: Фауст) is a 2011 Russian film directed by Alexander Sokurov. Set in the 19th century, it is a free interpretation of the Faust legend and its respective literary adaptations by both Johann Wolfgang von Goethe as well as Thomas Mann. The dialogue is in German. The film is the final part in a series of films where Alexander Sokurov explores the corrupting effects of power. The previous installments are three biographical dramas: about Adolf Hitler in Moloch from 1999, Vladimir Lenin in Taurus from 2001, and the Japanese emperor Hirohito in The Sun from 2005.
The project, described in 2005 as “loosely based on works by Goethe and Thomas Mann”, was announced by Sokurov in 2005 as “a very colourful, elegant picture with a lot of Strauss music and a smell of chocolate.”
Jay Weissberg wrote in Variety: “The influence of Flemish and Dutch painting on Sokurov’s work has never been clearer than in Faust, with its deep debt to the witchcraft paintings of artists such as David Teniers and Herri met de Bles.” (wiki)
timespace coordinates: 1927 New Jersey / 1977 Minnesota > New York City
Wonderstruck is a 2017 American mystery drama film directed by Todd Haynes and based on the 2011 novel Wonderstruck by Brian Selznick, who also adapted the novel into a screenplay. The film stars Oakes Fegley, Julianne Moore, Michelle Williams, and Millicent Simmonds.
The film interlaces two stories set fifty years apart, switching frequently between them, with the older storyline filmed in black and white. Each tells the story of a child’s quest. In 1927, young deaf girl Rose runs away from her father’s New Jersey home to find her mother/idol, the actress Lillian Mayhew. In 1977, recently orphaned Ben, made deaf by a freakish accident, runs away from his Minnesota home in search of his father. (wiki)
“A curator’s job is an important one, for it is the curator who decides what belongs in the museum. In a way, anyone who collects things in the privacy of his own home is a curator. But how did the very first curators store their collections? They were kept
in pieces of furniture called Cabinets of Wonder. Eventually, some collections grew beyond the confines of a single cabinet and took over entire rooms. See figure nine.”