Stanisław Szukalski (13 December 1893 – 19 May 1987) was a Polish (self-taught) sculptor and painter who became a part of the Chicago Renaissance. In 1930s Poland he enjoyed fame as a nationalist sculptor. He also developed the pseudoscientific–historical theory of Zermatism, positing that all human culture was derived from post-deluge Easter Island and that humankind was locked in an eternal struggle with the Sons of Yeti (“Yetinsyny”), the offspring of Yeti and humans.
Struggle: The Life and Lost Art of Szukalski is a 2018 documentary film directed by Irek Dobrowolski, written by Stephen Cooper and Irek Dobrowolski and starring Stanislav Szukalski, Glenn Bray and Robert Williams. (wiki)
Hilma af Klint (Swedish pronunciation: [ˈhɪ̂lːma ˈɑːv ˈklɪnːt]; October 26, 1862 – October 21, 1944) was a Swedish artist and mystic whose paintings were the first Western abstract art known to the current art community. She belonged to a group called “The Five”, a circle of women inspired by Theosophy who shared a belief in the importance of trying to contact the so-called “High Masters“—often by way of séances. Her paintings, which sometimes resemble diagrams, were a visual representation of complex spiritual ideas. (wiki)
The Muslim world is not commonly associated with science fiction. Religion and repression have often been blamed for a perceived lack of creativity, imagination and future-oriented thought. However, even the most authoritarian Muslim-majority countries have produced highly imaginative accounts on one of the frontiers of knowledge: astrobiology, or the study of life in the universe.
This book argues that the Islamic tradition has been generally supportive of conceptions of extra-terrestrial life, and in this engaging account, Jörg Matthias Determann provides a survey of Arabic, Bengali, Malay, Persian, Turkish, and Urdu texts and films, to show how scientists and artists in and from Muslim-majority countries have been at the forefront of the exciting search. Determann takes us to little-known dimensions of Muslim culture and religion, such as wildly popular adaptations of Star Wars and mysterious movements centred on UFOs. Repression is shown to have helped science fiction more than hurt it, with censorship encouraging authors to disguise criticism of contemporary politics by setting plots in future times and on distant planets. The book will be insightful for anyone looking to explore the science, culture and politics of the Muslim world and asks what the discovery of extra-terrestrial life would mean for one of the greatest faiths.