651 – Manifesto (2015)

Manifesto is a 2015 Australian-German multi-screen film installation written, produced and directed by Julian Rosefeldt. It features Cate Blanchett in 13 different roles performing various manifestos. A 90-minute feature version premiered at the Sundance Film Festival in January 2017.028The film integrates various types of artist manifestos from different time periods with contemporary scenarios.

imdb

————-

Manifestos: 
Karl Marx / Friedrich Engels, Manifesto of the Communist Party (1848)
Philippe Soupault, Literature and the Rest (1920)

Situationism
Lucio Fontana, White Manifesto (1946)
John Reed Club of New York, Draft Manifesto (1932)
Constant Nieuwenhuys, Manifesto (1948)
Alexander Rodchenko, Manifesto of Suprematists and Non-Objective Painters (1919)
Guy Debord, Situationist Manifesto (1960)

Futurism
Filippo Tommaso Marinetti, The Foundation and Manifesto of Futurism (1909)
Giacomo Balla / Umberto Boccioni / Carlo Carrà / Luigi Russolo / Gino Severini, Manifesto of the Futurist Painters (1910)
Guillaume Apollinaire, The Futurist Antitradition (1913)
Dziga Vertov, WE: Variant of a Manifesto (1922)

Architecture
Bruno Taut, Down with Seriousism! (1920)
Bruno Taut, Daybreak (1921)
Antonio Sant’Elia, Manifesto of Futurist Architecture (1914)
Coop Himmelb(l)au, Architecture Must Blaze (1980)
Robert Venturi, Non-Straightforward Architecture: A Gentle Manifesto (1966)

Vorticism / Blue Rider / Abstract Expressionism
Wassily Kandinsky / Franz Marc, “Preface to the Blue Rider Almanac” (1912)
Barnett Newman, The Sublime is Now (1948)
Wyndham Lewis, Manifesto (1914)

Stridentism / Creationism
Manuel Maples Arce, A Strident Prescription (1921)
Vicente Huidobro, We Must Create (1922)
Naum Gabo / Antoine Pevsner, The Realist Manifesto (1920)

Suprematism / Constructivism
Kazimir Malevich, Suprematist Manifesto (1916)
Olga Rozanova, Cubism, Futurism, Suprematism (1917)

Dadaism
Tristan Tzara, Dada Manifesto 1918 (1918)
Tristan Tzara, Manifesto of Monsieur Aa the Antiphilosopher (1920)
Francis Picabia, Dada Cannibalistic Manifesto (1920)
Georges Ribemont-Dessaignes, The Pleasures of Dada (1920)
Georges Ribemont-Dessaignes, To the Public (1920)
Paul Éluard, Five Ways to Dada Shortage or two Words of Explanation (1920)
Louis Aragon, Dada Manifesto (1920)
Richard Huelsenbeck, First German Dada Manifesto (1918)

Surrealism / Spatialism
André Breton, Manifesto of Surrealism (1924)

Pop Art
Claes Oldenburg, I am for an Art… (1961)

FluxusMerz 
Yvonne Rainer, No Manifesto (1965)
Emmett Williams, Philip Corner, John Cage, Dick Higgins, Allen Bukoff, Larry Miller, Eric Andersen, Tomas Schmit, Ben Vautier, George Maciunas, Fluxus Manifesto (1963)
Mierle Laderman Ukeles, Maintenance Art Manifesto (1969)
Kurt Schwitters, The Merz Stage (1919)

Conceptual Art / Minimalism
Sol LeWitt, Paragraphs on Conceptual Art (1967)
Sol LeWitt, Sentences on Conceptual Art (1969)
Sturtevant, Shifting Mental Structures (1999)
Sturtevant, Man is Double Man is Copy Man is Clone (2004)
Adrian Piper, Idea, Form, Context (1969)

Film
Stan Brakhage, Metaphors on Vision (1963)
Jim Jarmusch, Golden Rules of Filmmaking (2002)
Lars von Trier / Thomas Vinterberg, Dogme 95 (1995)
Werner Herzog, Minnesota Declaration (1999)
Lebbeus Woods, Manifesto (1993)

Advertisements

650 – Guest of Cindy Sherman (2008)

Analyzing his relationship with the reclusive artist Cindy Sherman leads filmmaker Paul H-O (Hasegawa-Overacker) to confront his own identity in this personal and unexpectedly humorous documentary. Paul H-O became a fixture of the New York art scene in the 1990s with his public access show “GalleryBeat.” Armed with a video camera, he attended art gallery openings, intriguing many with his candid, witty assessments of the work and winning fans in the process. Among the latter was Cindy Sherman, the press-shy art superstar, who invited Paul to her studio for a series of exclusive filmed interviews. In these sessions, he gains insight into her artistic process and a romantic relationship blossoms as they fall in love. Their initial bliss takes a turn when Paul gets caught up in the aura of Cindy’s celebrity and he is subordinated to a role as Cindy’s guest at the star-studded openings and dinners she regularly attends. Spanning over 15 years and with unprecedented access to the great artist, including interviews with a veritable who’s who of the art and entertainment world, the film paints a vivid picture of the contemporary art scene and provides a witty, illuminating look at celebrity, anxiety, and art. (rottentomatoes)MV5BMjA3NzM1ODI1Nl5BMl5BanBnXkFtZTcwMjMwMjkzMg@@._V1_SY1000_CR0,0,686,1000_AL_Cindy was initially supportive, but later opposed the project.

imdb

640 – Rabbit (2005)

A modern mystery film of lost innocence, greed and nature. A dreamlike but dark story of lost innocence and the random justice of nature, told with curious images from a distant childhood. A selection of 1950s educational stickers, discovered in a provincial junkshop 20 years ago, provide the ingredients for this adult fairytale.  Once they were new, delivering a simple message to those also young. Like us, however, they have grown older and now present a more complex meaning. Rabbit tells a tale of lost innocence, greed and the random justice of nature. When a boy and girl find an idol in the stomach of a rabbit, its magical abilities lead to riches. But for how long?

BACKGROUND INFO

Run Wrake found an envelope in a secondhand shop in the 1980s that contained sheets of educational stickers illustrated by Geoffrey Higham and published by Philip & Tacey Limited in the 1950s. The image of the idol was the primary inspiration for Rabbit’s storyline.

https://runwrake.com/       imdb

636

The Garden of Emoji Delights by carla gannis

“The current speed of technological advancements suggest biological organisms and the environment are irrevocably changing. In light of this, it is fascinating to discover how easily the visual vernacular of our day aligns with the symbology of a prescient artist from 500 years ago. The Garden of Earthly Delights, Hieronymus Bosch’s most ambitious work, embodies the conflicts, humor, darkness and absurdity of human, earthly and cosmological conditions.

In The Garden of Emoji Delights, one intention of my transcription was to mash up popular historic and contemporary sign systems, and to diversify and expand the Emoji lexicon through this process. Emoji are a contemporary glyph system which offer an emotional shorthand for virtual expression. The pleasurable stylizations are ubiquitous worldwide and across generations. Translating iconography of an earlier era using Emoji seems to makes perfect “nonsense/sense” to me.”

631 – Painting the Modern Garden: Monet to Matisse (2016)

MV5BZTc5Yzg3OWQtYzZmYi00N2FlLTlkZmEtMGJkYmU0ZDcwZDA4XkEyXkFqcGdeQXVyMzAwNTExNTk@._V1_SY1000_CR0,0,698,1000_AL_From the exhibition walls to the wonder and beauty of artists’ gardens like Giverny and Seebüll, the film takes a magical and widely travelled journey to discover how different contemporaries of Monet built and cultivated modern gardens to explore expressive motifs, abstract colour, decorative design and utopian ideas. Guided by passionate curators, artists and garden enthusiasts, this remarkable collection of Impressionists, Post-Impressionists, and avant-garde artists of the early twentieth century will reveal the rise of the modern garden in popular culture and the public’s enduring fascination with gardens today. Long considered spaces for expressing colour, light and atmosphere, the garden has occupied the creative minds of some of the worlds greatest artists. As Monet said, ‘Apart from painting and gardening, I’m no good at anything’. (exhibitiononscreen)

imdb

629 – 2046 (2004)

spacetime coordinates: 2046 –  1960s Hong Kong – Singapore

Paragraph 201 in the Passengers’ Guide warns that Area 1224- 1225 is especially cold. The train heating won’t be strong enough. Passengers are advised to hug each other to keep warm.2046-poster2046_Faye042046 is a 2004 Hong Kong romantic drama film written and directed by Wong Kar-wai. It is a loose sequel to Wong’s films Days of Being Wild (1990) and In the Mood for Love (2000). It follows the aftermath of Chow Mo-wan’s unconsummated affair with Su Li-zhen in 1960s Hong Kong but also includes some science fiction elements and makes frequent references to the date of December 24 or Christmas Eve, on which many significant events in the film occur.2046_1024_007The main character (Tony Leung) writes science fiction stories, in which 2046 is a popular year and place to which people travel through time. The stories are titled 2046 and later 2047 (a collaboration with Faye Wong’s character). The year 2046 has its own significance for Hong Kong. It is 49 years after the handover of Hong Kong by the British on 1 July 1997. At the time of handover, the Mainland government promised fifty years of self-regulation for the former British colony. The year 2046 references the moment before Hong Kong’s special, self-regulated status ends.

The title may also be a reference to the Twilight Zone episode “The Lonely“, about a man sentenced to solitary confinement on a distant asteroid beginning in the year 2046. The isolated inmate falls in love with a gynoid that was delivered to keep him company. This plot structure parallels some of the science fiction motifs in Wong’s 2046. (wiki)

imdb

575 – Sweet Movie (1974)

“Don’t stay here. This boat is full of corpses.” // “It doesn’t matter. The whole world is full of corpses.”

Sweet Movie is a 1974 avant-garde comedy-drama film written and directed by Yugoslavian director Dušan MakavejevAn international co-production of companies from France, Canada, and West Germany, the film follows two women: a Canadian beauty queen, who represents a modern commodity culture, and a captain aboard a ship laden with candy and sugar, who is a failed communist revolutionary.

Sweet Movie2The film created a storm of controversy upon its release, with scenes of coprophiliaemetophilia, (a performance by Otto Muehl and his commune of Vienna Actionists) implied child molestation, and footage of remains of the Polish Katyn Massacre victims. The film was banned in many countries, including the United Kingdom – it is still banned in many countries to this day. Because of her role in the film, Anna Prucnal was exiled from her native Poland for 7 years.

Mühl later renounced the film in an interview as being “downright kitsch” :p

imdb