the film was particularly acclaimed for its visual treatment of the settings of Woolf’s 1928 novel. Potter chose to film much of the Constantinople portion of the book in the isolated city of Khiva in Uzbekistan, and made use of the forest of carved columns in the city’s 18th century Djuma Mosque.
the title role in Orlando allowed Swinton to explore matters of gender presentation onscreen which reflected her lifelong interest in androgynous style. Swinton later reflected on the role in an interview accompanied by a striking photoshoot. “People talk about androgyny in all sorts of dull ways,” said Swinton, noting that the recent rerelease of Orlando had her thinking again about its pliancy. She referred to 1920s French artist and playful gender-bender Claude Cahun: “Cahun looked at the limitlessness of an androgynous gesture, which I’ve always been interested in.”