Worlds of Ursula K. Le Guin is a feature documentary exploring the remarkable life and legacy of the late feminist author Ursula K. Le Guin. Best known for groundbreaking science fiction and fantasy works such as A Wizard of Earthsea, The Left Hand of Darkness, and The Dispossessed, Le Guin defiantly held her ground on the margin of “respectable” literature until the sheer excellence of her work, at long last, forced the mainstream to embrace fantastic literature. Her fascinating story has never before been captured on film.
Produced with Le Guin’s participation over the course of a decade, Worlds of Ursula K. Le Guin is a journey through the writer’s career and her worlds, both real and fantastic. Viewers will join the writer on an intimate journey of self-discovery as she comes into her own as a major feminist author, opening new doors for the imagination and inspiring generations of women and other marginalized writers along the way. The film features stunning animation and reflections by literary luminaries including Margaret Atwood, Neil Gaiman, David Mitchell, Michael Chabon, and more.
Worlds of Ursula K. Le Guin was created with the generous support of the National Endowment for the Humanities, California Humanities, the Berkeley Film Foundation etc (description taken from the original website of the documentary)
The documentary is truly one of the best I have seen dedicated to an author, the more to such an incredible and inspiring one such as Ursula K LeGuin. Take some time to explore her website https://www.ursulakleguin.com/
One of the best documentaries about Sci-Fi indeed and one to carefully and attentively thread along and listen to one of its most cherished authors. It wanders elegantly from personal life, the landscapes that shaped her novels, the childhood memories, her rise and response in Sci-fi fandom and canon, her relation, acknowledgment and understanding of the first nation people genocide in the Americas and in particular her knowledge of indigenous peoples of California.
It also combines some really great animation work that blends in very well with her world building. There are in fact very few movies based on her actual work.
To her previous mentioned works I would like to add The Lathe of Heaven about dreaming and the universe (also a movie) and the wonderful short story The Ones Who Walk Away from Omelas. Also mentioned in the documentary is her 1985 experimental work Always Returning Home written and situated in the Napa Valley, a speculative anthropology works and tapes made by a future ethnographer and anthropologist Pandora with the rituals, the musical instruments, chants and language of a post-apocalyptic people named the Kesh, a sort of anarcho-primitivist tribe that combines elements of hunterer-gatherers, agricultural and industrial civilization while rejecting city building.
documentary in 3 parts directed by Ramonet (Tancrède)
produced by Arte France and Temps Noir
This is the story of Anarchism. By going back over the key events of the last two centuries of social history, the series reveals, for the first time, the origins and destiny of a political trend that has been fighting all gods and all masters for over 150 years.
Who exactly are they? Where do those who have always called themselves anarchists come from and what is their line of thought? Why do we consider their thinking to be confused and their history such a cause for concern? Featuring previously unseen and forgotten archive footage, in addition to outstanding documentation and accounts by world experts, this documentary series recounts the history of a movement that from Paris to New York, and from Tokyo to Buenos Aires, has constantly imbued the world with its freedom and revolt.
Long version in French NI DIEU NI MAITRE VERSION LONGUE COMPLETE 3h34
While not immediately visible, I’m sure the anarchist movement has taken new forms in Romania and has recognized its own rich if misunderstood history. I am sure now it will be not as easily be transformed into a caricature as during the NATO summit in Bucharest, when the majority of TV broadcasting channels immediately rallied behind the repressive powers of the Romanian government, castigating any anti-NATO protester or any suspicious persons as terrorists or trouble makers.
It is by no means a homemade documentary, it is made with a budget and also uses a lot of visual documentary and archival material as well ss historians and researchers. This is truly another history of known social movements, different from the history as written or thought ib school by the liberal establishment, social democracy and one that clarifies its sometimes embittered relation with communist/Marxist tradition although always in conjunction and often intertwined with it. A history that has to be understood in its relations to the Marxist school of thought and to the larger Revolutionary movements worldwide such as the Mexican, the Russian Revolution, the Paris Commune or the Spanish Civil War.
In an especially bitter chapter it is revisiting the anti anarchist reprisals in Soviet Russia against its former political allies, Russia being one of the historical hotbeds of world anarchism (Bakunin, Kropotkin etc). But ot does not stop there – on a map one cam see Anarchism springing up everywhere in Italy, Germany, South America, Australia, China, Japan, Eastern Europe (Bulgaria, Greece) etc It also gives exemples about how much the monarchies and repressive governments of the world felt the anarchist threat – the very first terrorist movement of proportions using bombs and even cars in their exploits. Anarchists invented and experimented withwith both peaceful meansmeans as well ss violent ones. They responded to the brutality of police and the armed attacks against the striking masses in kind. Tutorials with artisanal bombs in anarchist mags abounded and the assassinations of presidents and monarchs made them infamous, the Propaganda of the Deed drew both admiration & ire of theof the public. Interpol was basically founded to counter act the anarchist global threat as perceived during the 1890s. This was the first war on terror before the Bush retoric took it on again. The follow-up was always a regrouping from direction action into the fold of cooperatives and going one more time grassroots and trying to built things from base up.
It is also in my knowledge one of the first historical documentaries to accord such an importance to the Mexican Revolution as the first truly anarchist revolution as well as its relationship to Emiliano Zapata. This was also one of its biggest stumbling blocks – the suspicion, common to all world proletariat revolutions against the peasants leading the way, with the possible exception of the Maoist or Ho Chi Minh revolutionary struggles in Asia. Zapata and his peasant Christian anarchist troops got a cold welcome in the city.
Very important the early role of industrial city of Chicago in the early workers rights movement, a proletarian city par excellence, at the epicenter of railway and meat processing industry. Chicago was the place of the Haymarket affair and also had an incredible anarchist press largely conducted by immigrants (including esoterica Jewish Kabbalah bookshops according to Erik Davis), paving the way to the celebrations of the 1st of May.
It’s the best way to learn about the Internationalist dimensions of Anarchism, it’s past popularity and future promise, be it trough its magazines, newspapers and a lot lives lived fully by such historical figures such as:
I am glad the current and future generation have this documentary to look and learn from. Although there is a lot of stuff happening after 1945 being also complicated by the rise of anarcho-capitalist direction (or coup – depending) lead by Murray Rothbard (1925-1995), but that I guess is the task of another documentary maker.
It is mind blowing to realize how wide spread or popular were these ideas around 1900, of gaining or loosing popularity, being transformed or playing a leading role in social movements and emancipatory avant-garde. Truly they are never disappeared and in a sense became permanent taken for granted nowdays. Even if somehow written from the end, these exceptions have never been forgotten, nor completly negated but integrated and absorbed into official history, while their initiators got mostly imprisoned or killed, it also remains a living proof that something like this existed and influenced the most basic things from the strike to the 8h working day or the weekend pause. All these examples of cooperative organization, labor movement, autonomy, of inventing and trying out alternative and experimental anti-authoritarian pedagogy models and lots of practical experiences and historical examples were basically preparing the entire society for a jump into an alternate, future post-capitalist world. Many thanks to Felix P for pointing it out to me.
timespace coordinates: isolated island in Brittany, France, 1760.
Portrait of a Lady on Fire (French: Portrait de la jeune fille en feu) is a 2019 French historical drama film written and directed by Céline Sciamma (water lilies), starring Noémie Merlant and Adèle Haenel. Set in France in the late 18th century, the film tells the story of a forbidden affair between an aristocrat and a painter commissioned to paint her portrait. (wiki)
timespace coordinates: 2010’s suburb of Dakar (Senegal) that lies along the Atlantic coast
Atlantics (French: Atlantique) is a 2019 internationally co-produced supernatural romantic drama film directed by Mati Diop, in her feature directorial debut. Diop made history when the film premiered at Cannes, becoming the first black woman to direct a film featured In Competition at the festival. At Cannes, the film won the Grand Prix. (wiki)
The film is based on an amalgam of the flights detailed in Richard Holmes‘ 2013 book Falling Upwards: How We Took to the Air. The most significant balloon flight depicted in The Aeronauts is based on the 5 September, 1862, flight of British aeronauts James Glaisher and Henry Coxwellwhose coal gas filled balloon broke the world flight altitude record, reaching 9,000 to 11,000 m (30,000 to 36,000 ft). However, while Glaisher appears in the film, Coxwell has been replaced by Amelia, a fictional character. (actual individuals who comprise Amelia’s character include:Sophie Blanchard, the first woman to work as a professional balloonist, who became a celebrated aeronaut following her husband’s death. Felicity Jones has stated that Blanchard was the inspiration for her character. / Margaret Graham, a British aeronaut and entertainer. Amelia’s relationship with husband Pierre is chiefly based on Sophie Blanchard’s flights with husband Jean-Pierre Blanchard, while Pierre’s death is inspired by that of Thomas Harris on 25 May, 1824.) – historical accuracy – (wiki)
This hysterical hobbyist’s guide belongs in every hip library. Coot cat Reverend Ivan Stang, high holy of the Church of the SubGenius, has compiled a bestiary of American creeps and crazies so that you can write to them and receive mail that is weird, horrible, wonderfully absurd, or a combination of all three.