882 – The Minds of Men (2018 Documentary)

minds of men poster“The Minds of Men” is a 3+ year investigation into the experimentation, art, and practice of social engineering and mind control during the Cold War – a mind-bending journey into the past that gives startling insight into the world we are living in today.


(Directors: Aaron Melissa Dykes Runtime: 3h 43min)  imdb


Project MKUltra / The Human Use of Human Beings / Teleology / Cybernetics / Rockefeller Foundation / BioelectronicsBSR / Sensory deprivation



 

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842 – Virtuosity (1995)

timespace coordinates:  1999 Los AngelesMV5BZWRmMTNlZDEtZTExYi00Y2E4LTg5YjItODFlNWY0Mzc4MDZlXkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_Virtuosity is a 1995 American science fiction action film directed by Brett Leonard. Denzel Washington stars an imprisoned policeman whom is released to hunt down a virtual reality serial killer (Russell Crowe) whom escaped from cyberspace into the real world when he is uploaded into the body of a cyborg.

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As LAPD officers gather evidence at the grisly crime scene, you can only ask yourselves: what kind of lunatic would commit such unthinkable crimes? The three adjectives which best describe this killer are sadistic, intelligent, and dangerous. (Acid Killer – Infected Mushroom)

838 – BlacKkKlansman (2018)

timespace coordinates: 1972 Colorado Springs, Colorado

blackkklansman-posterBlacKkKlansman is a 2018 American biographical comedy-drama film directed by Spike Lee and written by Charlie Wachtel, David Rabinowitz, Kevin Willmott, and Lee, based on the 2014 memoir Black Klansman by Ron Stallworth. The film stars John David Washington as Stallworth, along with Adam DriverLaura Harrier, and Topher Grace. Set in 1970s Colorado Springs, the plot follows the first African-American detective in the Colorado Springs police department, who sets out to infiltrate and expose the local chapter of the Ku Klux Klan. The film was theatrically released in the United States on August 10, 2018, coinciding with the one-year anniversary of the white supremacist Unite the Right rally(wiki)

historical accuracy   /   Blaxploitation   /   imdb


This film contains clips from D. W. Griffith‘s silent movie The Birth of a Nation. While Spike Lee was a student at NYU Film School, he was so outraged that his NYU Film School professors taught The Birth of a Nation (1915) with no mention of its racist message or role in the Klan’s twentieth-century rebirth that he made a student short film titled The Answer (1980) as a response. The film so offended many of his professors that Lee was nearly expelled from NYU. He was ultimately saved by a faculty vote. (read more: trivia)

807 – Mercury 13 (2018 documentary)

MV5BMTA0NzczNTAzNDdeQTJeQWpwZ15BbWU4MDk0NDc1MjUz._V1_

Mercury 13 is a remarkable story of the women who were tested for spaceflight in 1961 before their dreams were dashed in being the first to make the trip beyond Earth. NASA’s ‘man in space’ program, dubbed ‘Project Mercury‘ began in 1958. The men chosen – all military test pilots – became known as The Mercury 7. But away from the glare of the media, behind firmly closed doors, female pilots were also screened. Thirteen of them passed and, in some cases, performed better than the men. They were called the Mercury 13 and had the ‘right stuff’ but were, unfortunately, the wrong gender. Underneath the obsession of the space race that gripped America, the women were aviation pioneers who emerged thirsty for a new frontier, but whose time would have to wait. The film tells the definitive story of thirteen truly remarkable women who reached for the stars but were ahead of their time. A Netflix original documentary directed by David Sington and Heather Walsh. (rottentomatoes)

https://www.netflix.com/ro-en/title/80174436

803 – Sorry to Bother You (2018)

timespace coordinates: alternative present-day version of Oakland, CaliforniaMV5BNjgwMmI4YzUtZGI2Mi00M2MwLWIyMmMtZWYzMWZmNzAyNmYwXkEyXkFqcGdeQXVyMTMxODk2OTU@._V1_Sorry to Bother You is a 2018 American absurdist dark comedy with aspects of magical realism and science fiction inspired by the world of telemarketing written and directed by Boots Riley, in his directorial debut. It stars Lakeith StanfieldTessa ThompsonJermaine FowlerOmari HardwickTerry CrewsPatton OswaltDavid CrossDanny GloverSteven Yeun, and Armie Hammer.

Capitalism


Boots has maintained that the film offers a radical class analysis of capitalism, rather than a specific analysis of America under President Trump, clarifying that he wrote the initial screenplay during the Obama administration, and that the target was never any specific elected official or movement, but rather a broader look at “the puppetmasters behind the puppets.” While the majority of the final script remained the same, minimal changes were made prior to shooting in order to avoid the film appearing to be a critique of Trump specifically, including removing a line where a character says “Worry Free is making America great again,” written before Trump would use the line in his 2016 presidential campaign.

False consciousness 


The title of the film has a double meaning, referencing both the phrase’s use by telemarketers and its general usage when telling a person something you know they might not like to hear, such as the Communist themes present in the film. According to Boots, “…the other side of it is, is that often when you’re telling someone something that is different from how they view things, different from how they view the world, it feels like an annoyance or a bother. And that’s where that comes from.” The theme of the strike was used to reflect the need to “organize people in the workplace” and for workers to recognize their power. When asked on his choice to cast Armie Hammer as Steve Lift, Boots stated that Armie was a “lovable dude,” whose casting reflects the current state of “new capitalism,” where the realities of working conditions are hidden, referencing lines such as “I’m not your boss, I’m your friend.” (wiki)

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790 – Fantastic Beasts and Where to Find Them (2016)

 timespace coordinates: 1926 New York Cityfantastic beasts posterFantastic Beasts and Where to Find Them is a 2016 fantasy film directed by David Yates. A joint British and American production, it is a spin-off and prequel to the Harry Potter film series, and it was produced and written by J. K. Rowling in her screenwriting debut, and inspired by her 2001 book of the same name. The film stars Eddie Redmayne as Newt Scamander, with Katherine WaterstonDan FoglerAlison SudolEzra MillerSamantha MortonJon VoightCarmen Ejogo and Colin Farrell in supporting roles. It is the first instalment in the Fantastic Beasts film series, and ninth overall in the Wizarding World franchise, that began with the Harry Potter films.

Initially, in October 2014, the studio announced the film would be the start of a trilogy. The sequel is set to be released on 16 November 2018, followed by the third on 20 November 2020. In July 2016, David Yates confirmed that Rowling had written the screenplay for the second film and has ideas for the third. In October 2016, Rowling confirmed that the series would comprise five films. In November 2016 it was confirmed that Johnny Depp will have a starring role in the sequel, reprising his role as Gellert Grindelwald. In April 2017, it was confirmed that Jude Law had been cast for the role of Albus Dumbledore at around the time he was the Transfiguration professor at Hogwarts. The second film will take place in the United Kingdom and Paris. (wiki)

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Discard Studies

Social studies of waste, pollution & externalities


Discard Studies 2.0

Discard Studies has been operating since 2007, mainly under the stewardship of one or two people. In the spirit of reflecting on what we, as editors, writers, and researchers in discard studies are including or not including in our posts, we’re looking to expand what the blog covers. We’re interested in posts on the waste the flows from virtual systems, collecting and discarding in archives and museums (including issues of repatriation and colonialism), heritage and building waste, noise (701) and light (713) pollution, but also in wider systems that order waste and wasting, such as the state, economies, legal orders, gender constructs, white supremacy, and models of resurgence, revival, and liberation. All have their discards.

If you think you have knowledge that can add to these conversations on Discard Studies,we’d love to hear a pitch from you.