1324 – Strange Days (1995)

timespace coordinates: 1999, turn of the century (near-future) Los Angeles (racial war zone / New Year’s Eve party) 

MV5BODFkMTBmNjktMjM1Yy00MjY5LTliMGEtM2FhYjE2YjRmN2RkXkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_Strange Days is a 1995 American science fiction thriller film directed by Kathryn Bigelow, written by James Cameron and Jay Cocks, and produced by Cameron and Steven-Charles Jaffe. It stars Ralph FiennesAngela BassettJuliette Lewis, and Tom Sizemore. Set in the last two days of 1999, the film follows the story of a black marketeer of SQUID discs, recordings that allow a user to experience the recorder’s memories and physical sensations, as he attempts to uncover the truth behind the murder of a prostitute.

Blending science fiction with film noir conventions, Strange Days explores themes such as racismabuse of powerrape, and voyeurism. Although the story was conceived by Cameron around 1986, Bigelow found inspiration after incidents such as the Lorena Bobbitt trial and the 1992 Los Angeles riots that followed the Rodney King verdict.

Strange Days was a commercial failure and almost derailed Bigelow’s career (…) Nevertheless, the film’s critical standing has improved over the years, with many fans feeling that the film has been overlooked by a casual mass audience and misguided critics.

The scene where the crowd celebrates the turn of the new century at the end of the film was shot at the corner of the 5th and Flower streets, between the Westin Bonaventure Hotel and the Los Angeles Public Library. Over 50 off-duty police officers were hired to control an assembled crowd of 10,000 people, who had to pay $10 in advance to attend the event. The film-makers also hired rave promoters Moss Jacobs and Philip Blaine to produce performances featuring Aphex TwinDeee-Lite, as well as “all the cyber-techno bands they could garner”.

In 2015The Washington Post editor Sonny Bunch felt that Strange Days was still relevant, comparing the imagery captured by the SQUID units to that of first-person shooters or cellphone videos on YouTube. He added that events such as Jeriko One’s murder and the subsequent coverup of the crime contribute to activist movements like Black Lives Matter, and that their media documentation amplifies their reception and consequences. (read more: Themes)

Strange Days_02_0

wiki   /   imdb

1322 – Good Bye Lenin! (2003)

timespace coordinates: East Berlin, from October 1989 to just after German reunification a year later (Most scenes were shot at the Karl-Marx-Allee in Berlin and around Plattenbauten near Alexanderplatz.)

Good Bye Lenin! is a 2003 German tragicomedy film, directed by Wolfgang Becker. The cast includes Daniel BrühlKatrin SaßChulpan Khamatova, and Maria Simon. The story follows a family in East Germany; the mother (Saß) is dedicated to the socialist cause and falls into a coma in October 1989, shortly before the November revolution. When she awakens eight months later in June 1990, her son (Brühl) attempts to protect her from a fatal shock by concealing the fall of the Berlin Wall and the collapse of communism.

Ostalgie is a neologism for the nostalgia for a communist past which is a common theme in Good Bye, Lenin! (read more


wiki   /   imdb   /   rottentomatoes   /   Sandmann Lied (sandmännchen – kosmonaut)

1242 -Les glaneurs et la glaneuse (2000 documentary)

The Gleaners and I (French: Les glaneurs et la glaneuse; “The gleaners and the female gleaner”, a reference to the director herself) is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning. It was entered into competition at the 2000 Cannes Film Festival (“Official Selection 2000”), and later went on to win awards around the world. In a 2014 Sight and Sound poll, film critics voted The Gleaners and I the eighth best documentary film of all time. In 2016, the film appeared at No. 99 on BBC’s list of the 100 greatest films of the 21st century.   /   Cinematic significance   (wiki)

imdb: Les glaneurs et la glaneuse (2000)   /   Les glaneurs et la glaneuse… deux ans après (2002)

1168 – Starship Troopers

timespace coordinates: the 23rd century,  Buenos Aires / Terran Federation > Klendathu, the “Bugs’” home planet / Planet “P”/ remote outpost on a planet inhabited by Arachnids / agricultural planet Roku San / classified planet OM-1 /

Starship Troopers (1997)

MV5BNWExNzg3MmMtYjc3MS00MzFlLWJiOWQtNWYxZTgxNjhlZTQ2XkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_Starship Troopers is a 1997 American satirical military science fiction action film directed by Paul Verhoeven and written by Edward Neumeier. It originally came from an unrelated script called Bug Hunt at Outpost Nine, but eventually licensed the name Starship Troopers from a science fiction novel by Robert A. Heinlein. The story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry, a futuristic military unit. Rico’s military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an insectoid species known as “Arachnids”.

(Relationship to novel) Because the film originated from an unrelated script, with names and superficial details from the novel being added retroactively, there are many differences between the two. While the novel has been accused of promoting militarism, fascism, and military rule, the film satirizes these concepts by featuring bombastic displays of nationalism as well as news reports that are intensely fascisticxenophobic, and propagandistic.  Verhoeven stated in 1997 that the first scene of the film—an advertisement for the Mobile Infantry—was adapted shot-for-shot from a scene in Leni Riefenstahl’s Triumph of the Will (1935), specifically an outdoor rally for the Reichsarbeitsdienst. Other references to Nazism in the movie include the Wehrmacht-inspired uniforms and insignia of field grade officers, M.I. working uniforms reminiscent of Mussolini’s BlackshirtsAlbert Speer‘s style of architecture, and its propagandistic dialogue (“Violence is the supreme authority!”). 

In a 2014 interview on The Adam Carolla Show, the actor Michael Ironside, who read the novel as a youth, said that he asked Verhoeven, who grew up in Nazi-occupied Netherlands, “Why are you doing a right-wing fascist movie?” Verhoeven replied, “If I tell the world that a right-wing, fascist way of doing things doesn’t work, no one will listen to me. So I’m going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it’s only good for killing fucking Bugs!” 

(Themes) … In his DVD commentary, Verhoeven stated his intentions clearly: the film’s message is that “War makes fascists of us all”. He evoked Nazi Germany’s fashion, iconography, and propaganda because he saw it as a natural evolution of the United States after World War II, and especially after the Korean War. “I’ve heard this film nicknamed All Quiet on the Final Frontier“, he said, “which is actually not far from the truth.” Edward Neumeier (who had previously worked with Verhoeven on RoboCop) broadly concurs, although he sees a satire on human history rather than solely the United States. Verhoeven says his satirical use of irony and hyperbole is “playing with fascism or fascist imagery to point out certain aspects of American society… of course, the movie is about ‘Let’s all go to war and let’s all die.'” (wiki)

imdb


Starship Troopers 2: Hero of the Federation (2004)

MV5BOWNiNzRlOWMtNzY2Yi00M2MzLWE0MGEtYzM0NmZhODk3NjUyXkEyXkFqcGdeQXVyNDc2NjEyMw@@._V1_Starship Troopers 2: Hero of the Federation is a 2004 military science-fiction action television film directed by Phil Tippett and starring Richard BurgiLawrence Monoson, and Colleen Porch. It is a sequel to Starship Troopers (1997) and the second installment of the Starship Troopers film series. (wiki)

Made for 5% of the cost of Starship Troopers (1997). (imdb)


Starship Troopers 3: Marauder (2008)

1146
01:33:47,715 –> 01:33:51,617
I got religion, Dix. I got it bad.

starship_troopers_3_marauder-813828742-largeStarship Troopers 3: Marauder is a 2008 American military science fiction film written and directed by Edward Neumeier and starring Casper Van Dien who returned as Johnny Rico from the original film, along with Jolene Blalock and Boris Kodjoe. It is a sequel to Starship Troopers (1997) and Starship Troopers 2: Hero of the Federation (2004) (which were both written by Neumeier) and the third installment of the Starship Troopers film series. The film was released directly to DVD in the U.S. on August 5, 2008. (wiki)

starship-troopers-3-marauder_075730Joe Leydon of Variety stated:

“Die-hard fans of Starship Troopers, Paul Verhoeven’s notorious 1997 cult-fave sci-fi spectacle, will be pleased to note that its second made-for-vid sequel gamely attempts to replicate the original pic’s over-the-top style and self-satirical tone. (…) the latest episode reprises Verhoeven’s love-it-or-hate-it mix of gruesome mayhem, overstated melodrama, peek-a-boo nudity and tongue-in-cheek fascist aesthetics.”

imdb



Starship Troopers: Invasion (2012)

Starship Troopers: Invasion –imdb– (スターシップ・トゥルーパーズ インベイジョン) is a Japanese-American 2012 computer-animated military science fiction film directed by Shinji Aramaki. It is the fourth installment of the Starship Troopers film series.

The film was followed by


Starship Troopers: Traitor of Mars (2017) 

imdb


Starship Troopers (video game) 

Starship Troopers: Terran Ascendancy 


remake

1123 – Twelve Monkeys (1995)

timespace coordinates:  2035,  subterranean compound / ruins of Philadelphia (after a deadly virus released in 1996 wipes out almost all of humanity, forcing survivors to live underground) > 1990 / 1996  Baltimore + battlefield during ww1

15065_12-MONKEYSVHSCover12 Monkeys, also known as Twelve Monkeys, is a 1995 American neo-noir science fiction film directed by Terry Gilliam, inspired by Chris Marker‘s 1962 short film La Jetée, and starring Bruce WillisMadeleine Stowe, and Brad Pitt, with Christopher Plummer and David Morse in supporting roles.

References to time, time travel, and monkeys are scattered throughout the film, including the Woody Woodpecker cartoon “Time Tunnel” playing on the TV in a hotel room, the Marx Brothers film Monkey Business (1931) on TV in the asylum, and the subplots involving monkeys (drug testing, news stories and animal rights). The film is also intended to be a study of people’s declining ability to communicate in modern civilization due to the interference of technology. (Memory,_time,_and_technology)

12 Monkeys is inspired by the French short film La Jetée (1962); as in La Jetée, characters are haunted by the images of their own deaths. Like La Jetée12 Monkeys contains references to Alfred Hitchcock‘s Vertigo (1958). Toward the end of the film, Cole and Railly hide in a theater showing a 24-hour Hitchcock marathon and watch a scene from Vertigo. Railly then transforms herself with a blonde wig, as Judy (Kim Novak) transforms herself into blonde Madeleine in Vertigo; Cole sees her emerge within a red light, as Scottie (James Stewart) saw Judy emerge within a green light. Brief notes of Bernard Herrmann‘s film score can also be heard. Railly also wears the same coat Novak wore in the first part of Vertigo. The scene at Muir Woods National Monument, where Judy (as Madeleine) looks at the growth rings of a felled redwood and traces back events in her past life, resonates with larger themes in 12 Monkeys. Cole and Railly later have a similar conversation while the same music from Vertigo is repeated. The Muir Woods scene in Vertigo is also reenacted in La Jetée. In a previous scene in the film, Cole wakes up in a hospital bed with the scientists talking to him in chorus. This is a direct homage to the “Dry Bones” scene in Dennis Potter‘s The Singing DetectiveJames Cole is a notable Christ figure in film. The film is significant in the genre of science-fiction film noir, and it alludes to various “canonical noir” films.

12-Monkeys-Movie-1995-Tech-Noir-PosterAfter the release of The Zero Theorem in 2013, claims were made that Gilliam had meant it as part of a trilogy. A 2013 review for The Guardian newspaper said, “Calling it [The Zero Theorem] the third part of a trilogy formed by earlier dystopian satires Brazil and Twelve Monkeys [sic]”; but in an interview with Alex Suskind for Indiewire in late 2014, Gilliam said, “Well, it’s funny, this trilogy was never something I ever said, but it’s been repeated so often it’s clearly true [laughs]. I don’t know who started it but once it started it never stopped”(wiki)

imdb   /  12 Monkeys (TV series)