Singularity began as a low-budget sci-fi film called Aurora, which was shot in 2013 in the Czech Republic and Switzerland. John Cusack was not involved in the original shoot. Years later, scenes with Cusack were shot and inserted into the new production, and extensive CGI effects were used to tie the new material to the original film.
spacetime coordinates: year 2008 flooded dystopian future LondonSplit Second is a 1992 American-British science fiction horror film directed by Tony Maylam and Ian Sharp. Rutger Hauer stars as a burnt-out police detective obsessively hunting down the mysterious serial killer that killed his partner several years prior.
spacetime coordinates: 2247 Angel City >> 1985 Los AngelesTrancers (also released as Future Cop) is a 1984 American science fiction film directed by Charles Band and starring Tim Thomerson, Helen Hunt, and Art LaFleur. It is the first film in the Trancers series.
The film revolves around Jack Deth (Thomerson), a Philip Marlowe-esque police detective from the 23rd century who travels to the 1980s in order to bring his old nemesis to justice. The film portrays a unique method of time travel: People can travel back in time by injecting themselves with a drug that allows them to take over the body of an ancestor.
spacetime coordinates: Chicago, 2055 > the cretaceous
A Sound of Thunder is a 2005 science fiction thriller film directed by Peter Hyams, and starring Edward Burns, Catherine McCormack and Ben Kingsley. It is a co-production film between the United Kingdom, the United States, Germany, and the Czech Republic.
a classic example of “failed return” or “no return” cautionary tales is A Sound of Thunder by Ray Bradbury published in 1952. on a personal level i love both the EC comic book adaptation with artwork by Al Williamson and the 2005 movie adaptation by Peter Hyams that was a box office flop and has receive mostly negative reviews by critics. the original story features one of the first instances of the butterfly effect, in particular as applied to time travel paradoxes and uncontrollable evolutionary/ political outcomes. this was way before it became a meteorologic mainstay of chaos theory after its use by Edward Lorenz to describe stormy ripple-like effects on nonlinear systems, seemingly very sensitive to minute initial conditions. the movie A Sound of Thunder features a time travel tourist agency from the year 2055. Time Safari Inc. is a chronocapitalist enterprise that organizes prehistoric retro-hunting expeditions to far-off epochs where dinosaurs roamed the earth. in order to do that, mankind is cheating on the big dinosaur mass extinction. long after humankind has killed most of the big game life on earth it tracks down other, more elusive and ferocious megafauna. the whole ‘hunting’ for the ultimate predator T-Rex (or an Allosaurus in the movie) turns out to be a very complex business. the paleo-poaching is based on hiding your acts under the cover of natural occurrences, trophy hunting pretending to be a mass extimction event. in order to fake the killing shot one must plan ahead every retro-killing move. practically Time Safari Inc. is cheating evolutionary history by trying to synchronize with ‘naturally’ occurring death events and extract entertainment value out of impossible inter-species encounters, normally separated by enormous gulfs of time. (…)
geohistory becomes a perfect crime scene – where the time traveling expedition has to erase all traces – all influence that might otherwise impact the future with definite catastrophic (especially anthropic future) results. as often, humans are kind of role-playing hide and seek with natural selection. in this bizarre and strange inversion of the anthropocenic stratigraphic proof – masquerades as natural force, where a devious human causality is trying to hide behind a pre-human mass extinction event. it is almost the same principle guiding the climate denialist that pretends to hide behind previous catastrophic climate fluctuations.as one might expect, it’s a chronoclysm waiting to happen. all the clients of Time Safari Inc. are prone to making mistakes, and not only do they leave marks (the absolute no 1 rule of time travel is non-intervention) but they also bring back something (the 2nd most important rule) basically invariably smuggling the prehuman past into the future. somehow a prehistoric dead butterfly makes it through the biofilter (a great example of what I would call New Wallace Lines) that is scanning every living reentry into the present, every possibility of warping the timelines. the alteration of the past produces a chronoclysm that manifests itself as a rhythmic, rapidly accelerating ‘time waves’ that transform the city and its denizens. more to the point in the Peter Hyams movie, the first divergence is a sudden appearance of teeming swarms of beetles and a gigantic strangler fig-like tree bursting through a Chicago high rise building, while the main characters Ryan and Rand make a narrow escape. it is by no means accidental that swarms and insect swarms in particular are associated with time waves. multiply proliferating and and highly distributed, swarms are chronoclysmic purveyors that help carry and suffer the radical effects of timeline distortion. there are reports of global increases in temperature and humidity and plant life seems to prosper, while this time warped climate change suddenly seems to be echoing sweltering hot pre-human conditions of long gone geological epochs and dead jungles. (…)
stefan tiron – Cosm/c Dr/ft & T3mporal D/vergence (2016)- EXIT THE PORTAL: The Strange Comeback to a Weird Earth
spacetime coordinates: 1997 Wastelands
Turbo Kid is a 2015 post-apocalyptic action-adventure comedy superhero film written and directed by François Simard, Anouk Whissell, and Yoann-Karl Whissell. The film stars Munro Chambers, Laurence Leboeuf, Michael Ironside, Edwin Wright, Aaron Jeffery, and Romano Orzari. The film follows the adventures of The Kid, a teenage boy turned superhero in the “Wastelands”, an alternate 1997 Earth where water is scarce. He teams up with a mysterious girl named Apple and an arm-wrestling cowboy named Frederic to stop the tyrannical warlord Zeus.
On September 28, 2016, a sequel to the film was officially announced. One day before the announcement, Le Matos released the official music video for their track “No Tomorrow”, which serves as a prequel to the original film:
Science Fiction Volume One: The Osiris Child (aka Origin.Wars) is a 2016 australian science fiction film directed by Shane Abbess, Set in the future in a time of interplanetary colonization, an unlikely pair race against an impending global crisis and are confronted by the monsters that live inside us all.