266 – Luther (2003)

spacetime coordinates: 1505 – 1530 SaxonyHoly Roman Empire

Luther is a 2003 biopic about the life of Martin Luther (1483–1546) starring Joseph Fiennes. It was an independent film partially funded by Thrivent Financial for Lutherans. The film covers Luther’s life from his becoming a monk to the Diet of Augsburg.

film inaccuracies

+The film takes place over the course of three decades. However, none of the characters show any signs of aging, including Luther and the youthful German emperor.+

imdb

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264 – American Sniper (2014)

spacetime coordinates:  1998 – 2013 Texas,  Iraq War

american sniper -minimal-movie-posters

American Sniper is a 2014 American biographical war drama film  directed by Clint Eastwood and written by Jason Hall. It is loosely based on the memoir American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History (2012) by Chris Kyle, with Scott McEwen and Jim DeFelice. The film follows the life of Kyle, who became the deadliest marksman in U.S. military history with 255 kills from four tours in the Iraq War, 160 of which were officially confirmed by the Department of Defense. While Kyle was celebrated for his military successes, his tours of duty took a heavy toll on his personal and family life.w

critical_response (wiki)

http://www.imdb.com/title/tt2179136/

260 – Public Enemies (2009)

spacetime coordinates:  1930s Chicago, Indiana, Wisconsin,  Arizona

public enemies

Public Enemies is a 2009 American biographical mob drama film directed by Michael Mann and written by Mann, Ronan Bennett and Ann Biderman. It is an adaptation of Bryan Burrough‘s non-fiction book Public Enemies: America’s Greatest Crime Wave and the Birth of the FBI, 1933–34. Set during the Great Depression, the film chronicles the final years of the notorious bank robber John Dillinger(Johnny Depp) as he is pursued by FBI agent Melvin Purvis (Christian Bale), Dillinger’s relationship with Billie Frechette (Marion Cotillard), as well as Purvis’ pursuit of Dillinger’s associates and fellow criminals Homer Van Meter (Stephen Dorff) and Baby Face Nelson (Stephen Graham).

Burrough originally intended to make a television miniseries about the Depression-era crime wave in the United States, but decided to write a book on the subject instead. Mann developed the project, and some scenes were filmed on location where certain events depicted in the film occurred, though the film is not entirely historically accurate.

http://www.imdb.com/title/tt1152836/

209 – Breach (2007)

Breach is a 2007 American historical and political thriller film directed by Billy Ray. The screenplay by Ray, Adam Mazer and William Rotko is based on the true story of Robert Hanssen, an FBI agent convicted of spying for the Soviet Union and later Russia for more than two decades, and Eric O’Neill, who worked as his assistant and helped bring about his downfall. O’Neill served as a consultant on the film.

2007-breach-1

accuracy

http://www.imdb.com/title/tt0401997/

207 – A Quiet Passion (2016)

spacetime coordinates: 19th century  Amherst, Massachusetts

A Quiet Passion is a 2016 biographical film directed and written by Terence Davies about the life of U.S poet Emily Dickinson. The film stars Cynthia Nixon as the reclusive poet. It co-stars Emma Bell as young Dickinson, Jennifer EhleDuncan Duff and Keith Carradine. Despite its title, the film isn’t quiet.

489px-Black-white_photograph_of_Emily_Dickinson2

http://www.imdb.com/title/tt2392830/

_______________________________________

“Goodbye to the life I used to live,
And the world I used to know;
And kiss the hills for me, just once;
Now I am ready to go!
Because I could not stop for Death –
He kindly stopped for me –
The carriage held but just ourselves –
And Immortality.
We slowly drove – he knew no haste
And I had put away
My labour and my leisure too,
For His civility.
We passed the school,
where children strove,
At recess – in the ring –
We passed the fields of grazing grain –
We passed the setting sun –
Or rather – he passed us –
The dews drew quivering and chill –
For only gossamer, my gown –
My tippet – only tulle –
We paused before a house that seemed
A swelling of the ground –
The roof was scarcely visible –
The cornice – in the ground –
Since then – ’tis centuries – and yet
Feels shorter than the day
I first surmised the horses’ heads
Were toward eternity –
This is my letter to the world,
That never wrote to me, –
The simple news that Nature told,
With tender majesty.
Her message is committed
To hands I cannot see;
For love of her, sweet countrymen,
Judge tenderly of me!”