Jodorowsky’s Dune is a 2013 American-French documentary film directed by Frank Pavich. The film explores cult film director Alejandro Jodorowsky‘s unsuccessful attempt to adapt and film Frank Herbert‘s 1965 science fiction novel Dune in the mid-1970s.
Review aggregation website Rotten Tomatoes gave Jodorowsky’s Dune a 98% “Certified Fresh” rating based on reviews from 108 critics. The site’s consensus states: “Part thoughtful tribute, part bittersweet reminder of a missed opportunity, Jodorowsky’s Dune offers a fascinating look at a lost sci-fi legend.”
Hobo with a Shotgun is a 2011 Canadian action exploitation film, with elements of the black comedy, thriller, and horror genres, directed by Jason Eisener, written by John Davies, from a story by Eisener, and starring Rutger Hauer. It is based on the trailer of the same name in Quentin Tarantino and Robert Rodriguez‘s South by Southwest Grindhouse contest.
Hobo With A Shotgun – Unrated Trailer
Phantom Boy is a 2015 Franco-Belgian animated fantasy film directed by Jean-Loup Felicioli and Alain Gagnol and written by Alain Gagnol.
spacetime coordinates: 2015 Los Angeles
The Neon Demon is a 2016 psychological horror film directed by Nicolas Winding Refn, co-written by Mary Laws, Polly Stenham, and Refn, and starring Elle Fanning.
The plot follows an aspiring model in Los Angeles whose beauty and youth generate intense fascination and jealousy within the industry. Supporting roles are played by Karl Glusman, Jena Malone, Bella Heathcote, Abbey Lee, Desmond Harrington, Christina Hendricks, and Keanu Reeves.
spacetime coordinates: 1892–1973 Chicago, Illinois, U.S.
In the Realms of the Unreal is a 2004 documentary film directed by Jessica Yu about American outsider artist Henry Darger.
An obscure janitor during his life, Darger is known for the posthumous discovery of his elaborate 15,145-page fantasy manuscript entitled The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion, along with several hundred watercolor paintings and other drawings illustrating the story.
The film’s style is atypical of a documentary. Because there are only three known photographs of Darger, and because of his reclusive lifestyle, the film is mostly a narrated biographical account, accompanied by animated versions of events from his magnum opus, which is also surveyed in detail. Interviews with his few neighbors and other acquaintances are included.
In the last entry in his diary, he wrote: “January 1, 1971. I had a very poor nothing like Christmas. Never had a good Christmas all my life, nor a good new year, and now… I am very bitter but fortunately not revengeful, though I feel should be how I am…”