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Last year, the astrophysicist Adam Frank implored an audience at Google that we see climate change – and the newly baptised geological age of the Anthropocene – against this cosmological backdrop. The Anthropocene refers to the effects of humanity’s energy-intensive activities upon Earth. Could it be that we do not see evidence of space-faring galactic civilisations because, due to resource exhaustion and subsequent climate collapse, none of them ever get that far? If so, why should we be any different?

A few months after Frank’s talk, in October 2018, the Intergovernmental Panel on Climate Change’s update on global warming caused a stir. It predicted a sombre future if we do not decarbonise. And in May, amid Extinction Rebellion’s protests, a new climate report upped the ante, warning: “Human life on earth may be on the way to extinction.”


… apocalyptic prophecies are designed to reveal the ultimate moral meaning of things. It’s in the name: apocalypse means revelation. Extinction, by direct contrast, reveals precisely nothing and this is because it instead predicts the end of meaning and morality itself – if there are no humans, there is nothing humanly meaningful left.

The end of the world: a history of how a silent cosmos led humans to fear the worst









1362 – Our Planet (TV Mini-Series 2019)

Our Planet is a British nature documentary series made for Netflix. The series is narrated by David Attenborough and produced by Silverback Films, led by Alastair Fothergill and Keith Scholey, who also created BBC documentary series Planet EarthFrozen Planet and The Blue Planet, in collaboration with the conservation charity World Wildlife Fund (WWF).

The series addresses issues of conservation while featuring these disparate animals in their respective home regions, and has been noted for its greater focus on humans’ impact on the environment than traditional nature documentaries; centering around how climate change impacts all living creatures. It marked the first nature documentary Netflix has ever made. All episodes were released on 5 April 2019. A behind the scenes documentary was released onto Netflix on 2 August 2019.

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1359 – Trover Saves the Universe (2019 video game)

From the co-creator of Rick and Morty comes Trover Saves the Universe.

Your dogs have been dognapped by a beaked lunatic named Glorkon who stuffed them into his eye holes and is using their life essence to destroy the universe. You’re partnered with Trover, a little purple eye-hole monster who isn’t a huge fan of working or being put in the position of having to save the universe. He’s also not that big a fan of you quite frankly, and neither am I. (Jk, you’re great)

Only you and Trover can save everything in this bizarre comedy adventure, created by Justin Roiland!

  • A comedy adventure filled with combat, platforming, puzzles, and morally questionable choices. See how the best intentions can go horribly awry.
  • You control Trover’s movements, but not his mouth. He’s got a lot to say about what’s going on in the game.
  • Travel the cosmos to experience a variety of weird alien planets and bizarre characters with big personalities.
  • Upgrade Trover AND YOURSELF with new abilities to (hopefully) defeat Glorkon while evading awkward situations.
  • You’ll be immersed in weirdness, no matter which display you use — play on TV, monitor or VR headset displays.

SYSTEM REQUIREMENTS (MINIMUM):  Requires a 64-bit processor and operating system / OS: Windows 7/8.1/10 (64-bit versions) / Processor: Intel Core i5-2400/AMD FX-8320 or better / Memory: 8 GB RAM / Graphics: NVIDIA GTX 670 2GB/AMD Radeon HD 7870 2GB or better / Storage: 25 GB available space

Trover Saves the Universe – Official Free DLC Trailer


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1348 – Sweetheart (2019)

Sweetheart is a 2019 American survival horror/ creature feature directed by J.D. Dillard, written by Dillard, Alex Theurer and Alex Hyner, and starring Kiersey ClemonsEmory CohenHanna Mangan-Lawrence and Andrew Crawford. (wiki)960x0Jenn has washed ashore a small tropical island and it doesn’t take her long to realize she’s completely alone. She must spend her days not only surviving the elements, but must also fend off the malevolent force that comes out each night. (rottentomatoes)

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1324 – Strange Days (1995)

timespace coordinates: 1999, turn of the century (near-future) Los Angeles (racial war zone / New Year’s Eve party) 

MV5BODFkMTBmNjktMjM1Yy00MjY5LTliMGEtM2FhYjE2YjRmN2RkXkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_Strange Days is a 1995 American science fiction thriller film directed by Kathryn Bigelow, written by James Cameron and Jay Cocks, and produced by Cameron and Steven-Charles Jaffe. It stars Ralph FiennesAngela BassettJuliette Lewis, and Tom Sizemore. Set in the last two days of 1999, the film follows the story of a black marketeer of SQUID discs, recordings that allow a user to experience the recorder’s memories and physical sensations, as he attempts to uncover the truth behind the murder of a prostitute.

Blending science fiction with film noir conventions, Strange Days explores themes such as racismabuse of powerrape, and voyeurism. Although the story was conceived by Cameron around 1986, Bigelow found inspiration after incidents such as the Lorena Bobbitt trial and the 1992 Los Angeles riots that followed the Rodney King verdict.

Strange Days was a commercial failure and almost derailed Bigelow’s career (…) Nevertheless, the film’s critical standing has improved over the years, with many fans feeling that the film has been overlooked by a casual mass audience and misguided critics.

The scene where the crowd celebrates the turn of the new century at the end of the film was shot at the corner of the 5th and Flower streets, between the Westin Bonaventure Hotel and the Los Angeles Public Library. Over 50 off-duty police officers were hired to control an assembled crowd of 10,000 people, who had to pay $10 in advance to attend the event. The film-makers also hired rave promoters Moss Jacobs and Philip Blaine to produce performances featuring Aphex TwinDeee-Lite, as well as “all the cyber-techno bands they could garner”.

In 2015The Washington Post editor Sonny Bunch felt that Strange Days was still relevant, comparing the imagery captured by the SQUID units to that of first-person shooters or cellphone videos on YouTube. He added that events such as Jeriko One’s murder and the subsequent coverup of the crime contribute to activist movements like Black Lives Matter, and that their media documentation amplifies their reception and consequences. (read more: Themes)

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