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The Garden of Emoji Delights by carla gannis

“The current speed of technological advancements suggest biological organisms and the environment are irrevocably changing. In light of this, it is fascinating to discover how easily the visual vernacular of our day aligns with the symbology of a prescient artist from 500 years ago. The Garden of Earthly Delights, Hieronymus Bosch’s most ambitious work, embodies the conflicts, humor, darkness and absurdity of human, earthly and cosmological conditions.

In The Garden of Emoji Delights, one intention of my transcription was to mash up popular historic and contemporary sign systems, and to diversify and expand the Emoji lexicon through this process. Emoji are a contemporary glyph system which offer an emotional shorthand for virtual expression. The pleasurable stylizations are ubiquitous worldwide and across generations. Translating iconography of an earlier era using Emoji seems to makes perfect “nonsense/sense” to me.”

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539 – The Curious World of Hieronymus Bosch (2016 documentary)

The Curious World of Hieronymus Bosch directed by David Bickerstaff features the exhibition ‘Jheronimus Bosch – Visions of Genius’ at Het Noordbrabants Museum in the southern Netherlands, which brought the majority of Bosch’s paintings and drawings together for the first time to his home town of Den Bosch.

https://exhibitiononscreen.com/films/bosch/

http://www.imdb.com/title/tt6336002/

534 – Machines (2016)

spacetime coordinates: 2010’s Gujarat, Indiamachines posterDirector Rahul Jain presents an intimate, observantly portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India. Moving through the corridors and bowels of the enormous and disorientating structure, the camera takes the viewer on a journey to a place of dehumanising physical labor and intense hardship, provoking cause for thought about persistent pre-industrial working conditions and the huge divide between first world and developing countries. Since the 1960s the area of Sachin in western India has undergone unprecedented, unregulated industrialisation, exemplified in its numerous textile factories. MACHINES portraits only one of these factories, while at the same time representing the thousands of labourers working, living and suffering in an environment they can’t escape. With strong visual language, memorable images and carefully selected interviews of the workers themselves, Jain tells a story of inequality and oppression, humans and machines.machines_ver2_xlg

http://www.imdb.com/title/tt5690244/

https://www.rottentomatoes.com/m/machines_2016/

506 – Saul fia / Son of Saul (2015)

spacetime coordinates:  Auschwitz-Birkenau extermination camp, Poland  6 – 7 October 19447a57808c3debe97ad30e7c3e934d0a53Son of Saul (Hungarian: Saul fia) is a 2015 Hungarian drama film directed by László Nemes and co-written by Nemes and Clara Royer. It is set in the Auschwitz concentration camp during World War II, and follows a day-and-a-half in the life of Saul Ausländer (played by Géza Röhrig), a Hungarian member of the Sonderkommando. The film’s many historical sources included the personal accounts of Schlomo Venezia and Filip Müller, the records of Miklos Nyiszli, a Romanian-Jewish doctor who was forced to work in the crematoria, and Claude Lanzmann‘s Shoah (1985).

During the preparation, director László Nemes, cinematographer Mátyás Erdély and production designer László Rajk made a pledge to stick to certain rules, or a “dogma”, which included: The film cannot look beautiful. // The film cannot look appealing. // We cannot make a horror film. // Staying with Saul means not going beyond his own field of vision, hearing, or presence. // The camera is his companion, it stays with him throughout this hell.

The film took five months of sound design, where human voices in eight languages were recorded and attached to the original recording of the production. Sound designer Tamás Zányi described the sound in the film “as a sort of acoustic counterpoint to the intentionally narrowed imagery”. The music score by László Melis is intentionally kept so subtle that viewers won’t even notice it. (read more: imdb, wiki)covers_32436The film follows the same stylistic approach as László Nemes’ first and most successful short film Türelem (2007). In the short, the camera follows a woman proceed with her daily work routine with a very narrow focus and vision, until she walks up to a window and sees a group of Jewish prisoners stripped down by Sonderkommando prisoners and SS officers. The short is available online HERE.