609 – The Book Thief (2013)

spacetime coordinates: 1938 – 1945 Germany

The Book Thief is a 2013 World War II war drama film directed by Brian Percival and starring Geoffrey RushEmily Watson, and Sophie Nélisse. The film is based on the 2005 novel The Book Thief by Markus Zusak and adapted by Michael Petroni. The film is about a young girl living with her adoptive German family during the Nazi era. Taught to read by her kind-hearted foster father, the girl begins “borrowing” books and sharing them with the Jewish refugee being sheltered by her foster parents in their home. The film features a musical score by Oscar-winning composer John Williams. (wiki)

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582 – Agora (2009)

spacetime coordinates: Alexandria, Egypt. 391 – 415 A.D.

Agora (Spanish: Ágora) is a 2009 Spanish English-language historical drama film directed by Alejandro Amenábar and written by Amenábar and Mateo Gil. The biopic stars Rachel Weisz as Hypatia, a female mathematician, philosopher and astronomer in late 4th-century Roman Egypt, The story uses historical fiction to highlight the relationship between religion and science at the time amidst the decline of Greco-Roman polytheism and the Christianization of the Roman Empire046b6e5aa20b3508ae444795bb34e496The set used in the film is meticulously historically authentic, showing a blend of Greek, Roman, and Egyptian architectural styles that would have been fitting to the time period,  but the costumes are anachronistic. Hypatia’s age in the film is also inaccurate; most scholars believe she would have been in her 50s or 60s at the time of her death, but the film portrays her as a young woman. Irene A. Artemi, a doctor of theology at Athens University, states that “The movie—albeit seemingly not turning against the Christian religion—is in fact portraying the Christians as fundamentalist, obscurantist, ignorant and fanatic”. Similarly, the atheist historian Tim O’Neil remarks: “Over and over again, elements are added to the story that are not in the source material: the destruction of the library, the stoning of the Jews in the theatre, Cyril condemning Hypatia’s teaching because she is a woman, the heliocentric “breakthrough” and Hypatia’s supposed irreligiosity.” (read more: Historical accuracy)

saint_cyril_of_alexandria

Cyril of Alexandria

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506 – Saul fia / Son of Saul (2015)

spacetime coordinates:  Auschwitz-Birkenau extermination camp, Poland  6 – 7 October 19447a57808c3debe97ad30e7c3e934d0a53Son of Saul (Hungarian: Saul fia) is a 2015 Hungarian drama film directed by László Nemes and co-written by Nemes and Clara Royer. It is set in the Auschwitz concentration camp during World War II, and follows a day-and-a-half in the life of Saul Ausländer (played by Géza Röhrig), a Hungarian member of the Sonderkommando. The film’s many historical sources included the personal accounts of Schlomo Venezia and Filip Müller, the records of Miklos Nyiszli, a Romanian-Jewish doctor who was forced to work in the crematoria, and Claude Lanzmann‘s Shoah (1985).

During the preparation, director László Nemes, cinematographer Mátyás Erdély and production designer László Rajk made a pledge to stick to certain rules, or a “dogma”, which included: The film cannot look beautiful. // The film cannot look appealing. // We cannot make a horror film. // Staying with Saul means not going beyond his own field of vision, hearing, or presence. // The camera is his companion, it stays with him throughout this hell.

The film took five months of sound design, where human voices in eight languages were recorded and attached to the original recording of the production. Sound designer Tamás Zányi described the sound in the film “as a sort of acoustic counterpoint to the intentionally narrowed imagery”. The music score by László Melis is intentionally kept so subtle that viewers won’t even notice it. (read more: imdb, wiki)covers_32436The film follows the same stylistic approach as László Nemes’ first and most successful short film Türelem (2007). In the short, the camera follows a woman proceed with her daily work routine with a very narrow focus and vision, until she walks up to a window and sees a group of Jewish prisoners stripped down by Sonderkommando prisoners and SS officers. The short is available online HERE.

378 – Experimenter (2015)

Experimenter is a 2015 American biographical drama film written and directed by Michael Almereyda, based on the 1961 Milgram experimentexperimenterposterThe film is based on the true story of famed social psychologist Stanley Milgram, who in 1961 conducted a series of radical behavior experiments at Yale University that tested the willingness of ordinary humans to obey an authority figure while administering electric shocks to strangers.

http://www.imdb.com/title/tt3726704/

357 – German Concentration Camps Factual Survey (2014)

spacetime coordinates:  1945 Bergen-Belsen Concentration Camp, Lüneburg, Lower Saxony, Germany // Buchenwald, Weimar, Thuringia, Germany // Dachau, Bavaria, Germany // Auschwitz-Birkenau Concentration Camp, Oswiecim, Malopolskie, Poland // Majdanek, Lublin, Lubelskie, Poland

German Concentration Camps Factual Survey is the official British documentary film on the Nazi concentration camps, based on footage shot by the Allied forces in 1945.

The film was produced by Sidney Bernstein, then with the British Ministry of Information,  with Alfred Hitchcock acting as a “treatment advisor”. The script was written by Richard Crossman and Colin Wills. Soviet filmmaker Sergei Nolbandov was production supervisor.

The project was abandoned in September 1945, and the film was left unfinished for nearly seventy years. The film’s restoration was completed by film scholars at the Imperial War Museum. The finished film had its world premiere early in 2014 at the Berlin Film Festival, and was shown in a limited number of venues in 2015. It was released in North America in 2017.

https://en.wikipedia.org/wiki/German_Concentration_Camps_Factual_Survey

http://www.imdb.com/title/tt3455796/

A 70-minute documentary on the making of the 1945 film, entitled Night Will Fall, was assembled from the partially finished material and new original footage by director Andre Singer and producers Sally Angel and Brett RatnerThe New York Times, in its review of the documentary, said that “what the new film accomplishes, more than anything else, is to make you wish you could see the original.”