1376 – Atari: Game Over (2014 documentary)

81o+xuDPMRL._RI_A crew digs up all of the old Atari 2600 game cartridges of “E.T. the Extra-Terrestrial” that were tossed into a landfill in the 1980s. (imdb)

Atari: Game Over is a 2014 documentary film directed by Zak Penn about the North American video game crash of 1983, using the Atari video game burial excavation as a starting point. Eurogamer called it “one of the best films about gaming this year and should be seen by anyone with an interest in the medium’s early wild west years.” (wiki)

1296 – Braveheart (1995)

timespace coordinates: 1280 – 1314 Scotland / Edinburgh / Yorkshire / London / Battle of Stirling Bridge / Battle of Falkirk

Braveheart is a 1995 American epic war film directed and co-produced by Mel Gibson, who portrays William Wallace, a late-13th-century Scottish warrior. The film is fictionally based on the life of Wallace leading the Scots in the First War of Scottish Independence against King Edward I of England. The film also stars Sophie MarceauPatrick McGoohan and Catherine McCormack. The story is inspired by Blind Harry‘s epic poem The Actes and Deidis of the Illustre and Vallyeant Campioun Schir William Wallace and was adapted for the screen by Randall Wallace. It has been described as one of the most historically inaccurate modern films. (wiki)

imdb   /  historical inaccuracy   /  Wallace Monument   /  cultural effects   /  Sequel

1149 – LOVE DEATH + ROBOTS (TV series 2019– )

Love, Death & Robots (stylized as LOVE DEATH + ROBOTS) is an American adult animated anthology web television series on Netflix.  The 18-episode first season was released on March 15, 2019. The series is produced by Joshua DonenDavid Fincher, Jennifer Miller, and Tim Miller. Each episode was animated by different crews from a range of countries. The series is a re-imagining of Fincher and Miller’s long in-development reboot of the 1981 animated science fiction film Heavy Metal. 

MV5BMTc1MjIyNDI3Nl5BMl5BanBnXkFtZTgwMjQ1OTI0NzM@._V1_The cast includes Mary Elizabeth WinsteadTopher GraceGary ColeSamira Wiley and Stefan Kapičić, with Grace and Winstead appearing in live-action roles, rather than animated.

In March 2019, Netflix revealed that it was experimenting with a new approach by including a different order of episodes to different users.  (*four unique episode orders, released to users at random.) (wiki)

imdb

1108

Sepultura – Arise [OFFICIAL VIDEO]



Helloween “-Walls Of Jericho” full album   /   judas


Obituary – The End Complete


Megadeth – Train of Consequences


Paradise Lost – Shades Of God (Full Album)


1495962132_cover

Holy War

The Crown and the Ring / Kingdom Come

Mountains

Guyana (Cult Of The Damned)


“Achilles, Agony and Ecstasy in Eight Parts” is the longest (28 minutes and 38 seconds) and most complex Manowar song, and probably an anticipation of a concept album that was never accomplished. Because of its Homeric content, “Achilles, Agony and Ecstasy in Eight Parts” has recently attracted the attention of a group of scholars at Bologna University in Italy. Mrs. Eleonora Cavallini, Professor in Classics, has written about this song:

Joey DeMaio’s lyrics imply a careful and scrupulous reading of the Iliad. The songwriter has focused his attention essentially on the crucial fight between Hector and Achilles, has paraphrased some passages of the poem adapting them to the melodic structure with a certain fluency and partly reinterpreting them, but never altering or upsetting Homer’s storyline. The purpose of the lyrics (and of the music as well) is to evoke some characteristic Homeric sceneries: the raging storm of the battle, the barbaric, ferocious exultance of the winner, the grief and anguish of the warrior who feels death impending over him. The whole action hinges upon Hector and Achilles, who are represented as specular characters, divided by an irreducible hatred and yet destined to share a similar destiny. Both are caught in the moment of the greatest exaltation, as they savagely rejoice for the blood of their killed enemies, but also in the one of the extreme pain, when the daemon of war finally pounces on them. Furthermore, differently than in the irreverent and iconoclastic movie Troy, in “Achilles, Agony and Ecstasy in Eight Parts”, the divine is a constant and ineluctable presence, determining human destinies with inscrutable and steely will, and, despite the generic reference to ‘the gods’, the real master of human lives is Zeus, the only God to whom both Hector and Achilles address their prayers

1065 – The Kid Who Would Be King (2019)

timespace coordinates: 2010’s Cornwall / London / Wiltshire

The Kid Who Would Be King is a 2019 fantasy adventure film written and directed by Joe Cornish. A British-American venture, the film stars Louis Ashbourne SerkisTom TaylorRebecca Ferguson, and Patrick Stewart. The plot follows a young boy who finds King Arthur‘s legendary sword Excalibur, and must then use it to stop an ancient enchantress from destroying the world.

According to review aggregator Rotten Tomatoes, 90% of critics have given the film a positive review based on 153 reviews, and an average rating of 7.8/10. The website’s critical consensus reads, “The Kid Who Would Be King recalls classic all-ages adventures — and repurposes a timeless legend — for a thoroughly enjoyable new addition to the family movie canon.”

imdb