593 – Batman Ninja (2018)

spacetime coordinates: Gotham City > feudal Japand5gZEW1npI2DNE5G00LvPDDICntBatman Ninja (ニンジャバットマン Ninja Battoman) is a 2018 Japanese animated period martial arts superhero film directed by Junpei Mizusaki and produced by Warner Bros. Takashi Okazaki, the creator of Afro Samurai, is the character designer for the film.

IGN awarded Batman Ninja a score of 9.7 out of 10, saying “DC tried something new by bringing in visionary Japanese animators to offer a refreshing take on one of the company’s most beloved characters, and the finished product not only built upon the great adaptations that have come before, but surpassed them.”

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558 – Synthetic Worlds: Nature, Art and the Chemical Industry by Esther Leslie

“Through coal’s carbon chemistry, and its waste product of coal-tar, a realm of synthetic colours and substances is unlocked from a dense and primitive blackness. The first magic act is coal-tar becoming colour, the first of thousands of substitutions. This magic is a black force. Gravity’s Rainbow lets loose its narrative strands amongst a world of acronyms and neologisms, fictional and actual. spqr, arf, mmpi, soe, spog,
cios, bafo, nta, shaef, pwd, cns, pisces, viam, tsagi, niso, bafo, okw, achtung, Kryptosam, Hexeszüchtigung, ctenophile, Oneirine. These clatter like the evil spells from a necromancer’s manual. These clotted words spell out the coordinates of military, economic and technological power. The most important of these cryptic formulae, the acronyms that generate the rainbow and allow the tracing of its arc,are the colour factory ig Farben and the German Second World War rocket weaponry known as v-1, v-2 or a4. Pynchon brings these two industrial-technological forces into proximity with magic, mysticism and alchemy.”

“Inside the arcades, the ur-architectural phenomenon of the nineteenth century, transitional colours, twinkle, glimmer and reflection danced, and all the more charmingly as night fell. In the early days the gas lighting, whose illumination was an uneven flickering, cast a sparkly sheen over everything. In the arcades, their historian Walter Benjamin claimed, ‘falser colours are possible’, and everything is doused in a special ‘glaucous gleam’, which is reminiscent of aquariums, as Friedrich Gerstäcker imagined in a fictional transposition and, after him, Aragon made so vivid in Paris Peasant. In Gerstäcker’s The Sunken City, the hero sees, to his amazement, that
with the gradual infusion of twilight, these undersea corridors just as gradually lit up by themselves. For everywhere in the bushes of coral and sponge were sitting broad-brimmed, glassy-looking medusas, which already at the outset had given off a weak,greenish phosphorescent light that quickly picked up strength at the approach of darkness and now was shining with great intensity.
The arcades are zones of special effects where optical illusions, tricks of the light and transformations readily occur. This is why the arcades appear so magical, but it also intimates something of their propensity to deception and delusion. The very magic of the space colludes with the commodity promises on sale.”

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Celestis offers space burials, with the ashes compacted in a capsule and sent into orbit (before re-entering) or fired to the moon or into deep space (for ever). That which is legally a ‘final deposition’ can be commodified further in an effort to afford a technologically guaranteed sublime.They also offer a star-naming service.   At the start of the twenty-first century, a Chicago company announced that it had created a new way to memorialize loved ones: by turning their charred remains into a gem. The ‘patent-pending’ LifeGem offers to press the cremated ashes of a lost one into a diamond. You can have your loved one with you whenever you choose, which is something that no other memorial product offers, remarks Greg Herro, LifeGem’s chief executive. ‘Nothing else quite offers that everlasting love.’ (…) ‘The proprietary LifeGem creation process creates diamonds from the true essence of our loved ones, the carbon.”

Synthetic Worlds: Nature, Art and the Chemical Industry by Esther Leslie

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Runge_M_80663

Der Bildungstrieb der Stoffe : veranschaulicht in selbstständig gewachsenen Bildern (Fortsetzung der Musterbilder)

by Runge, F. F., 1795-1867 (Includes 23 smaller chromatograms mounted on the title page surrounding the title, and 60 larger chromatograms mounted on 31 leaves. The chromatograms consist of concentric circles of color produced by applying a liquid chemical compound to filter paper.)

546 – Cutie and the Boxer (2013)

Ushio Shinohara: “We are the ones suffering the most from art…”

CUTIE AND THE BOXER - American Poster

Cutie and the Boxer is a 2013 American documentary film produced, shot, and directed by Zachary Heinzerling. The film focuses on the chaotic 40-year marriage of the boxing painter Ushio Shinohara and his wife Noriko. The film features original artwork by Noriko Shinohara and Ushio Shinohara.

Heinzerling said of the couple: “When I first met [the Shinoharas], I was just struck by the raw spirit and beauty that emanates from their faces, their lifestyle, their art, everything about them has so much purpose and character. Even if you don’t speak Japanese, even if you have no previous knowledge of their artwork or who they are, you’re immediately captivated by their presence. They live in a world that’s kind of a time warp that hearkens back to the ‘70s New York SoHo art scene that is sort of canonized in history, certainly from my point of view.”

http://www.imdb.com/title/tt2355540/

541 – Zeno Clash (2009 video game)

1 zeno 1Zeno Clash is a first-person fighting video game with elements of a first-person shooter set in a punk fantasy world. The game is played from a first person perspective and the combat is generally up close and brutal.  It is the debut game of developer ACE Team and uses the Source engine.  The developers stated that they have drawn a lot of inspiration from traditional fighting games—this includes “versus screens” sliding in before combat is initiated. Regarding the art style, they cited Hieronymus Bosch‘s paintings and John Blanche‘s “punk fantasy” illustrations as visual inspirations.

Experience a deep storyline set in a fantastic world. Play the role of Ghat, a man banished by his own brothers and forced to begin a desperate journey past the forbidden desert and to the end of the world.   Critics praised its strange yet robust setting and unique character designs. It was a finalist for Excellence in Visual Art at the 2009 Independent Games Festival, was named 2009’s Independent Game of the Year by PC Gamer, and PC Game of the Month by IGN in April 2009.

SYSTEM REQUIREMENTS (minimum):  Operating System: Microsoft® Windows® XP / Vista / Vista64  // Processor: Intel® Pentium® 4 3.0 GHz  //  Memory: 1 GB RAM  //  Hard Disk Space: At least 3 GB of free space  //  Video Card: 128 MB, Shader model 2.0, ATI 9600, NVidia 6600 or better  //  Sound Card: DirectX® 9.0c compatible sound card  //  DirectX® Version:  DirectX® 9.0c, DirectX® 10

Zeno Clash Walkthrough HD

http://store.steampowered.com/app/22200/Zeno_Clash/

539 – The Curious World of Hieronymus Bosch (2016 documentary)

The Curious World of Hieronymus Bosch directed by David Bickerstaff features the exhibition ‘Jheronimus Bosch – Visions of Genius’ at Het Noordbrabants Museum in the southern Netherlands, which brought the majority of Bosch’s paintings and drawings together for the first time to his home town of Den Bosch.

https://exhibitiononscreen.com/films/bosch/

http://www.imdb.com/title/tt6336002/

529 – Firewatch (2016 video game)

spacetime coordinates:  Shoshone National Forest (Wyoming wilderness) 1989firewatch1jpgFirewatch is a first-person mystery adventure game developed by Campo Santo and published by Campo Santo and Panic. The game was released in February 2016 for Microsoft Windows, OS X, Linux, and PlayStation 4, and for Xbox One in September 2016.

The story follows a Shoshone National Forest fire lookout named Henry in 1989, following the Yellowstone fires of 1988. A month after his first day at work, strange things begin happening to both him and his supervisor Delilah, which connects to a conspired mystery that happened years ago. Henry interacts with Delilah using a walkie-talkie, with the player choosing from dialog options to communicate. His exchanges with Delilah inform the process by which their relationship is developed.

The game was directed by Olly Moss and Sean Vanaman, written by Chris RemoJake Rodkin, Moss and Vanaman, and produced by Gabe McGill and artist Jane Ng. The game’s environment was modelled by Ng, based on a single painting by Moss. The design draws inspiration from New Deal advertisements by the National Park Service and field research conducted in Yosemite National Park.firewatch-poster

SYSTEM REQUIREMENTS (MINIMUM):  OS: Windows 7 or higher 64bit // Processor: Intel Core i3 2.00 GHz or AMD equivalent // Memory: 6 GB RAM // Graphics: NVIDIA GeForce 450 or higher with 1GB Memory // DirectX: Version 11 // Storage: 4 GB available space

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