‘Ce Magnifique Gâteau !’ is a mid-length stop-motion animated anthology film set in colonial Africa in the late 19th century at the time of King Leopold, Belgian Congo and the Scramble for Africa. It tells the stories of 5 different characters: a troubled king, a middle-aged Pygmy working in a luxury hotel, a failed businessman on an expedition, a lost porter, and a young army deserter.
In Welcome to the Greenhouse, award-winning editor Gordon Van Gelder has brought together sixteen speculative [climate fiction (cli-fi)] stories by some of the most imaginative writers of our time. Terrorists, godlike terraformers, and humans both manipulative and hapless populate these pages. The variety of stories reflects the possibilities of our future: grim, hopeful, fantastic and absurd.
Included is new work by Brian W. Aldiss, Jeff Carlson, Judith Moffett, Matthew Hughes, Gregory Benford, Michael Alexander, Bruce Sterling, Joseph Green, Pat MacEwen, Alan Dean Foster, David Prill, George Guthridge, Paul Di Filippo, Chris Lawson, Ray Vukcevich and M. J. Locke.
«The Romans stole the alphabeta system from the Greeks through war», explains Rammellzee. «Then, in medieval times, monks ornamented letters to hide their meaning from the people. Now, the letter is armored against further manipulation.»
New York graffiti artist and B-boy theoretician Rammellzee (the artist encases himself during gallery performances in Gasholeer, a 148-pound, gadgetry-encrusted exoskeleton inspired by an android he painted on a subway train in 1981. Four years in the making, Rammellzee’s exuberantly low-tech costume bristles with rocket launchers, nozzles that gush gouts of flame, and an all-important sound system.)
«From both wrists, I can shoot seven flames, nine flames from each sneaker’s heel, and colored flames from the throat. Two girl doll heads hanging from my waist and in front of my balls spit fire and vomit smoke… The sound system consists of a Computator, which is a system of screws with wires. These screws can be depressed when the keyboard gun is locked into it. The sound travels through the keyboard and screws, then through the Computator, then the belt, and on up to the four mid-range speakers (with tweeters). This is all balanced by a forward wheel from a jet fighter plane. I also use an echo chamber, Vocoder, and system of strobe lights. A coolant device keeps my head and chest at normal temperature. A 100-watt amp and batteries give me power.»
«slanguage» – a heavily encrypted hip-hop argot – is the linguistic equivalent of graffiti «tags» all over the mother tongue. In an essay on English as the imperial language of the Internet, the cultural critic McKenzie Wark argues for the willful, viral corruption of the lingua franca of global corporate monoculture as a political act.
For All Tomorrow’s Parties. 全为明日派对。
timespace coordinates: The Waste Tide depicts a dystopian China in the post-2020 era. (2040’s -2050’s) In the Guiyu island, the large electronic recycle industries are in full control of local lineage associations. The laborers who undertake dangerous work for the profit of the Chinese and foreign businessmen who employ them are depicted not as humans, but cyborgs whose bodies and minds have been altered permanently through bio-engineering.
The Waste Tide is a science fiction novel by the Chinese writer Chen Qiufan.
The story takes place in the imaginary ”Silicon Isle”. The Chinese word ”硅屿” for Silicon Isle shares a similar pronunciation with Guiyu (Chinese: 贵屿) in Mandarin. In the real world, Guiyu is a town in the Shantou prefecture of Guangdong province in China. And it is Shantou where Chen Qiufan was born and grew up before he entered Peking University. Situated on the South China Sea coast, Guiyu got famous in the global environmentalist community for its reception of E-waste. The town held the record for being the largest E-waste site up to 2013. Though some residents got rich by electronic recycling, pollution became serious in the town. Talking about the background of writing the novel, Chen said: ”Choosing my hometown as background to write the story, is related to my thinking of China. To depict the pain of changing China, is just because I desire for she getting better gradually.’ (wiki)
timespace coordinates: 70’s Oregon – Morningside Cemetery
Phantasm is a 1979 American science fantasy horror film directed, written, photographed, and edited by Don Coscarelli. “a truly bizarre mix of outlandish horror, cheapo gore, and psychological mindgames that purposefully blur the line between waking and dreaming.” Marc Savlov
The first film in the Phantasm franchise, it introduces the Tall Man (Angus Scrimm), a supernatural and malevolent undertaker who turns the dead of Earth into dwarf zombies to be sent to his planet and used as slaves. He is opposed by a young boy, Mike (Michael Baldwin), who tries to convince his older brother Jody (Bill Thornbury) and family friend Reggie (Reggie Bannister) of the threat.
Phantasm was a locally financed independent film; the cast and crew were mostly amateurs and aspiring professionals. Though initial reviews were mixed in regards to the dream-like, surreal narrative and imagery, later reception was more positive and the film became a cult classic. (wiki)
Analysis / imdb
timespace coordinates: Mid-1800s Latvia > 1890s – 1900s – 1990s (juvenile detention) Camp Green Lake, Texas Holes is a 2003 American adventure comedy-drama film directed by Andrew Davis, and based on the 1998 novel of the same name by Louis Sachar. Sachar also penned the screenplay for the film. The film stars Sigourney Weaver, Jon Voight, Patricia Arquette, Tim Blake Nelson and Shia LaBeouf. (wiki)