1216 – Sanatorium pod Klepsydra / The Hourglass Sanatorium (1973)

Among all the tales there is one, / which you haven’t heard / and which the night reclaimed long ago. / Have you enough patience to listen to it?

The Hourglass Sanatorium (Polish: Sanatorium pod klepsydrą) is a 1973 Polish film directed by Wojciech Jerzy Has, starring Jan Nowicki, Tadeusz Kondrat, Mieczysław Voit, Halina Kowalska and Gustaw Holoubek. The story follows a young Jewish man who visits his father in a mystical sanatorium where time does not behave normally. The film is an adaptation of Bruno Schulz‘s story collection Sanatorium Under the Sign of the Hourglass. It won the Jury Prize at the 1973 Cannes Film Festival. (Release)

MV5BMjIxMzBlNDgtMTM0Zi00MmEyLWIxMTAtYTFlNGE4OTMyZWVjL2ltYWdlXkEyXkFqcGdeQXVyNTAyODkwOQ@@._V1_timespace coordinates: The time period of the film is a mixture of elements from the turn-of-the-century Galicia where Schulz grew up, and Has‘ own pre-World War II memories of the same region

Joseph (Jan Nowicki) travels through a dream-like world, taking a dilapidated train to visit his dying father, Jacob, in a sanatorium. When he arrives at the hospital, he finds the entire facility is going to ruin and no one seems to be in charge or even caring for the patients. Time appears to behave in unpredictable ways, reanimating the past in an elaborate artificial caprice.

Though Joseph is always shown as an adult, his behavior and the people around often depict him as a child. He befriends Rudolf, a young boy who owns a postage stamp album. The names of the stamps trigger a wealth of association and adventure in Joseph. Among the many occurrences in this visually potent phantasmagoria include Joseph re-entering childhood episodes with his wildly eccentric father (who lives with birds in an attic), being arrested by a mysterious unit of soldiers for having a dream that was severely criticized in high places, reflecting on a girl he fantasized about in his boyhood and commandeering a group of historic wax mannequins. Throughout his strange journey, an ominous blind train conductor reappears like a death figure.

Has also adds a series of reflections on the Holocaust that were not present in the original texts, reading Schulz’s prose through the prism of the author’s death during World War II and the demise of the world he described. (wiki)

imdb


“There are things than cannot ever occur with any precision. They are too big and too magnificent to be contained in mere facts. They are merely trying to occur, they are checking whether the ground of reality can carry them. And they quickly withdraw, fearing to loose their integrity in the frailty of realization. ”  (Bruno Schulz)

1146 – Baraka (1992)

Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)

Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)

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1129 – Jacaszek

Michał Jacaszek (born 1972) is a Polish electroacoustic musician, often credited on albums simply as Jacaszek.

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“Penteal (2009) is an attempt to describe a gothic church interior by means of sounds. A temple owes its special atmosphere not only to visual elements but also to characteristic acoustics – reverb, enhancing and prolonging a slightest whisper into infinity. i spent several days in three Gdańsk historic churches (Oliwa Cathedral, St. Nicolas’ church, St. Mary’s Basilica) recording chanting, organs, and also a broad spectrum of accidental noises. Source sounds were used only as a stimulus which releases the sound of the whole inside, and as such, they were consequently retouched in the post production process. Studio work and also the atmosphere of melody and arrangements were subordinate to the idea of portraying the church as a place filled with distant mysteries, a huge music instrument.”

1063 – The Pianist (2002)

timespace coordinates: 1939 – 1945 Warsaw  during Nazi Germany‘s invasion of Poland /  Warsaw Ghetto /  the Warsaw Ghetto Uprising /  the Warsaw Uprising

MV5BOWRiZDIxZjktMTA1NC00MDQ2LWEzMjUtMTliZmY3NjQ3ODJiXkEyXkFqcGdeQXVyNjU0OTQ0OTY@._V1_The Pianist is a 2002 biographical drama film produced and directed by Roman Polanski, scripted by Ronald Harwood, and starring Adrien Brody. It is based on the autobiographical book The Pianist, a Holocaust memoir by the Polish-Jewish pianist and composer Władysław Szpilman, a Holocaust survivor. The film was a co-production of France, the United Kingdom, Germany, and Poland.

The story had deep connections with director Roman Polanski because he escaped from the Kraków Ghetto as a child after the death of his mother. He ended up living in a Polish farmer’s barn until the war’s end. His father almost died in the camps, but they reunited after the end of World War II. (wiki)

imdb

1034 – Frostpunk (2018 city-building / survival game)

timespace coordinates: The game is set in an alternate 1886 where the eruptions of Krakatoa and Mount Tambora, the dimming of the Sun, and other unknown factors caused a worldwide volcanic winter. This in turn led to widespread crop failure and the death of millions. This event roughly lines up with the real world 1883 eruption of Krakatoa, a volcanic event that led to global cooling. In response to this, several installations called “generators” were built by the British authorities in the coal-rich North, designed to be city centers in the event that dropping temperatures force mass migration from the south. In all scenarios, the player is the leader of a city around a generator, and will have to manage resources to ensure the city’s survival. (wiki)

Frostpunk Full Campaign Gameplay 

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1012 – Wolfenstein: The New Order (2014 video game)

timespace coordinates: alternate 1960s Nazi Europe

wild pear tree poster

Wolfenstein: The New Order is an action-adventure first-person shooter video game developed by MachineGames and published by Bethesda Softworks. It was released on 20 May 2014 for Microsoft Windows, PlayStation 3, PlayStation 4, Xbox 360, and Xbox One. The game is the seventh main entry in the Wolfenstein series and the sequel to 2009’s Wolfenstein, set in an alternate history 1960s Europe where the Nazis won the Second World War. The story follows war veteran William “B.J.” Blazkowicz and his efforts to stop the Nazis from ruling over the world. (wiki)

Wolfenstein®: The New Order reignites the series that created the first-person shooter genre. Under development at MachineGames, a studio comprised of a seasoned group of developers recognized for their work creating story-driven games, Wolfenstein offers a deep game narrative packed with action, adventure and first-person combat.


Intense, cinematic and rendered in stunning detail with id® Software’s id Tech® 5 engine, Wolfenstein sends players across Europe on a personal mission to bring down the Nazi war machine. With the help of a small group of resistance fighters, infiltrate their most heavily guarded facilities, battle high-tech Nazi legions, and take control of super-weapons that have conquered the earth – and beyond.

Tour Of Resistance Hideout


SYSTEM REQUIREMENTS (MINIMUM)Requires a 64-bit processor and operating system / OS: 64-bit Windows 7/Windows 8 / Processor: Intel Core i7 or equivalent AMD / Memory: 4 GB RAM / Graphics: GeForce 460, ATI Radeon HD 6850 / Storage: 50 GB available space

Wolfenstein: The New Order – Full Walkthrough


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