305 – Ori and the Blind Forest (2015 video game)

Ori and the Blind Forest is a platform-adventure Metroidvania video game developed by Moon Studios and published by Microsoft Studios. The game was released for Microsoft Windows and Xbox One on March 2015. In the game, players assume control of Ori, a white guardian spirit, and Sein, the “light and eyes” of the Forest’s Spirit Tree. To progress in the game, players are tasked to move between platforms and solve puzzles. The game features a system called “soul links”, which allows players to save at will, and an upgrade system that gives players the ability to strengthen Ori’s skills.

A sequel, Ori and the Will of the Wisps, was announced during Electronic Entertainment Expo 2017. A Definitive Edition was released in 2016.

SYSTEM REQUIREMENTS (MINIMUM)OS: Windows 7 / Processor: Intel Core 2 Duo E4500 @ 2.2GHz or AMD Athlon 64 X2 5600+ @ 2.8 GHz / Memory: 4 GB RAM / Graphics: GeForce 240 GT or Radeon HD 6570 – 1024 MB (1 gig) / DirectX: Version 9.0c / Storage: 8 GB available space

steam

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283 – Twin Peaks (TV Series 2017– )

Twin Peaks, also known as Twin Peaks: The Return or Twin Peaks: The Third Season, is an American mystery drama television series created by Mark Frost and David Lynch. It is a continuation of the 1990–91 ABC series of the same nameTwin-Peaks-goldSet 25 years after the original Twin Peaks, the series focuses on a number of storylines, many of which are connected through association with FBI Special Agent Dale Cooper (MacLachlan). It takes place in a variety of locations in addition to the fictional Washington town of Twin Peaks, including Las Vegas and South Dakota.

http://www.imdb.com/title/tt4093826/

280 – A Sound of Thunder (2005)

spacetime coordinates:  Chicago, 2055 > the cretaceous

A Sound of Thunder is a 2005 science fiction thriller film directed by Peter Hyams, and starring Edward BurnsCatherine McCormack and Ben Kingsley. It is a co-production film between the United Kingdom, the United States, Germany, and the Czech Republic.

http://www.imdb.com/title/tt0318081/

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a classic example of “failed return” or “no return” cautionary tales is A Sound of Thunder by Ray Bradbury published in 1952. on a personal level i love both the EC comic book adaptation with artwork by Al Williamson and the 2005 movie adaptation by Peter Hyams that was a box office flop and has receive mostly negative reviews by critics. the original story features one of the first instances of the butterfly effect, in particular as applied to time travel paradoxes and uncontrollable evolutionary/ political outcomes. this was way before it became a meteorologic mainstay of chaos theory after its use by Edward Lorenz to describe stormy ripple-like effects on nonlinear systems, seemingly very sensitive to minute initial conditions.   sound-of-thunder-ec-comics-1the movie A Sound of Thunder features a time travel tourist agency from the year 2055. Time Safari Inc. is a chronocapitalist enterprise that organizes prehistoric retro-hunting expeditions to far-off epochs where dinosaurs roamed the earth. in order to do that, mankind is cheating on the big dinosaur mass extinction. long after humankind has killed most of the big game life on earth it tracks down other, more elusive and ferocious megafauna. the whole ‘hunting’ for the ultimate predator T-Rex (or an Allosaurus in the movie) turns out to be a very complex business. the paleo-poaching is based on hiding your acts under the cover of natural occurrences, trophy hunting pretending to be a mass extimction event. in order to fake the killing shot one must plan ahead every retro-killing move. practically Time Safari Inc. is cheating evolutionary history by trying to synchronize with ‘naturally’ occurring death events and extract entertainment value out of impossible inter-species encounters, normally separated by enormous gulfs of time. (…)

a-sound-of-thunder-illustrated-by-franz-altschuler-565-playboy-june-1956

geohistory becomes a perfect crime scene – where the time traveling expedition has to erase all traces – all influence that might otherwise impact the future with definite catastrophic (especially anthropic future) results. as often, humans are kind of role-playing hide and seek with natural selection. in this bizarre and strange inversion of the anthropocenic stratigraphic proof – masquerades as natural force, where a devious human causality is trying to hide behind a pre-human mass extinction event. it is almost the same principle guiding the climate denialist that pretends to hide behind previous catastrophic climate fluctuations.sound of thunderas one might expect, it’s a chronoclysm waiting to happen. all the clients of  Time Safari Inc. are prone to making mistakes, and not only do they leave marks (the absolute no 1 rule of time travel is non-intervention) but they also bring back something (the 2nd most important rule) basically invariably smuggling the prehuman past into the future. somehow a prehistoric dead butterfly makes it through the biofilter (a great example of what I would call New Wallace Lines) that is scanning every living reentry into the present, every possibility of warping the timelines. the alteration of the past produces a chronoclysm that manifests itself as a rhythmic, rapidly accelerating ‘time waves’ that transform the city and its denizens. more to the point in the Peter Hyams movie, the first divergence is a sudden appearance of teeming swarms of beetles and a gigantic strangler fig-like tree bursting through a Chicago high rise building, while the main characters Ryan and Rand make a narrow escape. it is by no means accidental that swarms and insect swarms in particular are associated with time waves. multiply proliferating and and highly distributed, swarms are chronoclysmic purveyors that help carry and suffer the radical effects of timeline distortion. sound of thunder 3there are reports of global increases in temperature and humidity and plant life seems to prosper, while this time warped climate change suddenly seems to be echoing sweltering hot pre-human conditions of long gone geological epochs and dead jungles. (…)

stefan tiron – Cosm/c Dr/ft & T3mporal D/vergence (2016)- EXIT THE PORTAL: The Strange Comeback to a Weird Earth

157 – Pilgrimage (2017)

spacetime coordinates: Ireland, 1209.

Pilgrimage-new-poster

Ireland, 1209. An island on the edge of the world. A small group of monks begin a reluctant pilgrimage across an island torn between centuries of tribal warfare and the growing power of Norman invaders. Escorting their monastery’s holiest relic to Rome, the monks’ progress is seen through the eyes of a pious young novice and a mute lay-brother with a violent past. As the true material, political and religious significance of the bejeweled relic becomes dangerously apparent, their path to the east coast becomes increasingly fraught with danger. The monks belatedly realize that in this wild land of ancient superstitions, the faith that binds them together may ultimately lead to their destruction.

Cast:

Tom Holland … The Novice – Brother Diarmuid

Jon Bernthal … The Mute

Richard Armitage … Raymond De Merville

Stanley Weber … The Cistercian – Brother Geraldus

John Lynch … The Herbalist – Brother Ciaran

Hugh O’Conor … Brother Cathal

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imdb

142 – The VVitch: A New-England Folktale (2015)

spacetime coordinates:  1630s New England

thevvitch

The Witch (stylized as The VVitch, subtitled A New-England Folktale) is a 2015 historical period supernatural horror film written and directed by Robert Eggers in his directorial debut and stars Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger and Lucas Dawson. The film follows a Puritan family encountering forces of evil in the woods beyond their New England farm.

the witch

the film was inspired by many folktales, fairytales and written accounts of historical witchcraft, including journals, diaries and court records. much of the dialogue comes directly from the period sources. The production team worked extensively with British and American museums, as well as consulting experts on seventeenth-century British agriculture.

The Witch

In order to give the film an authentic look, Eggers shot only “with natural light and indoors, the only lighting was candles.” Eggers also chose to stylize the film’s title as “The VVitch” in its title sequence and on posters, stating that he found this spelling in a Jacobean era pamphlet on witchcraft, along with other period texts.

In the Witch’s Coven scene, the chant is in Enochian which is an angelic language often used in magical rituals. It first recorded by the 16th century occultist John Dee and his partner Edward Kelley. In this particular scene, the witches are using The Eleventh Enochian Key is used to herald the coming of the dead and establish a sustenance beyond the grave. To bind to the earth. A funerary call.

In December 2013, costume designer Linda Muir joined the crew, and consulted 35 books in the Clothes of the Common People in Elizabethan and Early Stuart England series to plan the costumes. The costumes were made with wool, linen, or hemp. Muir also lobbied for a larger costume budget.

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A hare appears frequently in the film. In New England superstitions, hares were considered magical creatures in their own right, but were often associated with witches, either as a witch’s familiar (called a milk-hare), which stole or spoiled milk from the farm animals, or the witch themselves, who was thought able to turn into a hare in order to spy on and influence people.

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imdb, wikipedia