spacetime coordinates: 1890’s wild west
The game takes place in the universe of Asymmetric’s Kingdom of Loathing, in a Weird Western themed frontier setting. The player character leaves the family farm and heads west to seek their fortune on a trek to the city of Frisco. (wiki)
SYSTEM REQUIREMENTS (MINIMUM) – OS: Windows XP SP2+ / Processor: 2.8 GHz Intel® Core™2 Duo or better / Memory: 2 GB RAM / Graphics: 512 MB / Storage: 4 GB available space
The Falling Sky is a remarkable first-person account of the life story and cosmo-ecological thought of Davi Kopenawa, shaman and spokesman for the Yanomami of the Brazilian Amazon. Representing a people whose very existence is in jeopardy, Davi Kopenawa paints an unforgettable picture of Yanomami culture, past and present, in the heart of the rainforest–a world where ancient indigenous knowledge and shamanic traditions cope with the global geopolitics of an insatiable natural resources extraction industry.In richly evocative language, Kopenawa recounts his initiation and experience as a shaman, as well as his first encounters with outsiders: government officials, missionaries, road workers, cattle ranchers, and gold prospectors. He vividly describes the ensuing cultural repression, environmental devastation, and deaths resulting from epidemics and violence. To counter these threats, Davi Kopenawa became a global ambassador for his endangered people. The Falling Sky follows him from his native village in the Northern Amazon to Brazilian cities and finally on transatlantic flights bound for European and American capitals. These travels constitute a shamanic critique of Western industrial society, whose endless material greed, mass violence, and ecological blindness contrast sharply with Yanomami cultural values.
Bruce Albert, a close friend since the 1970s, superbly captures Kopenawa’s intense, poetic voice. This collaborative work provides a unique reading experience that is at the same time a coming-of-age story, a historical account, and a shamanic philosophy, but most of all an impassioned plea to respect native rights and preserve the Amazon rainforest. (amazon)
“When I come back from a trip among the white people, the dizziness leaves my eyes after a while and my thought be-comes clear again. I no longer hear cars, machines, or airplanes. I only lend an ear to the tooro toads and krouma frogs that call the rain in the forest. I only hear the rustling of the leaves in the wind and the rumbling of the thunders in the sky. The ignorant words of the city politicians gradually vanish in the quiet of my sleep. I become calm again by going to hunt and making my spirits dance.
The forest is very beautiful to see. It is cool and aromatic. When you move through it to hunt or travel, you feel joyful and your mind is slow-paced. You listen to the chirping of the cicadas in the distance, or the cries of the curassows and the agami herons, and the clamor of the spider monkeys in the trees. Your worries are eased. Your thoughts can then follow one another without getting obscured.”
spacetime coordinates: 2010’s Hungary / BudapestThe juxtaposition of supernatural thriller tropes and urgent socio-political issues in Kornél Mundruczó’s latest movie — an original take on the superhero origin story set to the backdrop of the refugee crisis — might prove a delicate one for some viewers to take. Those unperturbed, however, should find much to relish in Jupiter’s Moon, a film that somewhat lightly plays with themes of religion and immigration as it rumbles, crashes, and ultimately soars through the streets of the Hungarian capitol. It’s a tricky balance and Mundruczó (who had a break-out with his canine revolt film White God in 2014) strikes it with style and confidence (even going so far as to signpost it in an opening prologue that reminds the audience that the titular gas giant’s largest orbiting body is called Europa, and that many believe that large oceans rest beneath its icy surface where a “cradle of life” might exist). The hero of Jupiter’s Moon, a young Syrian refugee with the connotation heavy name of Aryan (played by Majd Asmi), does not find a cradle of life in his Europa. To the contrary, in fact, he’s gunned down in the opening minutes… (read more)
“In ancient history there was a tree called Ta-khun, whose spring (Chun) was 8000 years, and its autumn (Qiu) the same.”
The story was inspired by a myth from the ancient Chinese Taoist classic Zhuangzi. The film also integrates many stories from other Chinese classics such as Classic of Mountains and Seas and In Search of the Supernatural.
spacetime coordinates: 1970s Red Creek Valley
Experience, in non/linear fashion, a story that combines the pleasures of pulp, private eye, and horror fiction, all of it inspired by writers such as Raymond Chandler, Algernon Blackwood, Stefan Grabinski, and H. P. Lovecraft.
The Vanishing of Ethan Carter is a 2014 horror adventure video game developed and published by The Astronauts for Microsoft Windows, PlayStation 4 and Xbox One.
The Vanishing of Ethan Carter is a first-person story-driven mystery game that focuses entirely on exploration and discovery. Inspired by the weird fiction (and other tales of the macabre) from the early twentieth century, The Vanishing of Ethan Carter aims to significantly evolve immersive storytelling in games. While it features a private detective and quite a few mental challenges, The Vanishing of Ethan Carter is not an especially puzzle-ridden game. Our focus is on atmosphere, mood, and the essential humanity of our characters.
SYSTEM REQUIREMENTS (MINIMUM): OS: Windows 64-bit // Processor: Intel Core2 Duo or equivalent AMD // Memory: 6 GB RAM // Graphics: DirectX11 compliant card with 1GB of VRAM // DirectX: Version 11 // Storage: 9 GB available space // Sound Card: DirectX9c compliant
“Maud Hill: There’s no place on earth people understand loneliness better than here.”