timespace coordinates: (retrofuturistic) Victorian London >Lisbon >Alexandria >Paris
Poor Things is a 2023 film directed by Yorgos Lanthimos and written by Tony McNamara. It stars Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Christopher Abbott, and Jerrod Carmichael. Based on the 1992 novel by Alasdair Gray, (wiki)
imdb // rt // brain transplant
This book is a philosophical essay on the sun. It draws on Georges Bataille’s theories of the solar economy and solar violence and demonstrates their relevance to a world affected by the COVID-19 pandemic and climate change.
The sun, which, since Antiquity, has played an essential role in our utopian imaginations, is the ultimate source of energy, both productive and destructive. According to Georges Bataille, its infinite generosity can be taken as the model for human societies, which suggests an alternative to the capitalist economy with its infinite expansion, colonization, and disastrous consequences on the cosmic scale.
Taking a step from solar economy to solar politics, Timofeeva locates the grounds for it in solidarity with nature, treated neither as a master nor as a slave, but as a comrade.
Table of contents :
Cover
Series List
Title Page
Copyright
Contents
Acknowledgments
Introduction: Two Suns and the City
1 Two Kinds of Violence
2 General Economy
3 Restrictive Violence of Capital
Conclusion: The Sun Is a Comrade
Notes
Probably one of the most disconcerting things about Whitheadian process philosophy (or the philosophy of organism – as Whitehead called it) was its “theological” reception and transmission via American process theology (particularly Charles Hartshorne mentioned in this talk several times). It is a historically incontestable fact, that Whitheadian process philosophy survived in that milieu in mid XX century, although overall the chapter dedicated to God in ANWs magnum opus Process & Reality: An Essay in Cosmology is rather small. It almost feels like an afterthought.
I publish this here for anyone wanting to hear a contemporary discussion about inner and outer relations. This talk is a crash course of sorts through the difficulties (if completely unfamiliar with Whiteadhead’s metaphysics) but also a proof of the vivacity and constant evolution of process philosophy in today’s world. One could of course pick and choose favorite morsels about cells, agency, causality, and organizational levels – from this talk. To conclude with the conclusion of Bonnitta – the best of contemporary science and especially new contemporary scientific advances have to inform our metaphysics and philosophy – the same way the scientific advances of Whitehead’s time (quantum formalism and general relativity) were inspiring and reshaping those insights.
Whiteheadian Marxists like Steven Shaviro have taken another route entirely than the usual process theologians (check the pdf God, or the Body Without Organs from which I will quote heavily) and bringing forth Whitehead’s own criticism of both Leibniz’s and Spinosa’s notion of God, even if their positions are closer to him than anyone else. But like all thinkers of the last 2000 years (to quote Shaviro) they allow “ethical and religious interests. . . to influence metaphysical conclusions” (173). This Kantian Whitehead or critique of religion is indeed a different beast that we have become acquainted with (through let’s say essential immanentist readings like Isabelle Stengers’s Thinking with Whitehead). His criticism of religious belief is from a transcendental position rather than an immanent, Spinozian one. Rather than eliminating God (Shaviro underlines) like Nietzsche he seeks to accomplish a “the secularization of God’s functions in the world” (1929/1978, 207). This startling attempt is part of the Enlightenment project, but with a twist, because it does not seek to eliminate religion, only diminish its importance. Whitehead seeks to establish a God without religion as he wants to respect the findings of physical science without supporting “science’s reductionist positivism or tendentious separation of facts from values.” This secularized God is God as the Principle of Concretion. Coherence is here the most important thing and Shaviro continues to explain why in a passage from 2008 that is both memorable and crystal clear (coherence- a notion that is not so much logical as ecological):
The principle of coherence stipulates that “no entity can be conceived in complete abstraction from the system of the universe” (3). In order to exist, a given entity presupposes, and requires, the existence of certain other entities, even though (or rather, precisely because) it cannot be logically derived from those other entities, or otherwise explained in their terms. Coherence means, finally, that “all actual entities are in the solidarity of one world” (67).
God, or the Body without Organs, ~Steven Shaviro
The film was made by Jean-Claude Lubtchansky, a close associate of Madame de Salzmann (who worked with Gurdjieff for nearly 30 years) with the support of the Gurdjieff Institute in France and there is a French version here: (unavailable)
This documentary was posted a few months ago and it is really quite fortunate to have access to it. It follows the life of Gurdjieff much more systematically and in detail than I have been able to do in my review of Meetings with Remarkable Men. It is full of old photos and even recordings of Gurdjieff himself and some scenes with recordings of his movements/dances. It is full of quotes and extracts from his books. If you are interested in finding out more about one of the most interesting, rapscallion philosophers/characters of the 20th century please check out this documentary.
Gurdjieff’s teaching is fully described in the book called “In Search of the Miraculous” which can be read at http://www.gurdjieff.am
(The pantry in Gurdjieff’s Paris apartment. Photo courtesy of the Gurdjieff Foundation of New York) As related in the movie such a place was also a place of meetings and counseling. Like a friend said: show your pantry to tell you who you are.
timespace coordinates: 1920’s Cambridge, Göttingen, Switzerland > 1930’s California, 1940’s Los Alamos, New Mexico, 1950’s Washington, D.C.
Oppenheimer (/ˈɒpənhaɪmər/ OP-ən-hy-mər) is a 2023 epic biographical thriller film written and directed by Christopher Nolan. It stars Cillian Murphy as J. Robert Oppenheimer, the American theoretical physicist credited with being the “father of the atomic bomb” for his role in the Manhattan Project—the World War II undertaking that developed the first nuclear weapons.
Based on the 2005 biography American Prometheus by Kai Bird and Martin J. Sherwin, the film chronicles the career of Oppenheimer, with the story predominantly focusing on his studies, his direction of the Manhattan Project during World War II, and his eventual fall from grace due to his 1954 security hearing.
The film also stars Emily Blunt as Oppenheimer’s wife “Kitty”, Matt Damon as head of the Manhattan Project Leslie Groves, Robert Downey Jr. as U.S. Atomic Energy Commission member Lewis Strauss, and Florence Pugh as Oppenheimer’s communist lover Jean Tatlock. The ensemble supporting cast includes Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh.
accuracy and omissions // classifications and censorship
Oppenheimer’s simultaneous release with Warner Bros.’s Barbie led to the Barbenheimer cultural phenomenon, which encouraged audiences to see both films as a double feature. (wiki)
spacetime coordinates: near-future Norco, Louisiana / other portions of the state around New Orleans.
NORCO is a text-based point & click adventure that immerses the player in the sinking suburbs and industrial swamplands of an increasingly surreal and distorted South Louisiana.
The game’s developer goes by a pseudonym, Yuts, derived from a nickname for his grandfather. Yuts spent his childhood and some of his later life in Norco. Growing up, Yuts was “frightened yet transfixed” by the landscape in and around Norco, which has been shaped by the petroleum industry and hosts a major Shell facility which has twice experienced catastrophic explosions.
The game grew out of a multimedia documentary work by Yuts and a friend, started in 2015.[3] The work incorporated writing, interviews, and audio-visual components, focused on the impact of Hurricane Katrina on Louisiana and its landscape. In addition to Yuts, members of the development team, Geography of Robots, include Yuts’ sister, Aaron Gray, Jesse Jacobi, and pseudonymous musicians fmAura and Gewgawly I. Part of the multimedia project was a side-scrolling game in which a robot attempts to enter a refinery in Norco; this game became Norco, and the earliest version of the current game was created in 2016. Yuts and Geography of Robots designed the game in the pixel art style. Yuts relied on internet research to teach himself how to create the illustrations he contributed to the game.
Gewgawly I was Yuts’ original collaborator. Gewgawly I and fmAura worked to design the game’s soundtrack, attempting to “capture the… mood and ambience” of the River Parishes. The game incorporates field recordings by a friend of the development team, Matt Carney, taken around Baton Rouge.
Norco will be the first game in a trilogy.
(wiki)
SYSTEM REQUIREMENTS (MINIMUM): OS: Windows 7 / Processor: Intel i5 or AMD equivalent / Memory: 4 GB RAM / Graphics: Intel Iris/AMD Vega 8 or equivalent / DirectX: Version 10 / Storage: 4 GB available space
Superduck: Superduck is, what else?
A network.
A system of signals.
Wireless communication of locusts and frogs. Cypress roots. Disease vectors.
Internet of flesh. Biomimicry. Internet of internet. Radio towers.
TimeSpace Warps 