timespace coodinates: 2010’s Nairobi, Kenya / Northwood Headquarters / Creech Air Force Base in Nevada / Pearl Harbor in Hawaii / the Cabinet Office in London
Eye in the Sky is a 2015 British thriller film starring Helen Mirren, Aaron Paul, Alan Rickman, and Barkhad Abdi. Directed by Gavin Hood and written by Guy Hibbert, the film explores the ethical challenges of drone warfare. (wiki)
timespace coordinates: 2009 Maersk Alabama hijacking, the Guardafui Channel to Mombasa, Kenya (off the coast of the Horn of Africa)
Captain Phillips is a 2013 American biographical thriller film directed by Paul Greengrass. The film tells the story of the eponymous Captain Richard Phillips, a merchant mariner who was taken hostage by Somali pirates. It stars Tom Hanks as Phillips, alongside Barkhad Abdi as pirate leader Abduwali Muse.
The screenplay by Billy Ray is based on Phillips’s 2010 book A Captain’s Duty: Somali Pirates, Navy SEALs, and Dangerous Days at Sea, which Phillips co-wrote with Stephan Talty. (wiki)
timespace coordinates: 1899, alternate Victorian Age world
The League of Extraordinary Gentlemen is a 2003 dieselpunk superhero film loosely based on the first volume of the comic book series of the same name by Alan Moore and Kevin O’Neill, directed by Stephen Norrington. It was the final live-action acting role for Connery before his retirement in 2006 and death in 2020.
As with the comic book source material, the film features prominent pastiche and crossover themes set in the late 19th century. It features an assortment of fictional literary characters appropriate to the period who act as Victorian era superheroes. (wiki)
A history of decolonization, told through the colonized point of view, in 3 chapters: ‘Learning’, ‘Liberation’ and ‘The world is ours’
timespace coordinates: 1994 > early 2000’s > modern-day Mumbai, Mombasa, Kenya, Dubai, Croatia
A policeman, a criminal overlord, a Bollywood film star, politicians, cultists, spies, and terrorists — the lives of the privileged, the famous, the wretched, and the bloodthirsty interweave with cataclysmic consequences amid the chaos of modern-day Mumbai. The series is based on the critically-acclaimed best-selling novel Sacred Games by author Vikram Chandra. (rottentomatoes)
The title sequence, logo, and title designs were designed by graphic designer Aniruddh Mehta and Mumbai-based motion lab Plexus, who drew inspiration from the Hindu mythology for the designs. Mehta said that each emblem was a contemporary take on “stories from ancient Hindu scriptures, mandala‘s, mixing modern design elements with characters from the Indus Valley Civilization” that were derived from the episode titles. (wiki)
Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)
Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)
Home is a 2009 French documentary film by Yann Arthus-Bertrand. The film is almost entirely composed of aerial shots of various places on Earth. It shows the diversity of life on Earth and how humanity is threatening the ecological balance of the planet. The English version was read by Glenn Close.
The film was financed by Kering, a French multinational holding company specializing in retail shops and luxury brands, as part of their public relations strategy. (wiki)
Yann Arthus-Bertrand said in a TED talk that the movie has no copyright.
TimeSpace Warps 